Portrait/photo of William Wohlsen that has been color-tinted with chalk: light brown hair, blue eyes, light skin and pink lips. He is wearing a charcoal-colored vest and jacket; a black bow tied and light-colored shirt. Background in sepia tones. A narrow white mat borders the entire piece.
In pencil handwriting on brown paper covering on back: "William Wohlsen 1847-1912/ Photographed July 4, 1899/ by Otto E. Weber/ 106 N. Queen St./ Lancaster, Pa.
Practical Photographer."
Provenance
William Wohlsen started a planing mill after arrival from Germany. Brought brothers and sister over as well as parents. Children of Anna Dorothy Wohlsen and Henry Conrad Behrens were Dorothy, Esther and William and Henry Theodore Behrens.
Bookplate done on page removed from a book (and also attached to a blank succeeding page). Vertically-oriented design fills page, done in the style of Joseph H. McGlaughlin with his 'ribbon candy' border. Top and bottom have this band of ribbon candy border done in pink, red and blue. Remnant of side border is apparent only at right edge.
Lettering fills the central space. It reads, from top: "Property of/ John B. Zook/ Talmage/ Lanc. Co./ Pa." Zook's name is written on a banner/ribbon. At bottom, above the lower border is written: "Mar. 4, 1899." Within the lower border is the name of the scrivener: "E.B.Zook Leola, Pa." (Written by Wendell Zercher)
Generally good, but age darkened with minor soiling/staning, especially along right side. Edges of pate are torn and folded under. One inch-long vertical tear at bottom right. Breaking paper along right edge.
Watercolor of bird, fraktur-type, done for an Amish female, attributed to Amish artist.
Bird perched in stylized tree, done on plain off-white wove paper. The tree has one main trunk with five small, arching branches terminating in a globular yellow fruit. Uppermost branch ends in a tulip. Three gray-blue leaves attach to trunk. Bird has yellow body decorated with inked texture marks, brown head and wings and gray-blue beak.
Inscriptions: At bottom right in inked German script is "May 1848." At upper left, written sideways in the same hand is "Fannie Hochstetler/ 1848/ Nannie H. Beiler/ 1896.
Mounted in brown paper window mat and frame (likely by sellers for sale). Frame is flat softwood with half-lap, mitered joints and paint-decorated with a dark glaze over a medium-brown ground. Hanging ring at top. (Written by Wendell Zercher)
Provenance
According to sellers' research this may have been a gift to Fannie Hochstetler in 1848, after which she may have married and become "Nannie H. Beiler." Gingerich and Krieder record a Veronica/Fannie/Franey Hostetler (HS5362) (1840-1914) of Mifflin County who married John K. Byler (BY3566) (1831-1904) also of Mifflin Co. Thus, the Earnests are suggesting the sideways description may have been added later than the original 1848 inscription at bottom.
Bought from Russell Earnest & Associates, Nov. 2, 2001, for $1300.00.
Paper has bee trimmed, probably on all four sides. Multiple fold lines with a cluster at upper left corner, a horizontal one at 2 and 2/1 inches from bottom and a vertical one at 1 7/8 inches from right edge. Moderate to heavy soiling, especially above May 1848 date. Upper left cover has minor loss all corners have paste and remnants of paper where previously attached.
Drawing has slid askew since earlier photo. It would be easy to fix. (MAW)
Scrivened page, probably a detached page from the front of a Bible. Watercolored pink and grey over pencil layout.
Horizontal guide lines in pencil still present. Checkerboard border with single rose projecting inward from each corner, then the words" Dieses Buch/ gehoret mir/ Enos Fischer/ Lancaster County Penna/ Geschrieben den 18ten Juni im Jahr/ 1898", then a pair of tulips at the bottom.
Center of letters, flowers, and border are highlighted with a gold paint. Scrolled decoration surrounding the words "Enos Fischer" and vining and leaf decoration around the capital 'D" of Dieses and "B" of Buch.
Newly framed under glass in a gold and black painted, molded, wooden frame. (Written by Michael Middleton.)
Provenance
From Mead and Mead Antiques, York, PA for $100.00, received Oct. 18, 1997. Paid for by the Donegal Chapter of DAR,
Large square brown wool blanket has a line design woven at one end comprised of natural and brown dyed wool. All four sides of the blanket have fringe. Has wide and narrow white and brown stripes across the width of the blanket.
Pencil drawing of stylized flower colored with vivid watercolors; dominant flower of orange and yellow on green stem with various leaves of green and yellow; two side stems of black terminate in very stylized "fruit" at left (ball of orange, yellow and purple) and "flower" at right (4-pointed motif of purple and yellow with black dots).
At page bottom is the name "Magdalena Zimmerman" done in fraktur-style, black lettering. It would be inferred that Magdalena was the owner of the painting, and possibly even executed wither for or by this individual, but most likely for her.
Ruled paper has been hand trimmed on all four sides. Reverse has computation of addition and subtraction; also three illegible names (?) with hash marks registered below each.
(Written by Wendell Zercher.)
Provenance
This painting came from The Book Haven in Lancaster, PA, and was paid for by the Donegal Chapter of the DAR. 5 April 1996. $125.00.
Rococo-influenced porcelain vase with a white reserve of putti centered on a red urn-shaped body surmounts a gilt flattened ring that defines the top of the layered pedestal base.
Two curved handles in a gilt and pink vine motif are attached beneath the top edge of the vase. The body is painted red with gold foliage through flowering vines. A white spray on the face of the body is dominated by a transfer print image that depicts four women in flowing gowns.
Printed portrait of Thaddeus Stevens with full head of curly hair and stern gaze. Mounted in old molded oak frame with handcut paper window mat.
Under bust is "THADDEUS STEVENS: "OLD COMMONER./ APRIL 4, 1792 - AUGUST 11, 1808/ Chairman Committee of Ways and Means of U.S. House of Representatives during the Civil War./ FEARLESS CHAMPION OF FREEDOM FOR THE OPPRESSED./ His unique service to the Common schools of Pennsylvania lay in retaining upon the Statue Book the Law of 1834 against the will and purpose of the majority of a Legislature elected and pledged to its repeal. In old age he spoke of this stern contest/ with much interest, and seemed to regard the memorable speech of April 11, 1835, in its results to the cause of General Education in the Commonwealth the best work of his life."
At the bottom left is "Engraved by Rea.", at center is "Lincoln Art Series: Copyright 1899, by J.P. McCaskey, Publisher, Lancaster, Pa." and at right is "Photograph by Eberman." Lower section of image has engraver's name "REA Sc."
McCaskey was a lifelong educator, principal & longtime writer of The Pennsylvania School Journal. Bio Annals notes he was a proponent of memory work in literature and he produced and displayed good portraits of notables in education (Thaddeus Stevens, Thomas Burrowes, etc.) appropriate mottoes, vocal and instrumental music, etc. In his later years, McCaskey published at lease 20 engraved images, called the "Lincoln Art Series," for display in homes and schools. He distributed many thousand copies to all parts of the country. Sometime during is long career as educator he was awarded and honorary M.A. degree and later a PhD. degree, both from Franklin and Marshall College (Bio Annals) (Written by Wendell Zercher)
Minor stains with liquid stains at very bottom (sitting in damp area), incipient breaks and creases run horizontally in several areas. Silverfish damage scattered mostly at bottom and around top & sides of image. one spot of damage under tie.
Frame is dark on face with some wear. Framing materials acidic and unprofessional.
Oil on canvas portrait of Rev. Hans Herr (1639-1725), attributed to Baron Leon von Ossko, unframed.
Painting depicts elderly gentleman with nearly shoulder-length hair and long beard, wearing a plain brown coat with two buttons showing at front; plain dark background. Up-cast eyes and unsmiling face denote a properly pietistic expression for this patriarch and pastor of the first group of Mennonites to settle in Lancaster County in 1710. At upper right hand corner in block letters is painted "HANS HERR."
Canvas is attached with tack to sides of a mitered stretcher. The miters are fitted at back with a cast iron device embossed with two patent dates of 1883 and 1885.
The book Genealogical Record of Rev. Hans Herr & His Lineal Descendants depicts a copy of this painting, noting that it was painted by John Funk. Von Ossko reportedly produced a number of these paintings for the Herr descendants, apparently copying the original Funk portrait. The artist married a descendant of Hans Herr, Ella Louisa Breneman, in 1884. They lived in Lancaster City. Marrying into the Herr clan likely sparked the idea for generating copies of the patriarch on canvas.
(Written by Wendell Zercher.)
Provenance
The Farmers (Mr. and Mrs. C. Richard Farmer) say they obtained painting from an unknown source. They gave it to their son years ago, but he never used it.
This painting was after the original by John Funk of Strasburg.
Puncture of 1/2" x 1/2" to right of sitter's left eye; near complete puncture at bottom, 7" in from right corner, with pigment loss. A ft-long scratch begins at right of sitter's curl and extends obliquely to lower right corner. Some pigment loss at edges; deterioration of canvas and tacks failing along left edge. Soiled overall. A small piece of paper is affixed at back to repair the major puncture. Recent tacks added to secure canvas at sides.
