Amos trades up -- Eilenshpiggel and his shenanigans -- John the blacksmith visits the devil -- Tales tall and taller -- Graven images & the legends that grow around them -- Pennsylvania German humor -- A true ghost story.
Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
In Part 1, Goodling writes a concise history with illustrations from the township's earliest days to the end of the 19th century. It lists churches and schools, post offices, trades and businesses and the military. Part II is a genealogical and biographical record of all families living in the township and nearby areas at the time of the 1860 U.S. Census. Supplement Part 1 describes the churches of the township and appendices. Supplement Part 2 contiues the appendices.
The history of northeastern Pennsylvania : the last 100 years : proceedings of the twelfth annual Conference on the History of Northeastern Pennsylvania
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
