Page 21: "Ye Village Inn, Ephrata, May 1, 1902"; "D. A. R. (small party) Ephrata Monument unveiling, May 1, 1902" - Anna Fondersmith is the small girl at front; "A group of Cloister houses, May 1, 1902"; "Ephrata Monument unveiled, Zion Cemetery, May 1, 1902" - tombstones of Henry and Catharine Miller in foreground.
Provenance
First of two Diffenderfer family albums. Compiled by Frank Reid Diffenderfer, a former member of LCHS and an editor of a Lancaster city newspaper. Album documents his family as well as that of his neighbors on North Duke Street, Lancaster, between 1901 and 1903. Neighbors include Charles Fondersmith, Robert Slaymaker, and his daughter, Ida, who married Frank Fondersmith.
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Blue coloring has moved onto the center white stripe.
Object ID
1943.017.17
Notes
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Soiling overall especially along top and upper right edges. Some spots, bottom right.
Object ID
1943.017.18
Notes
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
