Photograph of cased image taken at the Addis Gallery in Lancaster, c. 1852, of the Christian Shenk family: Christian, wife Mary Warfel Shenk and children, left to right, Elizabeth Shenk Fahnestock, Anna Shenk Kendig, Abraham Shenk and Rudolph Shenk. The Shenks were proprietors of the Sorrel Horse Hotel on West King Street in Lancaster.
Photograph- Lancaster Mercantile College, North Duke Street. T. H. Pollock, Principal. Now site of Lancaster County Courthouse Annex. Image from 1857 map of the city of Lancaster.
Photograph- Lancaster Mercantile College, North Duke Street. T. H. Pollock, Principal. Now site of Lancaster County Courthouse Annex. Image from 1857 map of the city of Lancaster.
Description
Lancaster Mercantile College, North Duke Street. T. H. Pollock, Principal. Now site of Lancaster County Courthouse Annex. Image from 1857 map of the city of Lancaster.
Center Square, Lancaster City, in the 1850s. Oliver Dickey, Ed. Hubley, John Eshleman, Charles N. Sproul. Photo from a remarkable outdoor Daguerrotype. E. S. Hubley's Hotel in background on southeast corner of the square.
Photograph- Shenk family portrait: Christian Shenk; Mary Warfell Shenk; and children from left to right: Elizabeth Shenk Fahnestock; Anna Shenk Kendig; Abraham Shenk; Rudolph Shenk. The Shenks were proprietors of the Sorral Horse Hotel, West King Street, Lancaster. Photograph of a cased image.
Photograph- Shenk family portrait: Christian Shenk; Mary Warfell Shenk; and children from left to right: Elizabeth Shenk Fahnestock; Anna Shenk Kendig; Abraham Shenk; Rudolph Shenk. The Shenks were proprietors of the Sorral Horse Hotel, West King Street, Lancaster. Photograph of a cased image.
Description
Shenk family portrait: Christian Shenk; Mary Warfell Shenk; and children from left to right: Elizabeth Shenk Fahnestock; Anna Shenk Kendig; Abraham Shenk; Rudolph Shenk. The Shenks were proprietors of the Sorral Horse Hotel, West King Street, Lancaster. Photograph of a cased image.
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
