Chest of polar stands on four blue-green ogee bracket feet, fitted with casters. Lid has molding pegged to 3 sides and supported by strap hinges. Keyhole at front center has only the ghost of its original oval escutcheon. Grab lock with key. Wrought iron handles on a heart-shaped plate are located at each end. Interior of chest has a till on the left.
Red-painted platter-shaped panels are positioned at each end, two on lid and two on front. Above these front panels is a very thin, long, white-painted reserve containing a painted inscription "17 ANNA NISLESIN 95." This is flanked by geometric floral/star rosettes.
This is a 'sister' chest to the Potzer chest (P.79.103) varying only in paint decoration and feet. Similar chest sold in Geo Scott sale in 1994. (Written by Scott Sagar.)
Provenance
Provenance indicated by inscription and handwritten note: "This chest is for Eli" is penciled on the underside of the lid. Paper pasted to till reads: "This is the property of Ella R. Peterson (with contents) Jan. 1960, Anna B. Rohrer. Formerly was your Great Grandmother"s Maria Hershey Haverstick."
Donor states chest descended to her through the Haverstick family of the Wabank area of Lancaster Twp. It was used in a farmhouse on Rice Road, near the west bank of the Conestoga River. Peterson states the Haverstick property was later sold to a Mr. Rice who owned it until he died circa 1985. There is reportedly a Haverstick cemetery nearby.
The chest was donated by Mrs. Ella R. Peterson of Willow Valley Square in Nov. 1995. Value: $7,500.
Significant wear to wood, esp. where dog chewed on feet; right front foot has piece broken off. Paint is worn and faded overall, with scratches and chips in many places. Lock escutcheon missing.
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Cane or walking stick of wood. The handle end is carved with the bust of a man.
Carving is the likeness of General Lafayette (1757-1834) who, according to family tradition, presented this cane to Amos Slaymaker when Lafayette visited White Chimneys and dined at the Slaymaker's tavern/hotel "The Pennsylvania Arms" during his grand U.S. tour in 1825. Carved gentleman wears a coat, jabot and high collar and is highly detailed. Executed in light toned hardwood, hair has light brown stain and pedestal portion is stained dark. Band of copper alloy below pedestal. Shaft of cane tapers to an end and is stained brown. Two-piece copper alloy tip, secured with two small nails.
Provenance
Passed from Amos Slaymaker through 5 generations of Slaymaker family and donated by Mrs. Samuel R. Slaymaker II.
Multiple minor nicks in carving and shaft with some loss of finish, esp. near bottom tip. Superficial checking/splitting in wood. Copper alloy tip is discolored with minor corrosion and band at top has multiple small dents. Cane tip not worn, thus not used.
Object ID
G.98.12.8
Notes
See page 30 of History of the Slaymaker family.
Place of Origin
France
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Pictorial sampler by Elizabeth Martin, dated 1825, depicting Rock Ford plantation house. Silk embroidery on linen is 3 shades of blue, dark green, light green, white, black, grey, and at least 4 shades of brown (including tan). Original frame is likely walnut with reeded molding and corner blocks; lapped corner joints.
Strawberry vine border. Alphabet top is centered over 1825 date and flanked by 8-pointed star each side. Beneath date is brick residence, showing front and gable end, believed to be Rock Ford plantation house. The 3-bay dwelling has 2 arched doorways, 8 windows, and two chimneys. House is flanked by a near-symmetrical arrangement of 2 large flowering tree motifs at each side; outer one surmounted by a large bird. Small crown at each side next to border.
Three verses below house; main verse at center states: "Elizabeth Martin is my name / Lampeter is my Station / heaven is my dwelling Place / and christ is my salvation / When i am dead and in my Grave / and all my bones are rotton / When this you see remember me / Least i should be forgotton." Flanked by verse of wisdom at left and religious verse at right, each framed by a flowering vine. Under verses is a horizontal row of 9 sets of initials all ending in the letter "M", certainly indicating Martin family members.
Bottom third of sampler is a large, central flowering plant flanked on either side by confronting female figures, each holding a bird on raised hand toward the central floral motif. Each woman is standing in front of a large satin-stitch embroidered haystack(?), with a large bird atop each.
See NOTES.
Photos: Negative is "Samplers" #43c. Slides are 45-3-1 to 45-3-6 and 45-9-3 to 45-9-8
Provenance
Inherited by Winona Ressler, then passed on to sister Elizabeth Ressler (Findley) upon Winona's death. Maker was the great, great, great grandmother of donor's wife Elizabeth Ressler Findley (born July 31, 1918) and her sister Winona. Descent in family through their maternal grandmother. Family history states sampler was made when Elizabeth Martin was 10-12 years old.
Research: Parents of Ressler sisters were Jacob and Emma K. Mowrer Ressler. Maternal grandmother was likely Mrs. Mowrer?
Age darkened linen. Dark around edge to upper left, across top, above house and around upper right edge area. Slight fraying in some areas around edge.
Stain around stem of right flower in bottoom central flowering design motif. Two dark stains above the word "my" in right phrase, a 3rd stain to right at base of flowering plant.
Conserved and remounted in original frame by Dora Shotzberger of Winterthur in 1986.
Object ID
P.85.05
Notes
Sampler is possibly influenced by the Leah Galligher school of Lancaster Borough. See Betty Ring, "Girlhood Embroidery" Vol. II pp. 410 ff.
Place of Origin
Lampeter Twp.
Credit
Heritage Center Collection through the generosity of James Hale Steinman Foundation
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Family record by Christian Strenge (1757-1828), done on laid paper for Isaac Kauffman family. Within a yellow border are 17 lines of German text, penned in red with lines of curlicues separating each line. Text fills most of page, giving birth dates & Zodiac signs for Kauffman, his wife and 6 children. To right of text is a large stylized, round flower rising from a yellow heart and having side branches with tulips & other flowers. Serpentine flowering vine fills margin along left side. Reverse has some old, faint pencil inscriptions on right side: "Landis" (?) written twice and a nearby sum (17+4=21).
East Petersburg area
Has 19th c. frame with walnut veneer and flat profile. See NOTES on Kauffman family.
Provenance
Assumed to have descended to donor within Kauffman family.
Soil, foxing and staining overall. Two fold lines intersecting at center are breaking with some holes/losses. Repaired on reverse with various papers & tapes at different times. Holes and losses around perimeter. Pronounced damp stains at center fold line. Significant paint loss in leaves, stems and branches.
Frame is chipped and worn, missing some delaminated veneers. Repairs to veneers. Old acidic back boards of cardboard replaced in 2001 by curator w/ acid free foam board.
Object ID
G.96.37.8
Notes
According to fraktur scholar David Johnson, Isaac Kauffman was a farmer who lived on the south side of Leabrook Road from his parents. His parents, Jacob and Eve Kauffman, built the original nearby mill in 1755 (what is now Flory's Mill) and was operated by the Kauffman family until the late 19th century.
See: David R. Johnson, "Christian Strenge's Fraktur", 1995 and Fred Weiser, "Fraktur: Pa. German Folk Art, Science Press, X-mas 1973, pp. 10-12.
This family record is published in Earnest, Russel and Corinne, "To the Latest Prosperity: Pa-Ger. Family Registers in the Fraktur Tradition", 2004.
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Clock wheel cutting machine used by Lancaster clockmaker Martin Shreiner, Sr. Made of steel and brass with turned wood handle knob on crank. Main frame of tool is steel resting on four rounded, downward-curving legs with coin-shaped feet. Many moving parts, arms and cranks/screws, including the swiveling cutting yoke/frame at top (cutter blade with arbor/spindle missing) and the shaped index arm that "reads" the holes on the 13"-diameter brass wheel furnished with concentric circles of surface holes.
The LaFonds call this a very sophisticated machine, incorporating Swiss, German and English ideas/influences. This indicates to them that the machine was made in America, very likely by Shreiner himself. It was imperative for clockmakers to own this tool to practice their trade. Few survive. This machine was first described in the early book or article (LCHS Bulletin) printed in 1917(or 1919) & 1939 by D. McGee who wrote about Lancaster clockmaking. Ed believes this machine to be "the finest American engine in existence" and that it very well may have been made by Shreiner, probably in the 1790s. The cutter blade was used to cut the teeth on the large brass wheels that turn the pinions. There would have been either a slitting cutter or a form cutter used. Carter Harris says form cutters were used by the 1790s.
Attributed to Martin Shreiner (1769-1866).
An 8x10 B&W photo is in picture file under "clocks." Also slide is in slide collection, #14-3-11.
Lancaster Borough, most likely
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who removed rust and kept it on a window sill. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners. Stacy Wood claims this machine was one of Martin Shreiner's tools (Vol. 96, LCHS Journal).
Pitting on steel surfaces, slight discoloration on brass parts, signs of wear overall.
Object ID
G.04.19.1
Notes
Information from: Clockmakers of Lanc. Co., Wood/Kramer, 1977, p. 142. 225 Years of Timepieces (Catalog of 1st Annual Exh. of NAWCCM, 1979), p. 63. Stacy Wood researched origins and provenance of these tools and wrote article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04), Ed LaFond (7/6/04) and Carter Harris (7/7/04).
Place of Origin
Lancaster
Usage
Shreiner, Martin
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Chest, red-painted poplar on four straight bracket feet. Lid with molding pegged to 3 sides, supported by strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate at each end. Till at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a very thin, long, white-painted cartouche containing a painted inscription with geometric floral/star motifs. Inscription: "17 BARBARA POTZERIN 95."
On underside of the lid, left side, is a pasted-on fraktur (6.5" x 8"), hand-drawn, hand-colored, hand-lettered, on laid paper. Text within a rectangular frame at center of document, flanked by two people: at left is a woman wearing a red gown and bonnet, and on right is a man wearing a red coat, knee breeches and tricorn hat. Red and blue flowers above.
Fraktur has a "sponsor's letter" text done for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster Co. Document was given to Barbara by the godparents / sponsors, whose names appear at upper left and lower right corners: Maria Barbara Fockt [?] and Jakob Zook [?]. Central text block expresses good wishes for the child (translation in file). This form was used in the Alsace/Palatine areas according to Pastor Weiser.
The maker of the chest is unknown. The fraktur was done by Sussel-Washington artist (active c.1760-1779).
Provenance
Chest was purchased by seller, H. William Koch, in approximately June, 1979, at a sale near Harrisburg. It is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet. Several other similar chests (see file).
Multiple large marks and stains on lid, including two blotches of a varnish-stain. The edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
P.79.103.1
Notes
Pictured on p. 180 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Butler's desk with bookcase, cherry, Federal style. Secondary wood is poplar. Bookcase section is 54.5" high, has restrained cornice over frieze over two large double-panelled doors. Doors rails are through-tendoned into stiles. Interior bolt at bottom of left drawer missing. Stamped eagle lock escutcheon likely a replacement. Interior side dadoes support four original shelves w/ molded front edge; A fifth shallower shelf is a later addition.
Desk section is 43 1/2" high. Butler-type top drawer over three lower graduated drawers w/ diagonally striped veneer facings and cockbeaded edges that have been planed flat. Stamped oval brasses replace original round pulls (marks visible underneath). Lock escutcheons are brass insets. Large butler's desk drawer hinges down to reveal interior w/ center bank of pigeon holes under a single long center drawer, all flanked by vertical manuscript drawers which are in turn flanked by four stacked, graduated drawers at each side. Most drawers are numbered on bottom and most fitted with tiny brass pulls. Reeded quarter columns at front and back corners. Applied strips of reeding at front and side edges of top. Four turned feet with reeded cuffs.
Inscriptions: inside central drawer above cubby holes are pencilled names in modern cursive: Barbara Fisher/ Ellie McMellen, Sadie McMellen/ ( ? ) McMellen."
Maker unknown.
Provenance
According to John J. Snyder, Jr., secretary was owned by James Buchanan's physician, Dr. Henry Carpenter. Original owner was likely either father-in-law John Mathiot (elected sheriff of Lancaster Co. in 1818 and Mayor of Lancaster City in 1831) or his father Henry Carpenter (1773-1835), a surveyor and merchant. Passed down within Carpenter family until 1977 when Snyder, Jr. purchased it at public auction. Donated to Buchanan Foundation May 6, 1988 in memory of Snyder's spaniel Sukey. Transferred to HCLC due to lack of space at Wheatland.
Carpenter, born in 1819, was one of the community's leading physicians. He was founder of the Lancaster County Medical Society in 1844. Dr. Carpenter lived in a brick house on the west side of the first block of South Queen Street.
Sound;refinished. Several wide horizontal cracks at sides of desk. Scars overall; deep dent to top front edge of chest, just right of center; large burn mark at left as well as dark stains. Bottom of top drawer repaired and patched along lower edge, especially at left. Drawer hardware replaced, inside bolt on left door missing; several small interior drawer pulls missing with some large holes.
Object ID
G.04.28.1
Place of Origin
Lancaster County
Usage
Carpenter family
Credit
Gift of James Buchanan Foundation, Heritage Center Collection
