Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
Deed (indenture) printed by Ephrata Cloister on vellum for John Miller, blacksmith of Lancaster Borough, and his wife Elizabeth, for use in selling lots in the "Town Called "Millers Burgh." Blank areas are filled in by hand for sale of property to Margaret Stout for 50 pounds. Initially filled in on May 1, 1764, and completed at bottom on March 8, 1765. Pink linen ribbons and red sealing wax are affixed at bottom right. The headpieces printed at top left is done in elaborate letter style using the first two words "This indenture." Each initial line is done in the distinctive illuminated manner of Ephrata Cloister, employing floral and foliate designs.
Reverse is also used as a deed for the transfer of property for Margaret Stour to Patrick McElkar, begun 1770 and completed 1771. Red linen ribbons and red sealing wax are affixed to bottom right (of reverse).
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Framed for 2006 Printed Word Exhibit.
Condition
Good
Condition Date
2004-07-28
Condition Notes
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Ink drawing on paper of "The 'Keppele House.' Lancaster. Pa./ N. Queen St. near Centre Square. E.side.' On the walk in front and to the right of the house: "1883." The right of the house: "Muhlenberg's / Drugstore."
There are several tears along the top right edge; also a 1/2" tear at top center and a 7/8" tear at the top right corner that have been mended. Several small black sports appear in the left area of the drawing. There are the remains of a previous backing on the corners of the reverse.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.53
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Hand towel, plain-weave linen, elaborately decorated with blue and red cotton cross stitch as well as drawn thread panels. Hanging tabs are plain-weave linen tape, 3/8" wide and very long.
Panel #1 has "MARIA" at the top flanked by large floral trees growing out of hearts. Second line reads: "MACDALLNA DAMY" and 3rd line is: "MY HAND AND NWEDLE." Below are 5 large tree motifs grounded on a horizontal embroidered line, followed by 8 small grounded trees.
Panel #2 is a drawn thread panel w/ cotton darn-stitched designs. Drawn threads stop short of sides -- unusual.
Panel # 3 has five blue and red motifs: star at center flanked by crowned peacocks, in turn flanked by geometric motifs.
Panel # 4 is a tripartite design: center has "HF" within an ornately embroidered red and blue heart, flanked by drawn thread panels w/ cotton darn-stitched trees surmounted by birds. (Initials stand for future husband Henry Fenstermacher, married the following year,1837.)
Panel #5 is very similar to panel #3.
Panel #6 is another drawn thread panel stopping short of sides, decorated w/ cotton darn-stitched geometric designs.
Panel #7 has upper case alphabet ending with the date 1836.
Panel #8 has three lines: "CHRISTOPHER/ DAMY CATHARINE/ DAMY A D 1836." (parents)
Plain self fringe at bottom has an applied short panel of linen with an elaborate knotted self fringe.
Made by Maria/Mary Magdalena Demmy (1811-1884).
Seller pinned on a note stating the mate to this towel (made by sister Elizabeth) was sold in the Rich and Joan Smith sale for $2400, inventory # CB29. Both towels illustrated in This is the Way I Pass My Time, p. 31.
Note: Older sister Maria/Mary Demmy's taufschein is P.06.15.1.
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Printed document is a naturalization certificate infilled for "Jacob Dickart" (sic), a prolific gunmaker of Lancaster. Printed on now-brown laid paper, it is a printed form for naturalizing foreigners who did not swear oaths. Now mounted in a modern black frame.
The certificate was designed for non-Quakers who had resided in the Commonwealth for seven years and who had never taken an oath of allegiance to King George II because of conscience, eg. Mennonites, Moravians & other sectarians who believe the Bible prohibits the swearing of oaths. Although Jacob is believed to have been raised in a Lutheran home, he later followed the Moravian faith.
Edward Shippen, Jr., Prothonotary of the Supreme Court of the Province of PA filled out this form for Dickert, who appeared before Judges William Atlin, William Coleman, and Alexander Stedman, in Phila. on Sept 24, 1765. An embossed seal is created out of a small square of paper and affixed to the upper left corner of the document.
HJ Kauffman notes that Dickert was born in Mainz, Germany in 1740, came to America with his parents in 1748. Family settled in Berks Co. and later, son Jacob moved to Lancaster in 1756, where he likely apprenticed with the gunmaker Matthias Roessor (as did Wm. Henry). Dickert worked c. 1760-1820. In 1764, he married Johanetta Hofer of York, PA, and the following year he travelled to Phila. to obtain this document. Kauffman states he was active in the Moravian church.
He died 1822.
See G90.7.1 file on Dickert rifle with family info. Transparency of a document with
General signs of age: soiling, minor foxing, dog eared corners with some minor losses. Fold line 3" from top, small holes along bottom. There is a backing of acidic paper which is attached with adhesive.
Mounted in a modern black frame by Lancaster Galleries for 2006 exhibit.
Very unusual German edition of a Birth & Baptismal Certificate (B&BC) printed on wove paper by Lancaster printer Herman William Villee. Infilled in red ink by an unknown, unskilled, illiterate hand for William Craus/Crause of Cocalico Township. Glued onto a mid-20th century printed certificate on thin cardboard & mounted in a modern thin, black frame.
Entitled "Geburts und Tauf Schein." at top. Entire frame around main text consists of one single cut (printing block) with the baptism of Christ at top and Christ blessing the children below. Central text block in German has blanks infilled in English with red ink. William Crouse was born August 10, 1828 to parents William and Sarah Craus(e?). He was baptized by Rev. Frederick Harman and the sponsor was John Koch(?). The birth year is scrawled above text three times and below is written "whas Ritten May 21. 1833." Villee's name and location printed at bottom.
Certificate is H: 16.25" x W: 13" It is heavily colored with dark red, black and yellow throughout.
J.J. Strine records the marriage of a William M. Crouse Esq. of W. Cocalico and Nancy Eberly of Reamstown, 12 Oct. 1858. (If the same Crouse, he was age 30.) 1869 Directory lists both Wm. Crouse Sr. & Jr., combmaking in Reinholdsville, while the Business Directory (p. 408) only lists Wm. Jr. as one of two comb manufacturers in Lanc. Co. William M. Crouse & son were manufacturing combs in Reinhold's Station in W. Cocalico Twp. in 1890 Directory. In 1909, only George W. Crouse continued.
Atlas of 1864 has Wm. Crouse Jr. w/ two bldgs. between Reinholdsville & Berks Co. line. The 1875 Atlas shows W.M. Crouse listed only with the bldg. nearest Berks Co. while the other bldg. is gone. The 1899 Atlas shows property labeled "COMB FACTORY".
Ellis & Evans lists William M. Crouse as a Justice of the Peace in 1855-1860 in W. Cocalico Twp. (p. 722).
Printed N. Queen Street; likely infilled in W. Cocalico Twp.
Provenance
Provenance unknown.
See P.01.60.1 for Heaven & Hell broadside by Villee.
See Klaus Stopp, The Printed B&BC of the German Americans, Vol. III, pp. 136-137.
Heavy damage with moderate staining. Extensive tears, wrinkles and holes, esp. at center. Largest losses are scene of Crist blessing the disciples. Many areas mended with tape. Glue & tape apparently used to mount document. Old cardboard backing. NEEDS CONSERVATION.
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Large fraktur is both a Vorschrift & Taufschein, done on laid paper, for Johan Philip Grunewalt, born June 17, 1756, in Cocalico Twp. Mounted in modern red-painted frame with window mat. Has watermark of a shield with a fleur-de-lys at top and "GR" at bottom.
Large religious text at top begins: "Dass walt der Trey Einige Ewige un Endliche und Allmachtige gott der gott, Abraham der gott, Isaac der gott, Jacob der heylige In Israel Auser welche..." followed by 2 more lines of in smaller font, then13 lines of German script filling center of fraktur. Below this is a line of large fraktur style alphabet, then numerals, and finally a line of German script.
At bottom is the taufschein section noting Johan's birth and baptism. German script at bottom right Alan Keyser identifies as simply completing the previous sentence due to running out of space. It is "auffer stehung(en)" which ends the thought of eine seelige... "toward a blessed after-life" (or resurrection). Following the mention of holy baptism are sponsors names, Jorg Weber and his wife Ann Eliza. No date of baptism.
Around entire fraktur is a 3-line border of red, yellow and blue, with a religious text dated 1767 between red & yellow lines. Decoration at top, within border, are simple leafy vines with stylized tulips of red, yellow, green and black.
Biographical Encyclopedia of Dauphin Co., p. 300 ff.
Height (in)
19
Width (in)
23.875
Dimension Details
Unframed dimensions. Frame is 25" x 31"
Condition
Good
Condition Date
2016-08-04
Condition Notes
Damp stains mostly at top border and some foxing across surface. Significant damage to paper from multiple tape repairs at fold lines. (Conserved in 1996 by Marilyn Kemp Weidner of Phila. and placed in a sealed Mylar package on acid-free corrugated board).
Object ID
P.94.21.2
Notes
Recipient of Vorschrift, John Philip Greenawalt, was born in Cocalico Twp. to parents Philip Lorentz and Maria (or Margaret?) (Foesser) Greenawalt. He apparently settled in Ephrata where he was a farmer and a hotel keeper.
Son John Philip served as first lieutenant in the Rev. War (and his father served as a colonel with Washington at Brandywine, Germantown, Trenton, Princeton, etc.). The Dauphin Co. Biog. Encyclopedia, p. 300, states Philip became a hotel keeper at Lebanon after the war. He apparently left Cocalico Twp. no later than 1763.
Place of Origin
Cocalico Twp.
Usage
Grunewalt, Johan Philip, 1756-1834
Credit
Heritage Center Collection, gift of James Hale Steinman Foundation
Bookplate on a page from a Martyrs Mirror, done in the style of Ephrata Cloister with a flowing hand using strong, bold letters. Letters are black with green and orange infill. Bookplate simply reads: "Carl/ Christo/ phel." One flower is at top right and a stylized pot with plant having 3 flowers is at lower left. Page is float-mounted in a window mat with a handmade cherry frame.
Ephrata Cloister, Lancaster Co.
Removed from Martyrs Mirror by a previous owner (Evelyn Good) due to water damage to the book which was then discarded. The opposing page was also saved and is mounted in Mylar on reverse side of frame. It carries a ghost image of the bookplate; string from binding is visible.
Acquired with typewritten inscription mounted on back of frame states: "BOOKPLATE MADE FOR CARL CHRISTOPHEL FOR/ HIS COPY OF THE EPHRATA MARTYR'S MIRROR-1748./ WORK OF SISTER ANASTASIA THE PEN-ARTIST OF THE CLOISTER ABC PATTERN BOOK OF LETTERS."
According to Clarke Hess, the penwork is by an unknown Ephrata Cloister artist. Clarke notes that Carl Christophel was a deacon at New Danville Mennonite Church in Conestoga Twp.(now Pequea Twp.) He died in 1767.
In Masonic Lodge Fraktur exhibit for several years. Removed circa 2008.
On short-term exhibit at Historical Society of Cocalico Valley, 2010.
Unknown Ephrata Cloister artist
Provenance
Dr. Robbins purchased framed pages from Evelyn Yingst Good's sale, Sat., May 11, 1991, lot #152, for $3,800. Evelyn Good was an Ephrata librarian. Valued at $5000, Robbins sold to museum for $2,500, donating the other half. Irene Walsh then reimbursed museum for the $2,500.
Acid burned edges are brown; soiled along outside edges; stains and foxing. Moisture stain at top left. Remains of binding still attached at left. Moisture staining at upper left corner. Two minor tears at top center, with ragged edges overall. Paper losses within black ink.
Conserved by Marilyn Kemp Weidner of Phila.
Object ID
P.98.52.1
Place of Origin
Ephrata
Credit
Acquired through the generosity of Irene Walsh and Dr. Warren Robbins, Heritage Center Collection
Fraktur on laid paper in polychrome lettering. Within a cross-hatched border is a birth record for Andrew Bare done in five lines of German above a heart containing eleven lines of text. Decorated with vining flowers at top and large flowers around heart.
Accompanying translation at right was written and signed by J. Watson Ellmaker (1840-1921), but undated. It states that the text within the heart is a baptismal prayer for Andrew Bare, born March 9, 1768, and gives an English translation.
Fraktur was originally purchased in a vertical frame with the translation below it, both glued to the same backing. Both pieces were conserved, matted and reframed side-by-side by Elizabeth C. Hollyday, April 1981. See NOTES
Fraktur has significant damage. Multiple losses, staining overall and mended tears and creases.
Translation paper has several light brown stains, esp. at top.
Conserved and reframed by Elizabeth C. Hollyday, April 1981. Edges of fraktur appear to be lifting somewhat. There still remain dark, hazy areas over much of surface.
Object ID
P.80.136
Notes
Published in Fraktur: Folk Art and Family, Russel & Corinne Earnest, 1999, p. 30.
Noted genealogist Jane Evans Best wrote a letter 9/27/84 correcting the genealogical info written by Ellmaker. She states that Andreas was not the father of noted publisher John Bear. This Andrew Bear was born 2/9/1768 and died 6/22/1797. He was baptized June 12, 1768 at Zeltenreich Reformed Church in Earl Twp. Best suggests it may have been the schoolmaster of the nearly Laurel Hill school who created this fraktur. The school was mentioned in a deed dated July 22, 1765 and was one of the earliest on record in Lancaster Co.
Also, Andrew Bear Jr. was not married to Mary Showers, but was married 12/22/1790 at New Holland Lutheran Church to Susanna Mayer, daughter of Abraham Mayer of Leacock Twp. The Bears had two children, John b. 7/31/1791 and Christina, born after 1792. The two children were mentioned in their grandfather Andrew's will dated 9/21/1805.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Bookcase on desk, Queen Anne, walnut, owned by the Jenkins family of Churchtown area in Caernarvon Twp. Upper section has a scroll pediment with shallow-carved round rosettes with button centers above a plain tympanum. The three turnip finials are replacements. Distinctive chamfered, fluted front corners terminate in lamb's tongues. Two doors have two raised panels and stationary shelves within. Maker is unknown.
Restored straight bracket feet, four lipped graduated drawers with two candle drawers flanking the top drawer. Interior has a central prospect door with tombstone shape and applied outer moldings creating the impression of frame-and-panel construction; center panel has highly figured wood. Flanking manuscript drawers faced with wide fluted columns on plinths with capitals. Each side of central section has four pigeon holes above two tiers of drawers, four each side.
Snyder states most of the brass hardware has been "correctly restored." Inscription on the side of one drawer reads: "David and Martha Jenkins" in script. David Jenkins (1731-1797) was the ironmaster at Windsor Forge near Churchtown.
Snyder notes the distinctive chamfered, fluted corners of this secretary relate to the Old family highboy (P78.76) as well as to a highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar corners on a George Hoff clock w/ brass face as well as some Reading clocks, and some furniture made by Phila. and Maryland cabinetmakers.
Provenance
History of ownership is soundly documented, according to Snyder. (See his appraisal in file, pp. 5-6). It passed down within the Jenkins family until sold at public auction in Churchtown from the estate of Miss Mary Irwin, a direct Jenkins descendant. Purchased by Elaine Holden.
Robert E. Jenkins, Jenkins Family Book, Chicago, 1904.
At LHO are:
- Jenkins family file
- 1797 David Jenkins estate inventory
- 1815 Direct Tax for Caernarvon Twp.
David Jenkins' 1797 Will, # G-1-98, is in the Archives, Lancaster Co. Courthouse.
Height (cm)
264.16
Height (ft)
8.6666666667
Height (in)
104
Width (cm)
96.52
Width (ft)
3.1666666667
Width (in)
38
Depth (cm)
57.15
Depth (ft)
1.875
Depth (in)
22.5
Condition
Good
Condition Date
2017-03-08
Condition Notes
Finish has been stripped; metal polish residue clogs pores of wood around hardware. Restoration and replacement of various parts, including feet, finials, patch on upper lip of upper drawer, and all large drawer bottoms. Breakout at points above bottom drawers where lock strikes.
Object ID
G.03.01.01
Notes
Furniture Exhibit in Gerhart Gallery
Related Item Notes
John J. Snyder notes the distinctive chamfered, fluted corners of this secretary relate to those of the Old family highboy (P.78.76) and a Q.A. Phila. highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar chamfered corners on a George Hoff clock w/ brass face, some Reading clock cases and some case furniture made in Maryland and Philadelphia (Joseph Armitt and Jonathan Gostelowe).
Credit
Gift of Elaine Ewing Holden, Heritage Center Collection
Bunch of grapes, carved wood, gessoed and painted dark purple/blue with green leaves. Iron hanging ring attached at top; cluster hangs from a reproduction decorative hanger (see notes).
This bunch of grapes was said to have hung at the Grape Tavern (Sign of the Grapes) at 32-34 North Queen Street, Lancaster, most likely on the interior. This fragile object would not have stood up to outside weather. (Ellis & Evans, writing in 1883, state, "The wrought iron bunch of grapes now hanging in front of the hotel was made for, and used by, Adam Reigart.")
The Grape tavern was built in 1741 by John Harris, then sold at sherrif's sale to Adam Reigart, Sr. in 1769. He ran it from 1769 to March 3, 1794, when John Michael took over ownership. During his ownership, the tavern began its most opulent elegance as well as being called by various names including The Grape, Conestoga Waggon (sic) and Michael's Hotel. He ran it until May 5, 1821, when it was purchased by his son John Michael, Jr. who kept it until 1839, restoring the original name. According to Ellis & Evans, John Michael, Jr. moved the tavern, with the "old familiar sign" to the adjoining lot in 1839. It was then known by the original name as well as Michael House.
Provenance
Once owned by W.U. Hensel (1851-1911) who lived at the historic "Bleak House" near Kinzer, where it hung on the porch. He had a collection of early Lancaster signs.
Pictured on frontispiece of booklet of Hensel's address in 1912 on "Jacob Eichholtz, Painter." The grape sign was sold at the estate sale (March 1947?) of Hensel's daughter Elizabeth Hensel Nauman and purchased for $320 by William Lebzelter of Lancaster City, whose family owned the American House which was successor to the Grape Tavern (Groff and Wolf Dept. Store at time of sale).
No record in file later than this other than the name of seller, Marian L. Schaffner. She was the wife of physician Meade D. Schaffner, on Columbia Ave.
Paint chipping in some spots; some wood loss at tips of some individual grapes. Iron hanging ring has minor rust spots. Minor losses of gesso repaired, gesso loss between grapes at bottom. Nail repairs. Repainted at some date prior to 1984; painted at least once before. Wood at top shows deterioration.
Object ID
P.77.72
Notes
Ellis & Evans, pp. 363, 394 1/2 and 395.
Multiple references in this file including newspaper articles.
Booklet entitled "Jacob Eichholtz, Painter", an address given by W.U. Hensel Nov. 22, 1912 (eve of portrait exhibit at Woolworth's)
Hanger is a reproduction scrolling wrought iron bar with eight small swirls along the top, and is attached to a heart-shaped iron mounting plate. Made by Thomas C. Moore of Glen Rock in January 1978, based on a drawing and painting by David McNeely Stauffer (P77.31.57 and P77.31.22).
Maker is unknown.
Place of Origin
Lancaster County
Usage
Grape Tavern
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collecti
Eight-day tall case clock signed by Daniel Forrer of Lampeter and dated 1814. Clockworks housed in a c. 1760s walnut sarcophagus top case by unknown maker.
Clock has 12" solid brass arched dial, matted dial-plate center, pewter chapter ring and cast brass spandrels. Above center arbor is seconds chapter ring of pewter and below arbor is calendar window. Engraved pewter medallion in arch reads "Daniel Forrer/ Lampeter." Above calendar window is a small plate engraved "1814." (Dial is very similar to one by brother Christian Forrer pictured on page 97 of "Clockmakers of Lancaster Co...").
Sarcophagus bonnet top has 3 urn finials on plinths (corner plinths are plain; center one is fluted). Thin crestboards extend to sides of central finial. Bonnet has 3/4 colonnettes in front and 1/4 in back, all plain & tapered. Arched sidelights.
Body of case is pegged construction w/ front having mitered half-lap joinery at top & through-tenon joints at bottom. Front corners are stop-chamfered between joinery. Tombstone pendulum door (replaced). Cove molding leads to plain base section with chamfered corners. Feet and base moldings replaced (see condition notes). Now rests on reeded board base only.
1814 date plate likely mounted on dial when the Sheraton style details (reeded base, turned feet, urn finials) were added. Changes were evidently prompted by moisture & worm deterioration of original feet & base moldings.
Clock has winding key and door key (in clock key box). See NOTES.
Clockmakers of Lancaster County and Their Clocks by S.B.C. Wood, Jr., S. Kramer, & J.J. Snyder, 1977, pp. 19, 97.
Mennonite Arts by Clarke Hess, 2002, p. 80 (nearly identical Christian Forrer dial).
Photocopies of Warfel documents & previous contacts (in file). MESDA has photo of a c.1770 clock w/ "D.Forrer/ FrdkTown."
Height (cm)
238.76
Height (ft)
7.8333333333
Height (in)
94
Width (cm)
53.975
Width (ft)
1.7708333333
Width (in)
21.25
Depth (cm)
30.48
Depth (ft)
1
Depth (in)
12
Condition
Good
Condition Date
2017-06-19
Condition Notes
Case refinished & restored with Sheraton feet, reeded base molding & urn finials. Pendulum door & hardware are replaced. Bonnet door loose from "hinge" column at top (nail failing). Multiple gouges, chips & scratches. Heavy loss at left front corner of bonnet cornice. Pieced-out repair at back edge of left side of waist. Backboard at bottom shows significant rot & worm damage, explaining the replaced base that now is reeded-edge boards to which turned Sheraton feet were nailed (now removed). On seatboard of works is old sticker of Joseph R. Bates, clock restoration in Vermont. In 1968, he performed "complete restoration & overhaul including extensive repairs" to clockworks & resilvering of dial.
Object ID
G.08.16.1
Notes
Swiss-born brothers Daniel & Christian Forrer both apprenticed w/ same clockmaker in the Jura region of Switz., following their father's death, then emigrated to America with their sister in 1754, settling in Lampeter where they each made clocks. It is claimed there were clocks jointly signed "C & D Forrer", denoting a partnership. Clarke Hess notes that Daniel sold his Lampeter Twp. lands to his brother in 1762 at which time he likely moved to Frederick, Maryland.
Ed LaFond believes there may be about a dozen clocks by Christian but only two clocks by Daniel were previously known, both privately owned and one signed Fredericktown. Ed believes Forrer eventually ended up in Virginia.
