Rococo-influenced porcelain vase with a white reserve of putti centered on a red urn-shaped body surmounts a gilt flattened ring that defines the top of the layered pedestal base.
Two curved handles in a gilt and pink vine motif are attached beneath the top edge of the vase. The body is painted red with gold foliage through flowering vines. A white spray on the face of the body is dominated by a transfer print image that depicts four women in flowing gowns.
Printed portrait of Thaddeus Stevens with full head of curly hair and stern gaze. Mounted in old molded oak frame with handcut paper window mat.
Under bust is "THADDEUS STEVENS: "OLD COMMONER./ APRIL 4, 1792 - AUGUST 11, 1808/ Chairman Committee of Ways and Means of U.S. House of Representatives during the Civil War./ FEARLESS CHAMPION OF FREEDOM FOR THE OPPRESSED./ His unique service to the Common schools of Pennsylvania lay in retaining upon the Statue Book the Law of 1834 against the will and purpose of the majority of a Legislature elected and pledged to its repeal. In old age he spoke of this stern contest/ with much interest, and seemed to regard the memorable speech of April 11, 1835, in its results to the cause of General Education in the Commonwealth the best work of his life."
At the bottom left is "Engraved by Rea.", at center is "Lincoln Art Series: Copyright 1899, by J.P. McCaskey, Publisher, Lancaster, Pa." and at right is "Photograph by Eberman." Lower section of image has engraver's name "REA Sc."
McCaskey was a lifelong educator, principal & longtime writer of The Pennsylvania School Journal. Bio Annals notes he was a proponent of memory work in literature and he produced and displayed good portraits of notables in education (Thaddeus Stevens, Thomas Burrowes, etc.) appropriate mottoes, vocal and instrumental music, etc. In his later years, McCaskey published at lease 20 engraved images, called the "Lincoln Art Series," for display in homes and schools. He distributed many thousand copies to all parts of the country. Sometime during is long career as educator he was awarded and honorary M.A. degree and later a PhD. degree, both from Franklin and Marshall College (Bio Annals) (Written by Wendell Zercher)
Minor stains with liquid stains at very bottom (sitting in damp area), incipient breaks and creases run horizontally in several areas. Silverfish damage scattered mostly at bottom and around top & sides of image. one spot of damage under tie.
Frame is dark on face with some wear. Framing materials acidic and unprofessional.
Watercolor of Eli K. Mylin farm, mounted in large gilt frame.
Painting is done on a rectangular, heavy sheet of sepia-brown paper with textured surface. Executed in greens, brown, red and white. Immediate foreground shows a railroad stretching from left to right, bordered by wooden fencing. Fields in near foreground lead up to a farmstead in midrange consisting of a stone house at far right encircled by a white picket fence, a large white barn at far left, and various outbuildings located between them. Distant fields rise slightly to form rolling hills with trees and fencing at horizon. Sketchy white clouds are arranged across the sky.
The farm is located directly south of Willow Street, Pequea Twp., Lancaster County and belonged to donor's great-grandfather. Her grandmother, Lillie V. Stehman, grew up there before marrying Isaiah D. Stehman and moving to Mount Joy.
The 1864 Atlas shows E.K. Mylin residing in the extreme southeast corner of Pequea Twp. The 1899 Atlas shows two farms in close proximity, both owned by E. K. Mylin.
Painted in 1913, probably from a photo post card (with a May 1906 postmark) that shows this exact scene.
(Written by Wendell Zercher.)
Provenance
Given in memory of Isaiah D. Stehman and Lillie V. Stehman, grandparents of the donor, Mrs. M. Patricia Bowman of Harrisburg, Pa. Donated on July 11, 2001.
Overall good condition. Minor buckling across surface with vertical streaks of dark soil across both painting and backing paper. Bother papers have suffered some fading. Frame has much of gliding intact on interior surfaces although worn and soiled but exterior surfaces of frame have been painted over to hid chips and losses. Reverse side of frame has torn and soiled brown paper backing covering two large wood back boards.
Oil on canvas portrait of Rev. Hans Herr (1639-1725), attributed to Baron Leon von Ossko, unframed.
Painting depicts elderly gentleman with nearly shoulder-length hair and long beard, wearing a plain brown coat with two buttons showing at front; plain dark background. Up-cast eyes and unsmiling face denote a properly pietistic expression for this patriarch and pastor of the first group of Mennonites to settle in Lancaster County in 1710. At upper right hand corner in block letters is painted "HANS HERR."
Canvas is attached with tack to sides of a mitered stretcher. The miters are fitted at back with a cast iron device embossed with two patent dates of 1883 and 1885.
The book Genealogical Record of Rev. Hans Herr & His Lineal Descendants depicts a copy of this painting, noting that it was painted by John Funk. Von Ossko reportedly produced a number of these paintings for the Herr descendants, apparently copying the original Funk portrait. The artist married a descendant of Hans Herr, Ella Louisa Breneman, in 1884. They lived in Lancaster City. Marrying into the Herr clan likely sparked the idea for generating copies of the patriarch on canvas.
(Written by Wendell Zercher.)
Provenance
The Farmers (Mr. and Mrs. C. Richard Farmer) say they obtained painting from an unknown source. They gave it to their son years ago, but he never used it.
This painting was after the original by John Funk of Strasburg.
Puncture of 1/2" x 1/2" to right of sitter's left eye; near complete puncture at bottom, 7" in from right corner, with pigment loss. A ft-long scratch begins at right of sitter's curl and extends obliquely to lower right corner. Some pigment loss at edges; deterioration of canvas and tacks failing along left edge. Soiled overall. A small piece of paper is affixed at back to repair the major puncture. Recent tacks added to secure canvas at sides.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Needlework family register, cone in black cross stitch on canvas. A large pink fabric rose is attached to each corner with three smaller roses at the top, all with green fabric leaves and stems. The heading at the top reads "The/Family of/ Noah and Katie Fisher," then lists the names and birthdates of the parents and children (Rachel, Emma, Betsie, Salome, Amos, Susie, and Aaron). At the bottom is the following inscription: "When this you see remember me/Susie Fisher/ 1910", with orange and black diagonal lines above and below the date. The piece is currently in a simple wood frame with gold leaf.
(Written by Scott Sagar.)
Provenance
Stitched by Susie Fisher. This piece was purchased at the Mary H. Fisher sale held at Paradise Fire Hall, April 19, 1989. Given by Dr. & Mrs. Donald M. Herr.
There are small light brown spots over the entire surface. There are a few dead insects in the fabric roses. The gold leaf has chipped away in a few spots.
April 7, 2004- Replaced backing with acid free & removed insect carcasses for 2004 exhibit.
Mochaware bowl of warm tan color overall. Decorative 1.875-inch band 1/2 inch from the top, bordered by two solid brown lines on both sides. Inner 1.375-inch white band is decorated with two brown hairy wavy lines. Circular exterior base has rim.
Tape on base of bowl: "1899/J.B. Morris, Jr." & "MOCHA/ 1B"
2 inch crack/seam front lip to indentures that have firing glaze over them. Some pieces have fallen out to reveal red clay beneath. Crazing in crack area as well as areas near the base on both interior and exterior of the bowl.
Heat sensitive fire alarm invented by Anthony Iske (1831-1920). Patented by Iske on Aug. 19,1890.
Inside the wooden case, on alarm mechanism/movement, printed in black ink: "J.A. Neiss, Sr." There is also the key to wind the alarm, loose on the floor of the holder.
Anthony Iske was born in France and immigrated to the U.S. in 1847. He moved to Lancaster in 1853 and became an American citizen in 1858. Along with his son, Albert, he held over 200 patents. Most notable of his inventions was the first meat-slicing machine, a model of which is in the collections of the Smithsonian Institution.
The Heat Motor was designed to turn the energy held by heated water into rotational movement. Heating the water in the trough would cause the air in the submerged cylinders to rise. As the engine began to turn, the cylinders would rise above the water, the air inside would cool, and the cylinders would fall on the opposing side, adding to the circular motion of the engine.
Whisk with bone handle and wrought-iron beater. Iron forms a cucumber-shaped cage of 8 ribs, 4.75" long, set into a long ferrule fitted onto the bone handle and secured with a rivet. The 5.5" long handle is rounded but flattened, especially the last half of its length which is decorated with crosshatching. At midpoint, handle is decorated with a heavy score line. First half of handle is undecorated. Rivet near handle terminal.
Provenance
The minutes found in the Journal of Oct. 4, 1912 is a listing of "old utensils" given by Geo. W. Brown, printer from Lancaster, including bayonet, scabbard, old thimble, corn husker, egg beater.
Iron cage-like beate is strongly distorted with ribs that are collapsed toward center and misshapen in lenth. Iron has scattered corrosion and pitting. Bone has soil and minor stains.
"Half Gal / Product of / The Garden County / of the U.S.A. / Lancaster / Ransing Daisy Brand / Products / E. A. Ransing Sons / Lancaster, PA"
-This was a vinegar jug. the firm started out at present site of Eastern Market Building, c. 1900. Later moved to Water and Hazel St. where they operated to 1929.
another Ransing jug once existed in collection as 1976.8 donated by Joseph E. McKinney
