Portrait of Ellen Mary Armstrong, by Arthur Armstrong. Seated girl with dog in interior with tall window at back. Young girl with short brown hair parted in center and curls in front. Dark brown eyes. Seated with hands in front and leges extended to right. White off the shoulder chemise with bows and lace at shoulders. Holding small basket of variety of pink flowers. High top footwear with blue foot and white cuff. Right shoe removed and lying on floor. Flowers on floor beside shoe. Seated on large round blue cushion. Folds of peach blanket under left leg and lying on floor at front right. Small spaniel type dog sitting upright on haunches, holding a daisy in mouth. Overal seated on block patterened bedspread or floorcloth. Three at left? Background is mottled brown. Window at right has night scene of street. including 2 prominent church steeples (possibly East Orange looking east toward First Reformed and Presbyterian Church).
painting dimensions are 30.25in High and 25in Wide.
Condition
Good
Condition Date
2017-08-01
Condition Notes
Extensive craquelure. Two rectangular canvs pathces on reverse -- one at hair and above head, second patch below pink peopny on dress (reparied tear?) Frame painted gold excpet for three sections of face molding. Onverall wear with streaking and mottling. Inner gilded edge has multiple hairline cracks across its length; now quite darkened. Back uncovered; painting secured with eye screws. Brass plaque at bottom of frame reads "Ellen Mary Armstrong/1843-1846/Armstrong"
Frame: expected moderate wear to gilding with abrasions and smalll gesso chips. Short dark cracks on inner edges on all four sides.
oil on canvas portrait of two standing girls. Taller girl faces slightly right; shorter girl's body faces sister, embracing her waist, while face is turned sharply to nearly fully front. Tall ggirl has light brown hair with center part, tied with blue bows at back. Gray eyes. Multiple strand coral beaded necklace and gold hoop earrings. Blue wide necked dress with elbow length sleeves and buttons on sleeve cuff ans well as down front of dress. Skirt is pleated with 3 flounces. Lace trim at neckline and sleeve edge. lace blooms show below blue skirt. Red shoes with lback toe. younger girl has brown hair with center part. Multiple strand coral beadednecklace. Same ensemble only pink. Bows at shoulder. Older girl has flowers in right hand and corner of gold fringed shawl that drape down to bottom right. Basket of flowers at lower left. Large trees behind and to right of girls. Pastoral scene in distance through an open gate at background. Back has paper sticker at upper left "ART 64/120" Canvas stamped "A.Armstrong/Artist/Lancaster, Pa." "1849" painted below.
Painting: Oil on linen, Fair/Good, canvas sagging, cracking throughout, some paint loss in faces, abrasions.
Painting conservation needs: Surface clean.
Frame: None.
Frame conservation needs: None.
(eta, 08/08/2017,VAP) sagging cavas; semi-gloss, sheen on overall surface. Four areas of paint loss along older sister's nose on forehead and shoulder of younger girl and fourth loss at center right, approx. 3in from edge. Canvas edges worn with paint loss. Electrical tape covers all outside edges of stretchers. No frame.
Sir Walter Raleigh parting from his wife, imprisoned in the Tower of London
Oil on canvas historical painting depicts Raleigh standing with distraugt woman. Guard stands at rear left near open stiarway. Desk covered with books , a globe, etc. Hand cuffs on floor. Brass plaque reads: " Sir Walter Raleigh/Imprisoned in the/ Tower of London/Armstrong." Back of canvas inscribed at bottom in cursive"Arthru Armstrong Artist/Lancaster, Pa./1849/SIr Walter Rolley parting from his wife"
Watercolor of country mill. Probably painted by Julius Augustus Beck, brother of first wife of William Alexander Hammer, Martha Ann Beck. (Original entry by unknown person)
WRZ entry: Colorful W/C mounted onto nearly 1/8" thick paperboard (H: 5.75" W: 7.75") with gold, pebbled surface on back, and "Hammer" scrawled in pencil script. Front side, in margin above mounted watercolor is "4160 Hammer" also in pencil script.
Mounted in black modern frame with window mat for exhibit 2013-2016. (Removed from Med. Flat Box 35, "Fine Arts: Paintings", Cabinet 2).
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Portrait of three sons of Jacob Eichholtz, Henry Clay Eichholtz, Lavallyn Barry Eichholtz, and Robert Lindsay Eichholtz.
Jacob Eichholtz and his second wife, Catherine Trissler Eichholtz, named their three youngest children after prominent Kentucky senator and former secretary of state Henry Clay; Baltimore banker Lavallyn Barry; and beloved son-in-law and Philadelphia bookseller Robert Lindsay.
The father of 13 children, Eichholtz portrayed his three youngest with an immediacy and grace that rivals his finest work. Captured just four years prior to the artist's death, these angelic faces are rendered through the eyes of a father's's love and affection. - Thomas Ryan, President and CEO of LancasterHistory.org
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
On reverse is attached note, "To make sure that the old portrait of Julie Shultz and her father, who has her by the hand shall go into permanent possession of Lancaster County Historical Society
Miss Ella B. Hart who lived with her niece Mary Agnes Schultz when she died at 9 or 11 Shippen Street in 1911 gave it to me with that understanding (gave in the fall of 1935)
Julie was sister of Alexander Shultz who was a tinsmith in Strasburg. He built the house now owned by Robert E. Groh on site of birthplace of Thomas Burroughs.
Painting of on paper of elegant unidentified woman in oval gold frame with convex glass; has hanging ring. Woman gazes toward viewer's right, dressed in black Victorian formal clothing with fancy high collar and elaborate coiffure with bow. Mottled background of various hues.
Frame housed in an oblong leather-covered case with divided lid opening like twin hinged doors. Oval frame fits into central cavity of main leather frame, all covered with dark red velvet. Frame back has recessed "leg" that pulls out to allow frame to stand..
Painting signed with red lettering: "William S." at lower right edge.
Oval case is H: 5.25" (incl. hanging ring) W: 3.50"
Condition
Good
Condition Date
2016-06-10
Condition Notes
Portrait has good color and detail. Gold frame is good; glass has minute pitting and scattered abrasions. Leather-covered case interior is good with worn velvet on large center panel, including hook covering. Leather on exterior is fair-to-poor condition due to significant losses, tears ans abrasions. Structurally sound.
Mary Brackbill Eshleman (1769-1848) wife of Jacob Eshelman. She was the daughter of Benedict Brechbühl II and Anna Marie Kendig and upon marriage Mary lived at 38 S Belmont Road, Paradise PA. Her paternal grandparents were Ulrich Brechbühl (1703-1739), a well loved minister of Strasburg Mennonite Church and wife, Feronica (Herr) Brechbühl (1700-1780), a granddaughter of Hans Herr.
Provenance
Donated by Benjamin Franklin Eshelman born 1909 New Orleans--great-great grandson of Hans Herr.
Stamped: A. Armstrong, artist Lancaster, Pennsylvania
Written: 1845
Plaque: Mrs. Thomas Wentz (nee Catherine Evedon/Erdan) died March 18, 1817 Armstrong
July 24, 2017 Woman seated facing left with fact more forward, hands clasped on lap. Brown hair with center part; pronounced curl at left of head, hair gathered high on back of head. Brown eyes. Black, long-sleeved very high-waisted dress with low square neckline filled in with chemisette. Large single, frilled collar. Wide-band gold ring with stone on right index finger. Rede shawl wrapped around chair in back of sitter. Red upholstered chair with wooden arm. Background is brown. Stretcher is mortise & tenon with keys.
July 24, 2017. Extensive craquelure. Lines of abrasion along all sides, esp. at right, significant deep, crescent-shaped indentation adjacent to bust at left. Small grouping of paint losses at borrm, 4.5" from bottom right corner. Above ear is slightly curved line of raised paint damage. Small light spot of paint loss on chari back one inch away from frame. 3 vertical tray drips on canvas back. Also some moisture stains to left of stencil.
Frame: Poor to fair condition. Strong overall wear to gilding. Strong losses of gesso at protruding part of molding, esp. at right side. Patches of heavy wear: two areas on right side and one at left. Dark cracks across profile of molding. Back is uncovered.
On back: stencil "A. Armstrong Artist Lancaster, Pa. Painted 1846"
Pencil #3
July 17, 2017: Oil on canvas portrait has vertical seam. Seated man turned slight right with brown hair, not part. Brown eyes, prominent nose and chin. Black coat. black waistcoat, black neck wear, whit shirt with down-turned collar. Sitter's right arm draped over wooden chair back. Brown background.
July 24, 2017: Painting has extensive craqelure. On lapel just below center of painting has a 1/8 inch hole. A split 1/5" from his index finger and 2 " from bottom edge.
Frame: Back has moisture staining and soil. Front has strong grime. On right side near top is a marred spot. Gesso chips at both lower corners.
Half-length portrait of man facing slightly left. Forward swept dark hair, brown eyes with heavy brows and long face. Dark coat with high collar. Buff waiscoat, white shirt and cravat. Tall collar, folded over cravat. Brass buttons on coat. Very dark background.
Frame: Bold, wide elaborately decorated frame. Extensive applied floral composition. Protruding profile has sections of cross-hatch-like pattern. Mortise and tenon stretchers.
July 24, 2017 Poor. Two major holes previously patched, one above head and one low on coat. Two smaller holes, both near bottom left and center. Vertical crack at center right. Heavy abrasion and paint loss along left side. Slight 1" crack on top of head. Stretcher line visible. Dark with heavy grime. Canvas back has 2 large black fabric patches, top and bottom. Two small patches of paste-like substance.
Frame: Poor. Heavy soil. Very strong wear to gold paint. Gesso losses along outer edges. Back has inset strip of wood across miter joints.
