The Pennsylvania Magazine of History and Biography, v. 136, no. 1, January 2012.Lancaster History Library - Periodical Article905.748 HSP v. 136, no. 1
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
Journal of the Lancaster County Historical Society. Volume 114, number 1/2 (2012), pp. 24-43Lancaster History Library - Journal974.9 L245 v. 114, no 1/2 Winter 2012-2013
Appendix 1 : Founding members of the High German Church ; Appendix 2 : Members of the High German Church who were arrested for distrubing the peace during the riot on January 17, 1835. Charges were brought by Carl Schaeffer and George Milligsach, elders of the High German Church ; Appendix 3 : Pastors and members of the vestry of Zion Lutheran Church during its peak years in the late nineteenth century.
"On April 17, 1865, eighteen year old John Rakestraw left the family farm in Bart Township, Lancaster County, to attend Unionville Academy, a small Quaker boarding school in Chester County. During the time he was away his two older sisters wrote to him regularly. Ten of those letters have survived and they provide a candid and often painfully honest glimpse of life on a Lancaster County farm in the 1860's. Diaries and ledgers kept by John's father, William I. Rakestraw , provide additional insight into that that time and place." [excerpt from the text]
