Hand-painted daisies adorn these porcelain cornucopia-shaped vases mounted on Gilt Spelter cast bases featuring four cherub faces amidst vines and leaves. The top of each vase is pierced with gilt paint highlighting the piercings and hand painted gilt vines.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
Residence of the Late Patrick McEvoy of Manheim Township
Description
Black and white drawing, pen, ink,pencil and watercolor on cream-colored paper. Drawing show the Harrisburg Pike residence of Patrick McEvoy (1805-1870) who was a railroad contractor and later a partner in a banking house on E. King St. in Lancaster. The drawing consists of a barn and a yard in front with animals and a large house to the right surrounded by large trees. A road in foreground has a carriage, two horses and a driver in motion. A watercolor wash is used to shade and fill in and add texture to grass, trees, roofs, animals, clouds, etc.
Caption at bottom reads: "RES OF LATE PATRICK McEVOY./ MANHEIM, TP LANCASTER, COUNTY, PA." In the second line, "MANHEM, Tp" is crossed out and "Manheim Tp" is handwritten underneath in black ink.
Mounted in a wood frame that is painted black with a veneered face. Step-matted in black and cream.
Seller's label on back reads: "CA. 1875 ORIGINAL B & W WASH OF/ THE RESIDENCE OF THE LATE PATRICK/ McEVOY OF MANHEIM TOWNSHIP/ LANCASTER COUNTY, PA./LOCATED ALONG HARRISBURG PIKE, IT WAS TORN DOWN IN 1967.
Lines of brown soiling around edges. Four small brown moisture stains to left. Minimal brown stains overall. Black line under caption. Two white spots in lower right corner.
Object ID
P.99.01.01
Notes
See paper object file for references to McEvoy in:
- Biographical Annals of Lancaster County, p.99
-1869 Directory of Lancaster County, pp. 305, 395 & 409.
-slide & 2 photos
Patrick McEvoy was born in Ireland in 1805, came to America in 1823 and quickly became a prominent railroad contractor. In 1867 he became a member of the banking house of Evans, McEvoy & Co. in Lancaster. See copy of Bio Annals entry for other notable business and political activities. He died in 1870 and is buried in St. Mary's Catholic Cemetery, Lancaster.
Also, invoice of purchase from The Book Haven, Lancaster, PA
Pencil sketch on heavy grey paper, by Lloyd Mifflin. Pencil sketch on both sides, though sketch on back appears to be unfinished.
Front sketch: Haystacks in field in foreground, with trees, hill, and sky in background. Highlights in white pencil of chalk.
Back sketch: Unfinished showing field with roughly drawn haystacks and vegetation, looking down on the Susquehanna River with opposite shoreline shown, with a roughly drawn bridge going across the river.
Written on back of modern frame is: "Bridge at Columbia, c. 1871."
Heavy grey paper in unevenly cut around edges, the corner it torn away in the bottom right corner. Upper right corner is creased. Paper is beginning to fox, with some age discoloration. Framed under glass in a new frame.
Watercolor painting of Susquehanna River near canal at Columbia.
Tiny watercolor done in shades of white, gray and black on rectangular, light brown paper. Scene depicts the town of Columbia as seen from the north side, with the canal leading up to the town, large chimneys belching smoke at center and the bridge crossing the Susquehanna River at right.
Newly framed by donor in gold frame. Mounted on heavy pink paper with 1/4" border extending beyond all four sides. This paper is then mounted on a background paper of dark green.
Inscribed on reverse: "Susquehanna at Columbia/ Lloyd Mifflin/ 1846-1921/ c. 1870." (Written by Wendell Zercher)
Crest of top rail, finger-molded in scalloped shaped. Horizontal splat curved upward, terminating in scroll on each end, thicker at middle. Seat is shield shape, serpentine front. Legs plain cabriole, back legs square and canted. 36.14.3 differs from 36.
Two small scenes drawn/painted by Lancaster County artist, Lloyd Mifflin, mounted together in a modern frame. 2 parts: Paris scene in pencil at top (A) and grey-to-black watercolor at bottom (B).
(A) Pencil sketch on paper, looking up Seine River in Paris with city on either side, boats in water and arched bridge in distance. Sign at bottom left: "L.M. Paris '72" 3.875 inches wide by 1.875 inches high.
(B) Monochromatic grey-to-black watercolor, except for white paint applied to sun on horizon and white highlights to main trunk to trees. River scene, with trees, hills in distance, and sun on horizon. Unsigned. 3.25 inches wide by 2.3125 inches high.
Newly framed on light blue background with white under matting; glass covered; greenish wood frame with black speckles. Written by Wendell Zercher.
