A white porcelain sugar bowl with an oblong, octagonal shaped body decorated with a vine of pink roses, 's' tendrils and blue flowers. A thin gilt band wraps around the body at the chamfered edge. Below the gilt band at the short sides of the body, are gilt knob handles. Above the gilt band is the bowl opening covered by the separate lid. The lid, also decorated with a rose vine, features a gilt band around the rim and is capped with a mushroom-shaped handle.
Meissen porcelain factory, Meissen, Germany
Provenance
Miss Mary E. Herr [donor] Given in memory of her sister Mrs. John Malone.
1961 Brigadier General J. Steinhoff visited Wheatland and dated tea set 1709-1729. His research found that the porcelain was from the town of Meissen, Germany and originally created for the household of Augustus Rex, called August the Strong, was Elector of Saxony from 1694 as well as King of Poland and Grand Duke of Lithuania in the years 1697–1706 and from 1709 until his death in 1733. He belonged to the Albertine line of the House of Wettin.
Rockingham style sugar bowl with lid. White china body with underglaze decor consisting of beige ground with scattered large scrolling yellow leaves edged in gold and occasional small branches with white berries and 3-leaf branch tips. Lower edge of beige ground defined with a thin undulating vine. Gilt highlights, flourishes and edging. Applied handles feature finger ring handles and a domed lid.
John Wedg Wood Ironstone in Chapoo pattern. White earthenware with cobalt blue transferware. Sugar bowl (a) with lid (b). Octagonal design with a bulbous octagonal body. Tree/pagoda/nature transfer decor.
Molded earthenware sugar bowl with lid, pink surface coloring over pearl-colored body. Four applied feet and applied molded flat handles with molded foliate pattern. Floral finial at top of lid. Transfer printed design of butterflies, fruits, birds. Green enameled border pattern at waist of bowl. Pink lustre trim.
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Creamware sugar bowl has apple shaped body with a flaring foot ring and rim. Both lid and bowl are decorated by hand with wide bands of blue and thin rings of red. Sides of bowl have blue flower alternating with smaller leaf sprigs. Lid has low dome topped with a knob resembling a pepperment life saver. Three leaf sprigs spaced around the knob on dome.
Paper sticker on bottom has pencil inscription: "no./ ace/ no".
Reportedly used by donor's great-great-grandmother, Sally, wife of Andrew Ellicott.
A 3 1/2" long section of rim is broken off. One broken piece saved in bowl. Extremely strong brown stain covers most of bowl except for several patches. Same stains sprinkled around bottom of lid. Glazing imperfections such as on top of lid. A 1 3/4" long hairline crack extends up side from base. Dark soil adhering to bottom of foot ring. Bowl has some wear around shoulder.
