Sheet brass sign, "The Slaymaker Lock Co." and "The Makers of Padlocks, Cabinet Locks, Hardware, Brass Castings, Plating, and Polishing" Marked, "TUCKER"
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Chippendale style miniature blanket chest form. Mahogany-stained softwood, dovetail contruction, Lid with brass butt hinges, four ogee bracket feet. Edge molding on lid; chest bottom extends beyond sides to create look of molding. Interior till at left. All surfaces stained and glossy-varnished. Large brass batwing lock escutcheon; silvered key. Top of lid has central relief-carved cartouche incorporating the monogram of Frances Mayer Hershey "FMH" according to Clarke E. Hess. He believes chest was commissioned by Frances' grandparents Henry M. and Frances Mayer. Pencilled in cursive on bottom is "M. Mayer Rohrerstown." Frances' parents were Harry E. Hershey and Dora E. Mayer.
Attributed to Henry Slough, Sr. workshop.
Provenance
Descent from Frances Mayer Hershey to son Henry R. Outin. Purchased by Heritage Center at estate sale of Henry Outin of 2107 Wood St., Rohrerstown, held by Shaub at Willow Street Fire Hall. According to Clarke E. Hess, Outin died just a few months before the Sept.sale. He was the only child of Frances Mayer Hershey and her French husband, (?) Outin. Clarke recalls this couple lived in Algiers and perhaps other places abroad. Frances M. H. Outin left America with her husband in 1928, putting all her belongings in storage until she returned as a widow in 1967, at wich time Hess Builders built a home for her behind the Rohrerstown Mennonite Church. Mrs. Outin died later at age 92.
Lid is strongly abraded, notably a large oblong outline. Minor wear and abrasions overall. Several small cracks at left front at dovetails and a 2 3/4" long crack at midline. Interior abraded and scarred with accretions.
Object ID
P.00.38.1
Place of Origin
Lancaster
Credit
In memory of Anne Bausman Woodcock by Sally Slaymaker & Caroline S. Nunan
Large iron box lock from Conestoga Cotton Mill #3 gate. Very long rectangular box has four screw holes for securing to gate and two very small butt hinges attached with screws to back edge. A projecting hollow key escutcheon is riveted to front of box about 5" from one end. Key would be inserted into lock through escutcheon.
In addition, there is an iron latch plate with L-shaped projection mounted onto face of plate, for receiving a lift latch bar. It has five screw holes for mounting on gate.
Depth or thickness is box lock only. Overall thickness including projecting handle holder is 3".
Condition
Fair
Condition Date
2014-10-07
Condition Notes
Expected strong weathering, resulting in surface pitting, rust, white paint residue and 3 significant cracks branching out from one screw hole near latch holder. Latch plate is extremely worn with apparent missing sections. L-shaped projection has lost its original surface due to grinding. Interior of box lock also ground away in sections.
World War I medal consists a cast bronze pentagonal medallion suspended from a silk ribbon of green and white, pinned to an oblong buff colored card printed with "WELCOME HOME / BOYS!" at the top and "LANCASTER, PA. / MADE BY J.F.A.Co." at the bottom.
Medallion hangs from ribbon via two brass rings. Raised detail on face is "WELCOME HOME" written in a banner at top. At center is the Lancaster seal flanked by the date "1919". Banner at bottom reads "LANCASTER PA." Ribbon has a safety pin stitched to upper back side, and is mounted by pin onto printed card.
Inscribed in ink on card to right of medallion is "$6.50". Struck on reverse of medallion is "JFACo."
Bronze is very dark with tarnish and soil. Ribbon is in poor condition with losses of green threads at left and broken and separating threads at right side. Card is worn and darkened with bottom right corner missing.
Quilt of pieced silk hexagons, creating what is known as a Flower Garden pattern. Made by Jacob F. Trexler, M.D. a surgeon and physician on staff at St. Joseph (and also coroner, according to donor).
Quilt is made of a plethora of multicolored silks, pieced with the English template method. Each small hexagon was stitched over a cardboard template (still present). Plain, patterned and textured fabrics were used, and even some pompoms as "flower centers." Large "T" for Trexler is satin-stitched in gold on a dark blue velvet ground at center. Multiple letters, initials and monograms are embroidered on individual hexagons. These apparently represent family members since many end in "T," such as EMT (wife Ella Moore Trexler?), AFT, ENT, MAT (mother Mary A. Trexler?), MLT, MLW and MWT. Several symbols are also embroidered (sunburst w/ face, wheel, etc.)
Backing is a mustard colored quilted silk fabric.
According to donor, Dr. Trexler had his quilting frame set up on the 3rd floor of his residence at 134 N. Prince St. His office was on first floor. Donor owns three other quilts made by Trexler (he made many after retirement). These are a log cabin (silks with a polished cotton back), a star and an unfinished hexagon.
Provenance: Donor inherited the quilts from the Trexler family. In addition to other quilts, she possesses a 1920 photograph of Dr. Trexler.
Very good condition, minor soiling and fabric deterioration at some fabrics along edges.
See in file, pages from "Uncoverings 2003" Vol. 24 for article with comments on hexagonal quilts done with the "English paper-piecing" construction technique and their resurgence in popularity in the 1920 and 1930.
