Dark Brown Leather, Tan Suede, Stitched Seat. Red, Blue, Green, and Cream Woven Girth. Quilted Padding Underneath. Tulip Motif Painted on Saddle in Red, Green and Brown. Maker's Mark - 'H. Pinkerton, Maker, Lancaster'
American Empire style stool has an upholstered adjustable seat finished with green silk velvet. The serpentine apron and urn shaped pedestal surmounts a plinth base with four square legs each terminating on casters. The primary wood, pine, is veneered in walnut.
Balloon back walnut chairs with serpentine splat. Louis XV style back is rounded and finger molded with no additional carving. Flaring upholstered seat-black horsehair-with serpentine front with beaded molding at bottom of skirt. Cabriole front legs, rounded, with slightly curved square back legs terminating on flat feet.
Artifacts mentioned by Ara Hatch in New York Dalily Times 11/10/1856. Person had visited Wheatland.
Height (in)
34.312
Width (in)
18
Depth (in)
16.125
Condition
Excellent
Condition Date
2022-11-21
Condition Notes
Reupolstered; James Buchanan Foundation records indicate the seats were originally covered in green morrocan leather.
Object ID
W.1936.001.015.2
Notes
The chair was presumed to belong to James Buchanan by the James Buchanan Foundation representatives in 1936 when they bought certain furnishings that were still in the mansion during the Willson-Rettew Estate sale.
Mentioned by Ara Hatch in the N.Y. Daily Times (visited Wheatland 10 November 1856.)
Covered originally in red velvet with woven gold thread tape at edges. Four plain bracket feet. Flared cushion at bottom. Top of cushion worked in needlepoint- red and white trumpet flowers, leaves forming wreath around white cloth draped cross. Possibly Italian.
Large rectangualr rosewood veneer box with hinged lid and pressed metal oval-shaped handle centered on lid. The underside of the lid has a mirror that is hinged with a top swinging catch that comes down to convert it to a writing surface. Several separate velvet-lined compartments of varying size comprise the inside of the box. There is cock-bead molding around lower edge of lid and the keyhole is centered just below the front lip of the lid; on the short end of the oblong chest is a 2 inch high wide drawer with a keyhole and lined with velvet.
Lithograph- Print of Prince Albert from Painting by F. Winterhalter; black ink, oval background. Prince Albert- body is 1/2 to his right, head is 1/4 to the right, looking forward. Wearing military dress with medals. Signed 'Albert'
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
Molded wax head, neck, shoulders, legs, feet. Hard resin arms-hands that are painted greyish-beige. Brown rooted hair, center part pinned into rolled style with faux flowers tucked in the hair by ears. Hair brows, brown glass eyes. Painted lips, small teeth showing. Seed pearl choker. Cream silk gown adorned with lace bertha across chest and lace gathers about hip area. Faux flowers adorn left chest, and throughout lace across hips.
Sheer lace overdress. Belonged to Harriet Lane Johnston. White lace with white embroidered flowers. Bodice has sort cap sleeps. Aroundneckline is a slightly gathered 5in wide band of ecru or light tan lace. A .5in wide white lace band stands up from neck. Pink ribbon flowers and green ebroidered leaves are stitched around neckline. Back closure with hooks and eyes at neckline and waist. Open placket from waist is 15.5in long.
Provenance
Harriet Lane- Donor [Mrs. Patty Lane Eldridge Sebrell]
Set contains earrings and 2 pins. Earrings are salmon coral color, cut in the shape of roses. Set in gold filigree-leaves & flowers. Screw-on rounded back. Pins (2) are same salmon coral color, same filigree setting, tear-drop shape. Criss-cross, feather
Provenance
Harriet Lane- Sara W. Ford- Hannah D. Wiley [donor & Sara Ford's great-niece]