Parisian Pink decorated china platter. pink and gold border with a gold medallion at the center of the platter. Designed by Jean-Pierre Feuillet. Some wear on interior and exterior gold border.
James Buchanan purchased the platter as part of a Parisian Pink china service from the retiring French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt at his Washington diplomatic residence in the year 1846.
The catalog number written on the bottom of the platter is 98.1.18 and will need to be changed to W.1998.001.016.
One pair of Chippendale brass and iron andirons. Contains large reeded ball at top, three graduated small balls center and large ball at base. Snake turned base with two small balls each side of snake turning. Rear of base small turned ball with double column base.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
Oval top empire-style table with side skirt. Skirt has beaded top and bottom. Table divides to accomodate four leaves. Four-sided reeded central pillar with two turned feet underneath and four c-scrolled supports. Solid base with four radial, long legs w
Undocumented stories claim that this table was ordered by William Jenkins in 1828, the year he had the Wheatland mansion built, and that it has conveyed to each subsequent owner with the deed. The table dates from the first quarter of the nineteenth century and might attributed to the Bachman cabinetmakers.
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
oil painting on canvas is of Harriet Lane & Henry Elliot Johnston's two sons who they lost to rheumatic fever. The artist captured the boys' images at the age of their deaths based on family photographs. The imagery of the afterlife abounds in this painting including the boys seated on the edge of a cliff of rock, the clouds gathering in the skies and the bright light on the horizon above the water. The painting is mounted in a gilt cove and scoop picture frame. Both boys are holding their favorite items. These objects and the styles of their garments are meant to be reflective of their personalities. The oldest, James Buchanan Johnston was 14 years-old; he is seated on the left holding a book and is wearing a black velvet fauntleroy jacket, vest and shorts with a white collar and blue bowtie. Henry Elliot Johnston, Jr. was 12 years-old; he is seated on the right holding a toy pistol and is wearing the Johnston Scottish tartan kilt with his feathered Glengarry bonnet, his sporran and Ghillie brogues.
Harriet Lane Johnston beaded jacket to match gown (W.40.17.1)
Description
Jacket Black crape silk, beaded in black glass beads, designed by Worth of Paris. Fully-lined in black silk taffeta and interlined with muslin. Has small turned down collar with full length set-in sleeves. Collar, cuffs, and hem trimmed with 3'' fringe and 3'' strand of black beads every inch. Varying size of black beads used to create a contoured design of flowers and swirls on front and sleeves.