Reverse painting on glass mounted in an American Reverse Cove Gold Leaf Picture Frame, is a scene of Fort Washington from the Maryland side of the Potomac River. The moon is shaped from a piece of Mother of Pearl. The Fort served as one of the points of defense for Washington D.C. during the Civil War.
Reverse painting on glass mounted in an American 1850 Sully Gambose Picture Frame, is a scene of two houses in a rural setting near a meandering river with two people in a small boat and a sail boat down stream. The white facades of the houses are Mother of Pearl.
Bookplate on white paper reads: "Dieses Buch/ gehoret Mir/ John B Stolzfus/ geschrieben April 19/ 1910". Lettering is one in blue ink, except for name which is in pink. Above and below text, in the style of Josephy McGlaughlin, is a band of 'ribbon candy' decoration done in light blue, blue and pink and gold stripes. (Written by Wendell Zercher.)
Paper has some darkening especially around edges. Some acid burn overall. Small tears on top and right edges and loss on bottom right corner. Left edge is moderately worn. Small worn area with paint loss in center of lower border.
Amish family record for John and Elizabeth Lapp family done in inks on heavy tan paper, mounted in an oak frame. Attributed to Benjamin L. Stoltzfus.
Center text is written in red, gold and black. The heading, "Family Record," is written in green and completely covered in glitter. Sprouting out of the heading are two sheaves of wheat painted in gold with a butterfly painted in brown, green and red between them in the center. Around the perimeter of the text is a border done in a "ribbon candy" design. The sides are painted in black and gold, and the top and bottom are painted in red and gold. Within each of the four corners of the border is a diecut, roses at the top and fruit at the bottom. (Written by Nicole Bangert)
(Find complete family record/list of names in the file.)
Provenance
Sold to Heritage Center Museum by Greg K.Kramer & Co., American Antiques and Decorative Objects, Robesonia, PA on Dec. 12, 2000, for $475.00.
Paper is darkened from acid burn; reverse is 'imprinted' with grain pattern of wood veneer backing. There are dark stains at the top and on the left side below center. Paper is 'surface'torn' at the center between Jacob and Mary 's entries (appears like a tear). There is a puncture tear at the 'was' in Jacob's entry. There is a 1 1/4"-long tear at the top, 4 1/4' from the left corner. There are numerous losses of ink, especially at the border. Speckled dirt/ink is scattered at top and bottom edges. Some foxing and soiling evident and paper is slightly buckled.
Ribbon from the 10th reunion of the veterans of the 45th Pa. Volunteers held at State College, PA on 26 September 1919. Likely attended by Blanton C. Welsh.
Provenance
Provenance: Passed down through the family, Blanton Charles Welsh to Emilie Benson (Welsh) Wiggin to Nancy Jane (Wiggin) Townsend.
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This ribbon was in an envelope which contained item numbrs #24-#31.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Watercolor of Eli K. Mylin farm, mounted in large gilt frame.
Painting is done on a rectangular, heavy sheet of sepia-brown paper with textured surface. Executed in greens, brown, red and white. Immediate foreground shows a railroad stretching from left to right, bordered by wooden fencing. Fields in near foreground lead up to a farmstead in midrange consisting of a stone house at far right encircled by a white picket fence, a large white barn at far left, and various outbuildings located between them. Distant fields rise slightly to form rolling hills with trees and fencing at horizon. Sketchy white clouds are arranged across the sky.
The farm is located directly south of Willow Street, Pequea Twp., Lancaster County and belonged to donor's great-grandfather. Her grandmother, Lillie V. Stehman, grew up there before marrying Isaiah D. Stehman and moving to Mount Joy.
The 1864 Atlas shows E.K. Mylin residing in the extreme southeast corner of Pequea Twp. The 1899 Atlas shows two farms in close proximity, both owned by E. K. Mylin.
Painted in 1913, probably from a photo post card (with a May 1906 postmark) that shows this exact scene.
(Written by Wendell Zercher.)
Provenance
Given in memory of Isaiah D. Stehman and Lillie V. Stehman, grandparents of the donor, Mrs. M. Patricia Bowman of Harrisburg, Pa. Donated on July 11, 2001.
Overall good condition. Minor buckling across surface with vertical streaks of dark soil across both painting and backing paper. Bother papers have suffered some fading. Frame has much of gliding intact on interior surfaces although worn and soiled but exterior surfaces of frame have been painted over to hid chips and losses. Reverse side of frame has torn and soiled brown paper backing covering two large wood back boards.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Needlework family register, cone in black cross stitch on canvas. A large pink fabric rose is attached to each corner with three smaller roses at the top, all with green fabric leaves and stems. The heading at the top reads "The/Family of/ Noah and Katie Fisher," then lists the names and birthdates of the parents and children (Rachel, Emma, Betsie, Salome, Amos, Susie, and Aaron). At the bottom is the following inscription: "When this you see remember me/Susie Fisher/ 1910", with orange and black diagonal lines above and below the date. The piece is currently in a simple wood frame with gold leaf.
(Written by Scott Sagar.)
Provenance
Stitched by Susie Fisher. This piece was purchased at the Mary H. Fisher sale held at Paradise Fire Hall, April 19, 1989. Given by Dr. & Mrs. Donald M. Herr.
There are small light brown spots over the entire surface. There are a few dead insects in the fabric roses. The gold leaf has chipped away in a few spots.
April 7, 2004- Replaced backing with acid free & removed insect carcasses for 2004 exhibit.
Heat sensitive fire alarm invented by Anthony Iske (1831-1920). Patented by Iske on Aug. 19,1890.
Inside the wooden case, on alarm mechanism/movement, printed in black ink: "J.A. Neiss, Sr." There is also the key to wind the alarm, loose on the floor of the holder.
Anthony Iske was born in France and immigrated to the U.S. in 1847. He moved to Lancaster in 1853 and became an American citizen in 1858. Along with his son, Albert, he held over 200 patents. Most notable of his inventions was the first meat-slicing machine, a model of which is in the collections of the Smithsonian Institution.
The Heat Motor was designed to turn the energy held by heated water into rotational movement. Heating the water in the trough would cause the air in the submerged cylinders to rise. As the engine began to turn, the cylinders would rise above the water, the air inside would cool, and the cylinders would fall on the opposing side, adding to the circular motion of the engine.
