Includes bibliographical references (p. [431]-438) and index.
Contents
August 20, 1862 to March 22, 1863, Missouri -- March 28 to September 24, 1863, the Vicksburg Campaign -- October 4, 1863 to July 24, 1864, Texas and Louisiana -- July 26, 1864 to December 25, 1864, Virginia -- January 9, 1865 to August 2, 1865, South Carolina, North Carolina, Iowa.
Summary
"While there are many collections of letters from Civil War soldiers to their wives, very few include such a rich trove of letters from the homefront. Together they paint an engrossing portrait of a soldier and husband who was trying to do his patriotic and familial duty, and of a wife trying to cope with loneliness and responsibility while longing for her husband's safe return. Beautifully edited and annotated...they bring to life a nation under siege and provide a rare look at the war's impact on both the common soldier and his family." [from the book jacket]
Joe Nickell; foreword by Charles Hamilton ; photographs from the author's collection by Robert H. van Outer ; forensic assistance from John F. Fischer.
Handbuch für Deutsche; enthaltend formen zu handschriften, welche den deutschen bürgern der Vereinigten Staaten nützlich und dienlich seyn können...und vierlerley anmerkungen über verordnungen der geseze über obige und andere gegenstände...auch allerley formen in der englischen sprache
"With assessments of his work by his contemporaries: A.E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, Willard Huntington Wright."
Includes index.
Summary
Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hand in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a time when many American artists remained tied to Europe, Demuth "Americanized" European modernism.This collection of155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, including Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Willliams. In his travels in the United States and abroad, he encountered many other talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stetthemer sisters, artists and writers, patrons, and gallery owners. Whether he is offering to pick up a copy of Joyce's Ulysses for Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room ("just allow that red and yellow 'canna' one to spread until it fills the room"), Demuth is always in the thick of art and literary life. Flamboyant in attire but discreet in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone. The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright. [from the publisher]
