Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
European "Lettre de Bapteme" is a hand-done fraktur on off-white laid paper, mounted within a window mat. This is a baptismal letter in German script, dated 1811. Most others of this form were printed, not freehand. A running vine of tulips and other flowers -- colored with red, green and blue -- is captured by two line borders, a red outer one and a blue inner line border. At top center of flower border is a heart and another at bottom center. Each has writing within. Small handwritten inscription written later along top above red line border. Middle is illegible; at far left is "Decede / Wolff Jean George" and at far right is "83 ano 8 m. 19 j." The French word "Decede" means deceased.
Centerfield of fraktur has German script text, divided at midline by a thin line border. The text begins: "Werde Fromm und mach le gross werde deiner Eltern..." The child was born April 22, 1811 and baptized April 30, 1811.
Mittelhausbergen, France (just outside town of Strasbourg)
Fold lines, two vertical and two horizontal, with some tears and breakage at intersections of fold lines. General soiling with some foxing; various scattered dark brown to light brown stains. Top has small hole to left of center and at right of center is a break at fold line. One inch down from right top corner at edge is a semi-circular brown stain with edge nick. Streaked line stain near bottom left corner. Colors are still vivid.
Object ID
G.02.10.1
Place of Origin
Mittelhausbergen, France
Credit
Gift of Dr. and Mrs. David T. Mininberg, Heritage Center Collection
Fraktur birth certificate for Lydia Glasz / Glass, daughter of Leonard Glass and wife Christina, nee German. Hand drawn and colored on paper. Unusual confronting women with yellow dresses and red parasols flank central textblock within border. Tree of life above textblock; undulating plant w/ flowers sit on shelf at sides. Triple-line outside border.
German text translates to "Lydia Glasz daughter of Leonard Glasz and his wife Christina a born German. Was born 25th day of Jan. in the year of our Lord 1811.
Some buckling of paper overall. Some bleeding of ink, causing brown marks around letters; also in entire upper left corner. Small 1.4" brown streak below the word "Christina" in center panel.
Condition report of 1986 by the Conservation Center for Art and Historic Artifacts in Phila. in file. No documented treatment. Matted and framed in 1996 by conservator Brian Howard.
Object ID
P.77.12
Notes
Similar to designs of Plate #61 in Weiser & Heaney, Penna. German Fraktur of The Free Library of Phila., v.1.
Research: Ancestry.com gives the marriage of fraktur recipient Lydia Glass to John Kempfer on 20 Nov. 1828 in Ephrata at the Bethany United Church of Christ. Husband John was born 19 Feb. 1809, died 4 April 1865. Lydia died 24 June 1853. Their daughter Elizabeth Kempfer (1836-1909) married David Rudy Buch (1834-1925) and lived in Lititz.
Ancestry also gives the 1810 Census in Earl, Lancaster Co. that lists Leonard Glase with 4 household members under 16 yrs., 1 at 16-25 yrs., and 2 over 25 yrs. Total of seven in home. Lydia was born the following year in 1811.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Fraktur family record of Amish family of Stephen and Hannah Miller Mast and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener who learned his craft by copying David Hoke, Glick records the family of his great grandmother Mary Mast (1832-1924). Fraktur has a wavy ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy red lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates and marriage date are recorded, followed by ten children with birth dates. The sixth child, Mary, is underlined to indicate her significance as Glick's great grandmother. All 12 family members have a death date written in cursive under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997). At right he adds: "Mary Mast was my great grandmother."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Salisbury Twp.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. (The two other fraktur, based on the Stoltzfus family record, were specifically purchased for use in the 1997 Exhibit on fraktur.)
Fraktur-style family record of Amish family (Henry and Annie Stoltzfus) done with ink and paint on heavy white paper, framed.
Executed by contemporary Amish scrivener, Old Order Amish Bishop John F. Glick (1912 - Aug 30, 2003), in the style of scrivener David C. Hoke, using the names from a FR by Hoke (see 96.1.1). Fraktur has a vine with blue berries forming a border. Heading at top is "Family Record," done in pink, red, black and gold and heading 1/3 of the way down is "Children," done in pink, mustard, gold and black. Three heads of wheat, tied together, flank each side of "Children" and are used under the names, next to the inscription.
Parents' birth dates are recorded, followed by ten children with birth dates. The father and the son, Levi, have a death date written under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, under the wheat decoration, Glick inscribes his name and the date (1997). At right he adds: "David C. Hoke Pattern/ back in the 20's."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop right there on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC for use in the 1997 Exhibit on fraktur.
Fraktur family record of Amish family of Henry and Annie Stoltzfus and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener and artist David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener/artist who learned his craft by copying David Hoke, Glick records this family record in his own style. Here Glick uses the names from a Stoltzfus family record done by Hoke (see P.96.01.1). Glick has a wavy blue ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy blue lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates are recorded, followed by ten children with birth dates. The father and son, Levi, have a death date written in cursive under their birth dates, following the practice of many descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997).
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. This fraktur was purchased for use in the 1997 Exhibit on fraktur.)
Birth & Baptism Certificate, hand done in pen & ink and watercolor, executed on wove paper in German, attributed to Abraham Brubaker (1760-1831), blanks not infilled (never used).
Fratkur has wide ruled border filled with "wave" decoration. Within is a large heart made with elongated leaves alternating with little circles. Inside heart is text done in red ink. "Geburts und Taufschein" is above heart. First three nouns of text have initial letters decorated with stripes. Lower section of heart is partitioned off with six lines of religious verse done in black and red.
Above heart are three flowers with black leaves. Lower corners have large standing multicolored birds holding a carnation sprig. A large vining unopened tulip fills in this space on each side.
A watermark of "S. B." with large open letters with serifs is at center. This appears to be the watermark of Samuel Boyer of Oley Twp. in Berks Co. A history (PM-22 in American Watermarks) states Samuel Boyer listed as a papermaker in 1832, although the Boyers were generally merchants and possibly had paper made for them. Example on p. 181, fig. 837, matches watermark on Brubaker fraktur; it is from a Lancaster Co. document dated 1807.
Abraham Brubaker (former "Huber Artist") was from a Mennonite family and active c. 1790-1829. He was one of the most prolific artists working among the Mennonites. A small percentage of his work were BBC's (which included baptism, a non-Mennonite practice) such as this example.
Clarke Hess, an expert on Mennonite arts, suggests this was executed circa 1815
