xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
Journal of the Lancaster County Historical Society. Volume 114, number 1/2 (2012), pp. 24-43Lancaster History Library - Journal974.9 L245 v. 114, no 1/2 Winter 2012-2013
These volumes are in the "library work room". They are not on the open shelves. However, there is an index on the open shelves. Its call number is 905.748 CHS Index. Patrons should consult the index first. If there is a volume that they want to see, the library attendant should pull the volume from the shelves in the "library work room".
The Irish Scots and the "Scotch-Irish" : an historical and ethnological monograph, with some reference to Scotia Major and Scotia Minor : to which is added a chapter on "How the Irish came as builders of the nation"
Reprint of the ed. published: Concord, N.H. : The American-Irish Historical Society, 1902, which was originally published in the Granite monthly, Concord, N.H., Jan-Mar. 1888. The chapter on "How the Irish came as builders of the nation", is based upon articles contributed to the Boston Pilot, 1890, etc., and the Boston Sunday Globe, Mar. 17, 1895.
"Supplementary facts and comment": p. [83]-128.
Includes index.
Facsim. reprint. Originally published: [Baltimore, Md.] : Clearfield, 1902.
"Scotia" was derived from the Latin name for the Gaels: Scoti. The use of the word changed over time, and "Scotia" became a term for what is now called Scotland. "Scotia" was also used to refer to Ireland. In the text, the author provides a quotation that says that "Major Scotia" refers to Ireland.
