A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Deed (indenture) printed by Ephrata Cloister on vellum for John Miller, blacksmith of Lancaster Borough, and his wife Elizabeth, for use in selling lots in the "Town Called "Millers Burgh." Blank areas are filled in by hand for sale of property to Margaret Stout for 50 pounds. Initially filled in on May 1, 1764, and completed at bottom on March 8, 1765. Pink linen ribbons and red sealing wax are affixed at bottom right. The headpieces printed at top left is done in elaborate letter style using the first two words "This indenture." Each initial line is done in the distinctive illuminated manner of Ephrata Cloister, employing floral and foliate designs.
Reverse is also used as a deed for the transfer of property for Margaret Stour to Patrick McElkar, begun 1770 and completed 1771. Red linen ribbons and red sealing wax are affixed to bottom right (of reverse).
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Framed for 2006 Printed Word Exhibit.
Condition
Good
Condition Date
2004-07-28
Condition Notes
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Umbrella Manufactured by Follmer, Clogg & Co., Lancaster
Description
Umbrella, black silk-cotton canopy, metal ribs and shaft, carved J-shape wooden handle finished with dark stain and glossy varnish. Canopy appears to be a black blend of cotton and silk, having no glossy sheen.
Initials "FUMC" printed in white on applied piece of fabric on the underside of the canopy crown, apparently representing the maker, Follmer, Clogg & Co. (FUMC = Follmer, (Clogg) Umbrella Mfg. Co.) of Lancaster.
Bottom of wooden handle is relief-carved with a heart, inside of which are 4 raised diamonds, separating two sets of 3 leaves. Heart is surrounded by vertically carved 'slices' into the wood.
Black cotton-silk tape secures umbrella when closed, using a metal ring at one end and small black button at other end where sewn to bottom of canopy. (Michael Middleton)
Provenance
Donor is niece of former umbrella hand-carver working for Follmer-Clogg (claims donor). John I. Hartman says the company did not have any carvers as actual employees.
Year Range From
1920
Year Range To
1944
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 5
Storage Cabinet
Unit 46
Storage Shelf
Shelf 3
Storage Container
Box 0382
Object Name
Umbrella
Length (cm)
90.17
Length (ft)
2.9583333333
Length (in)
35.5
Dimension Details
42 inches wide when open
Condition
Good
Condition Date
1998-01-02
Condition Notes
Wear to metal shaft, with paint losses. Shaft tip has wear and corrosion.
Air raid curtain or black-out curtain, made of black cotton, apparently a sheet that has been adapted for this purpose. Curtain is hemmed all four sides and has an offset (commercially sewn) seam running vertically. Five unevenly-spaced brass rings have been hand-stitched along top to hang a a window for blacking out any light in the house.
Made or purchased for us in the donor's home by her parents, Henry Keiper Long and Helen Hamaker Long. Her father was a member of Civil Defense during WWII; whenever an air raid siren went off, he would exit the house to check that all his neighbors had blacked out their windows to allow no evidence of light. The Longs' air raid curtain was hung over the dressing room window since the family used a weak light within this room only. After the air raid, her father would go off to join other members of the civil defense team to report findings and to drink. This group was headed by director J. Hale Steinman. Donor indicated her belief that the men used these occasions as an excuse to get together with buddies to drink and socialize.
The Long family lived in a house built by Mr. Long at 1431 Hunsecker Road on the eastern edge of Manheim Twp.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Nancy L. Gingrich.
Date Range
Early 1940's
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Curtain, Window
Length (cm)
35.56
Length (ft)
1.1666666667
Length (in)
14
Width (cm)
469.9
Width (ft)
15.4166666667
Width (in)
185
Condition
Good
Condition Date
2005-06-22
Condition Notes
Very good condition except for slight wear at crotch with seam somewhat separated.
Baskets pattern quilt made by Amish woman Sarah Stoltzfus (b. 6/17/1923), circa 1939 when she would have been about 16 years old. This pattern is very unusual among the Lancaster Amish.
Pieced wool top blocks on point. Pink baskets of crepe rayon(?) on a field of green alternate with turquoise-blue blocks. Wide border of green and a binding of turquoise blue, turned front to back. Back is a blue cotton print with white dots. Cotton batting.
Hand quilted in black running stitch. Border has vining flowers, tied with a bow in corners. Turquoise blocks have an unusual circle fringed with triangle points and a triple-line cross within dividing it into quadrants. Basket blocks have cable, shell and parallel lines as well as a basket "handle."
Made by Sarah Stoltzfus for herself to go to housekeeping. Her mother chose the pattern from her sister and neighbor Katie Smoker Glick (wife of "Red John" Glick) and also purchased the fabric in stores in Intercourse and New Holland. Sarah's parents were John P. Stoltzfus and Amanda L. Smoker Stoltzfus. Sarah did all the piecing and most of the quilting w/ perhaps some help from her sister.
Note: This quilt is very similar to two other quilts (owned by Trish Herr and Jay & Susan Leary).
RD#1 Millwood Rd., Gap, PA 17527, Salisbury Twp.
Provenance
Sold by maker in 1988 to Tom Wentzel of Lititz, a dealer, who sold to M. Finkel & Daughter, dealers on Pine St. in Phila. (all transactions occurred in the same year). See 2004 fieldwork notes of Rachel Pellman.
Dovetail construction, wire nails used on interior. Inside is a till and a sliding drawer; shoe molding on all bottom inside corners. Below mid-line molding are two thumbnail-molded, side-by-side drawers with nailed joints and fitted with locks, escutcheons and bail-type brasses in batwing style.
Lid is two joined boards with ends tenoned into end boards and pegged, cutting board fashion. Edge molding is intrinsic, not applied, except for light molding attached to underside to create lip. Lid has strap hinges with fishtail terminals and is fitted with a lock and brass batwing-type escutcheon. Medallion is relief-carved into center of lid top with "18 SF 40." The meaning of this 1840 date is a mystery.
Molding at the base of chest; four ogee bracket feet.
Provenance
Provenance: One of twelve pieces of furniture transferred to this museum from the Lancaster County Historical Society. These pieces were part of the estate of Sarah Ann Stauffer (1913-1996) whose property, Lime Kiln Farm, was bequeathed to LCHS upon her death in 1996.
Clarke Hess had suggested the chest may have been made for Sarah Ann Frantz and the 1840 date may be her birth year. Often, he says, pieces of furniture were made for a child or heir at the time of the settling of an estate.
Research: Sarah Ann Frantz (sister of Sarah A. Stauffer's gr-grandfather Henry L. Frantz) was born 1835, Grandfather Samuel O. Frantz was born 1861, so this theory is incorrect. (The East Hempfield Twp. farm of Sarah A. Frantz is located on both the 1875 and 1899 Atlases, SW of Rohrerstown and S.O. Frantz is shown nearby on 1899 Atlas.)
Top has large crack through center and many dents, scratches and score marks. Loss at right end of mid--line molding of front. Multiple cracks in sides. Repairs done to feet. Refinished with heavy stain and varnish on lid and all interior surfaces. Original finish on front is heavily alligatored; finish on sides is crackled. Interior surfaces have had paper and textiles adhere to wet varnish. Sliding drawer has crack in bottom.
Object ID
G.99.41.9
Place of Origin
Lancaster
Credit
Transferred from Lancaster Co. Historical Soc., Heritage Center Collection
Printed document is a naturalization certificate infilled for "Jacob Dickart" (sic), a prolific gunmaker of Lancaster. Printed on now-brown laid paper, it is a printed form for naturalizing foreigners who did not swear oaths. Now mounted in a modern black frame.
The certificate was designed for non-Quakers who had resided in the Commonwealth for seven years and who had never taken an oath of allegiance to King George II because of conscience, eg. Mennonites, Moravians & other sectarians who believe the Bible prohibits the swearing of oaths. Although Jacob is believed to have been raised in a Lutheran home, he later followed the Moravian faith.
Edward Shippen, Jr., Prothonotary of the Supreme Court of the Province of PA filled out this form for Dickert, who appeared before Judges William Atlin, William Coleman, and Alexander Stedman, in Phila. on Sept 24, 1765. An embossed seal is created out of a small square of paper and affixed to the upper left corner of the document.
HJ Kauffman notes that Dickert was born in Mainz, Germany in 1740, came to America with his parents in 1748. Family settled in Berks Co. and later, son Jacob moved to Lancaster in 1756, where he likely apprenticed with the gunmaker Matthias Roessor (as did Wm. Henry). Dickert worked c. 1760-1820. In 1764, he married Johanetta Hofer of York, PA, and the following year he travelled to Phila. to obtain this document. Kauffman states he was active in the Moravian church.
He died 1822.
See G90.7.1 file on Dickert rifle with family info. Transparency of a document with
General signs of age: soiling, minor foxing, dog eared corners with some minor losses. Fold line 3" from top, small holes along bottom. There is a backing of acidic paper which is attached with adhesive.
Mounted in a modern black frame by Lancaster Galleries for 2006 exhibit.
Large fraktur is both a Vorschrift & Taufschein, done on laid paper, for Johan Philip Grunewalt, born June 17, 1756, in Cocalico Twp. Mounted in modern red-painted frame with window mat. Has watermark of a shield with a fleur-de-lys at top and "GR" at bottom.
Large religious text at top begins: "Dass walt der Trey Einige Ewige un Endliche und Allmachtige gott der gott, Abraham der gott, Isaac der gott, Jacob der heylige In Israel Auser welche..." followed by 2 more lines of in smaller font, then13 lines of German script filling center of fraktur. Below this is a line of large fraktur style alphabet, then numerals, and finally a line of German script.
At bottom is the taufschein section noting Johan's birth and baptism. German script at bottom right Alan Keyser identifies as simply completing the previous sentence due to running out of space. It is "auffer stehung(en)" which ends the thought of eine seelige... "toward a blessed after-life" (or resurrection). Following the mention of holy baptism are sponsors names, Jorg Weber and his wife Ann Eliza. No date of baptism.
Around entire fraktur is a 3-line border of red, yellow and blue, with a religious text dated 1767 between red & yellow lines. Decoration at top, within border, are simple leafy vines with stylized tulips of red, yellow, green and black.
Biographical Encyclopedia of Dauphin Co., p. 300 ff.
Height (in)
19
Width (in)
23.875
Dimension Details
Unframed dimensions. Frame is 25" x 31"
Condition
Good
Condition Date
2016-08-04
Condition Notes
Damp stains mostly at top border and some foxing across surface. Significant damage to paper from multiple tape repairs at fold lines. (Conserved in 1996 by Marilyn Kemp Weidner of Phila. and placed in a sealed Mylar package on acid-free corrugated board).
Object ID
P.94.21.2
Notes
Recipient of Vorschrift, John Philip Greenawalt, was born in Cocalico Twp. to parents Philip Lorentz and Maria (or Margaret?) (Foesser) Greenawalt. He apparently settled in Ephrata where he was a farmer and a hotel keeper.
Son John Philip served as first lieutenant in the Rev. War (and his father served as a colonel with Washington at Brandywine, Germantown, Trenton, Princeton, etc.). The Dauphin Co. Biog. Encyclopedia, p. 300, states Philip became a hotel keeper at Lebanon after the war. He apparently left Cocalico Twp. no later than 1763.
Place of Origin
Cocalico Twp.
Usage
Grunewalt, Johan Philip, 1756-1834
Credit
Heritage Center Collection, gift of James Hale Steinman Foundation
Bookplate on a page from a Martyrs Mirror, done in the style of Ephrata Cloister with a flowing hand using strong, bold letters. Letters are black with green and orange infill. Bookplate simply reads: "Carl/ Christo/ phel." One flower is at top right and a stylized pot with plant having 3 flowers is at lower left. Page is float-mounted in a window mat with a handmade cherry frame.
Ephrata Cloister, Lancaster Co.
Removed from Martyrs Mirror by a previous owner (Evelyn Good) due to water damage to the book which was then discarded. The opposing page was also saved and is mounted in Mylar on reverse side of frame. It carries a ghost image of the bookplate; string from binding is visible.
Acquired with typewritten inscription mounted on back of frame states: "BOOKPLATE MADE FOR CARL CHRISTOPHEL FOR/ HIS COPY OF THE EPHRATA MARTYR'S MIRROR-1748./ WORK OF SISTER ANASTASIA THE PEN-ARTIST OF THE CLOISTER ABC PATTERN BOOK OF LETTERS."
According to Clarke Hess, the penwork is by an unknown Ephrata Cloister artist. Clarke notes that Carl Christophel was a deacon at New Danville Mennonite Church in Conestoga Twp.(now Pequea Twp.) He died in 1767.
In Masonic Lodge Fraktur exhibit for several years. Removed circa 2008.
On short-term exhibit at Historical Society of Cocalico Valley, 2010.
Unknown Ephrata Cloister artist
Provenance
Dr. Robbins purchased framed pages from Evelyn Yingst Good's sale, Sat., May 11, 1991, lot #152, for $3,800. Evelyn Good was an Ephrata librarian. Valued at $5000, Robbins sold to museum for $2,500, donating the other half. Irene Walsh then reimbursed museum for the $2,500.
Acid burned edges are brown; soiled along outside edges; stains and foxing. Moisture stain at top left. Remains of binding still attached at left. Moisture staining at upper left corner. Two minor tears at top center, with ragged edges overall. Paper losses within black ink.
Conserved by Marilyn Kemp Weidner of Phila.
Object ID
P.98.52.1
Place of Origin
Ephrata
Credit
Acquired through the generosity of Irene Walsh and Dr. Warren Robbins, Heritage Center Collection
Fraktur on laid paper in polychrome lettering. Within a cross-hatched border is a birth record for Andrew Bare done in five lines of German above a heart containing eleven lines of text. Decorated with vining flowers at top and large flowers around heart.
Accompanying translation at right was written and signed by J. Watson Ellmaker (1840-1921), but undated. It states that the text within the heart is a baptismal prayer for Andrew Bare, born March 9, 1768, and gives an English translation.
Fraktur was originally purchased in a vertical frame with the translation below it, both glued to the same backing. Both pieces were conserved, matted and reframed side-by-side by Elizabeth C. Hollyday, April 1981. See NOTES
Fraktur has significant damage. Multiple losses, staining overall and mended tears and creases.
Translation paper has several light brown stains, esp. at top.
Conserved and reframed by Elizabeth C. Hollyday, April 1981. Edges of fraktur appear to be lifting somewhat. There still remain dark, hazy areas over much of surface.
Object ID
P.80.136
Notes
Published in Fraktur: Folk Art and Family, Russel & Corinne Earnest, 1999, p. 30.
Noted genealogist Jane Evans Best wrote a letter 9/27/84 correcting the genealogical info written by Ellmaker. She states that Andreas was not the father of noted publisher John Bear. This Andrew Bear was born 2/9/1768 and died 6/22/1797. He was baptized June 12, 1768 at Zeltenreich Reformed Church in Earl Twp. Best suggests it may have been the schoolmaster of the nearly Laurel Hill school who created this fraktur. The school was mentioned in a deed dated July 22, 1765 and was one of the earliest on record in Lancaster Co.
Also, Andrew Bear Jr. was not married to Mary Showers, but was married 12/22/1790 at New Holland Lutheran Church to Susanna Mayer, daughter of Abraham Mayer of Leacock Twp. The Bears had two children, John b. 7/31/1791 and Christina, born after 1792. The two children were mentioned in their grandfather Andrew's will dated 9/21/1805.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Bookcase on desk, Queen Anne, walnut, owned by the Jenkins family of Churchtown area in Caernarvon Twp. Upper section has a scroll pediment with shallow-carved round rosettes with button centers above a plain tympanum. The three turnip finials are replacements. Distinctive chamfered, fluted front corners terminate in lamb's tongues. Two doors have two raised panels and stationary shelves within. Maker is unknown.
Restored straight bracket feet, four lipped graduated drawers with two candle drawers flanking the top drawer. Interior has a central prospect door with tombstone shape and applied outer moldings creating the impression of frame-and-panel construction; center panel has highly figured wood. Flanking manuscript drawers faced with wide fluted columns on plinths with capitals. Each side of central section has four pigeon holes above two tiers of drawers, four each side.
Snyder states most of the brass hardware has been "correctly restored." Inscription on the side of one drawer reads: "David and Martha Jenkins" in script. David Jenkins (1731-1797) was the ironmaster at Windsor Forge near Churchtown.
Snyder notes the distinctive chamfered, fluted corners of this secretary relate to the Old family highboy (P78.76) as well as to a highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar corners on a George Hoff clock w/ brass face as well as some Reading clocks, and some furniture made by Phila. and Maryland cabinetmakers.
Provenance
History of ownership is soundly documented, according to Snyder. (See his appraisal in file, pp. 5-6). It passed down within the Jenkins family until sold at public auction in Churchtown from the estate of Miss Mary Irwin, a direct Jenkins descendant. Purchased by Elaine Holden.
Robert E. Jenkins, Jenkins Family Book, Chicago, 1904.
At LHO are:
- Jenkins family file
- 1797 David Jenkins estate inventory
- 1815 Direct Tax for Caernarvon Twp.
David Jenkins' 1797 Will, # G-1-98, is in the Archives, Lancaster Co. Courthouse.
Height (cm)
264.16
Height (ft)
8.6666666667
Height (in)
104
Width (cm)
96.52
Width (ft)
3.1666666667
Width (in)
38
Depth (cm)
57.15
Depth (ft)
1.875
Depth (in)
22.5
Condition
Good
Condition Date
2017-03-08
Condition Notes
Finish has been stripped; metal polish residue clogs pores of wood around hardware. Restoration and replacement of various parts, including feet, finials, patch on upper lip of upper drawer, and all large drawer bottoms. Breakout at points above bottom drawers where lock strikes.
Object ID
G.03.01.01
Notes
Furniture Exhibit in Gerhart Gallery
Related Item Notes
John J. Snyder notes the distinctive chamfered, fluted corners of this secretary relate to those of the Old family highboy (P.78.76) and a Q.A. Phila. highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar chamfered corners on a George Hoff clock w/ brass face, some Reading clock cases and some case furniture made in Maryland and Philadelphia (Joseph Armitt and Jonathan Gostelowe).
Credit
Gift of Elaine Ewing Holden, Heritage Center Collection
Eight-day tall case clock signed by Daniel Forrer of Lampeter and dated 1814. Clockworks housed in a c. 1760s walnut sarcophagus top case by unknown maker.
Clock has 12" solid brass arched dial, matted dial-plate center, pewter chapter ring and cast brass spandrels. Above center arbor is seconds chapter ring of pewter and below arbor is calendar window. Engraved pewter medallion in arch reads "Daniel Forrer/ Lampeter." Above calendar window is a small plate engraved "1814." (Dial is very similar to one by brother Christian Forrer pictured on page 97 of "Clockmakers of Lancaster Co...").
Sarcophagus bonnet top has 3 urn finials on plinths (corner plinths are plain; center one is fluted). Thin crestboards extend to sides of central finial. Bonnet has 3/4 colonnettes in front and 1/4 in back, all plain & tapered. Arched sidelights.
Body of case is pegged construction w/ front having mitered half-lap joinery at top & through-tenon joints at bottom. Front corners are stop-chamfered between joinery. Tombstone pendulum door (replaced). Cove molding leads to plain base section with chamfered corners. Feet and base moldings replaced (see condition notes). Now rests on reeded board base only.
1814 date plate likely mounted on dial when the Sheraton style details (reeded base, turned feet, urn finials) were added. Changes were evidently prompted by moisture & worm deterioration of original feet & base moldings.
Clock has winding key and door key (in clock key box). See NOTES.
Clockmakers of Lancaster County and Their Clocks by S.B.C. Wood, Jr., S. Kramer, & J.J. Snyder, 1977, pp. 19, 97.
Mennonite Arts by Clarke Hess, 2002, p. 80 (nearly identical Christian Forrer dial).
Photocopies of Warfel documents & previous contacts (in file). MESDA has photo of a c.1770 clock w/ "D.Forrer/ FrdkTown."
Height (cm)
238.76
Height (ft)
7.8333333333
Height (in)
94
Width (cm)
53.975
Width (ft)
1.7708333333
Width (in)
21.25
Depth (cm)
30.48
Depth (ft)
1
Depth (in)
12
Condition
Good
Condition Date
2017-06-19
Condition Notes
Case refinished & restored with Sheraton feet, reeded base molding & urn finials. Pendulum door & hardware are replaced. Bonnet door loose from "hinge" column at top (nail failing). Multiple gouges, chips & scratches. Heavy loss at left front corner of bonnet cornice. Pieced-out repair at back edge of left side of waist. Backboard at bottom shows significant rot & worm damage, explaining the replaced base that now is reeded-edge boards to which turned Sheraton feet were nailed (now removed). On seatboard of works is old sticker of Joseph R. Bates, clock restoration in Vermont. In 1968, he performed "complete restoration & overhaul including extensive repairs" to clockworks & resilvering of dial.
Object ID
G.08.16.1
Notes
Swiss-born brothers Daniel & Christian Forrer both apprenticed w/ same clockmaker in the Jura region of Switz., following their father's death, then emigrated to America with their sister in 1754, settling in Lampeter where they each made clocks. It is claimed there were clocks jointly signed "C & D Forrer", denoting a partnership. Clarke Hess notes that Daniel sold his Lampeter Twp. lands to his brother in 1762 at which time he likely moved to Frederick, Maryland.
Ed LaFond believes there may be about a dozen clocks by Christian but only two clocks by Daniel were previously known, both privately owned and one signed Fredericktown. Ed believes Forrer eventually ended up in Virginia.
Stoltzfus family record on wove paper mounted in a thin, molded modern frame of tiger maple. Hand done family record of Lancaster Amish family attributed to David C. Hoke (active c. 1909-1935). Bold and colorful title is "Family Record" done with wide lettering of red and black with metallic gold highlights accompanied by green-leafed scrolling vines. Title continues on 2nd line with "...of Henry U. and Annie M. Stoltzfus." followed by the father's birth date & death date, then birth date of mother. Her death date is added later on same line with pencil. All lettering is black except for large, ornately illuminated upper case letters.
"Children" is the colorful bold heading for the remaining 3//4 of page listing 10 children with birth dates. The death date for 2-yr-old Levi is also recorded. Title has black and white letters, some red as well as metallic gold highlights. Surrounded by the same leafy scrolling vines and three upside down stalks of wheat at each side.
Remaining side borders have a vertical undulating vine with green leaves and blue clusters of grapes. Bottom is filled with a large cluster of three stalks of wheat.
Very minor stain spots, esp. at corners. Strongly creased horizontal fold line across center.
Object ID
P.96.01.1
Notes
Compare with large Esbenshade family record P.99.16.1. Hoke made Bible entries, bookplates and many large family registers in northern Lancaster County and southern Lebanon County. Large, ornate family registers made for the Amish seem to be a specialty of Hoke. He signed and dated much of his work, oftern including his home location of Quentin and later Lititz.
See file for:
1) Stoltzfus genealogy from "Fisher Family History."
2) Information sheet on David C. Hoke by Russ and Corinne Earnest "Papers for Birth Dayes."
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Walnut side chair, wainscoat type, frame construction with pinned mortise and tenon joints. Shaped crest rail secured with one pin. Baluster-shaped center splat secured with a double pinned mortise and tenon joint and rests on rail above seat level; rail has molded lower edge. Rail at seat back is raisedabove seat level & has same molding as above rail. Plank seat (replaced) of two boards is pinned to chair rails. Bottom edges of all 4 chair rails have molded lower edge. Front legs are baluster-shaped; back legs are square, although they taper in thickness from seat level to top. Back legs also have a backcut front face from stretcher to floor, and curve back. Box stretchers have the same molding as rails above, but are molded on both upper and lower edges.
Probably Lancaster Boro
Provenance
Probably owned by Anthony Schneider (1725-1774) due to the belief that this chair was in his inventory after death. His 1774 Inventory lists a set of 4 walnut chairs. At his death he was living on the site of the Kirk Johnson Building on W. King Street. Anthony Schneider was the father of Gov. Simon Snyder(1759-1819) who was born in Lancaster Borough.
Chair descended through the Fisher and Mertz families. Chair believed to have been purchased by antiques dealer Dick Jones of Muncy, PA, at the "Fisher family sale" at the Isle of Que (section of Selinsgrove), circa mid-1960s. Purchased by restorer Peter Deen, who replaced the seat. Deen sold to Vonnie Haynes, a "minor dealer & major character in Adamstown" who sold it to Neil Kamil, then to museum. (See letter of 18 Apr 1991 from N. Kamil in file.)
Moderate wear overall. Front stretcher very worn. Previous chair owner and furniture conservator, Peter Deen, of Nottingham, PA, replaced seat. Metal corner braces & screws removed. Scratches on left chair rail.
Object ID
P.92.01
Notes
Patricia J. Keller states "a similar side chair is in a private collection outside Pittsburgh, PA, and another is in the collections of the Philadelphia Museum of Art (#'28-10-99, see photo in file).
Peter Seibert notes this chair relates closely to the furniture made in rural northern England during the 1600s and 1700s. It combines elements of different styles, William & Mary and Queen Anne.
Gov. Simon Snyder (1759-1819) served three terms from Dec. 20, 1808 - Dec. 16, 1817 as the first of many Penna. German governors of Pennsylvania. After his election of 1808, he was reelected a few years later by a landslide.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Calligraphic quotation written for H.S. Borneman by Irwin P. Mensch, written with white ink on black paper. Mounted in linen window mat in contemporary wooden frame.
Inscribed: "H.S. Borneman: / When love and skill / work together, expect / a masterpiece.-- Ruskin" Signed at bottom right "I.P. Mensch" and dated 29-5-1945 at left corner beside a little drawing of a decorated coffeepot with "HSB" on side.
Calligraphic composition penned by Irwin P. Mensch for Henry S. Borneman, white ink on blue paper. Mounted in linen window mat in contemporary wooden frame.
Composed of scrolls and very artistic flourishes with some flowered curving stems. Inscribed at bottom is "A Specimen made for my Friend / Henry S. Borneman 1947." Signed at lower right: "Irwin P. Mensch" with "April - 1947" at bottom left corner.
Sample of penmanship on lined paper (7 3/4 x 12 1/2) pasted onto off-white mat board. Death entry at top for John Bear, enclosed in decorative border. Below is record of marriage for Edwin Keen and Edith Leaman, also within a large decorative border.
Assumed that mounting was performed by donor who used these materials for demonstrating his own penwork at public events.
Long vertical tears, top to bottom. Shorter additional tear extends down from top, 2 1/4" from left corner. Soiling on top and bottom; torn and ragged edges.
Sample of penmanship on lined paper (7 3/4 x 12 1/2) and business card (4 1/4 x 2 1/2), both dry mounted on mat board.
Sample mounted above reads: "Births" in red ink followed by two entries for Markley family enclosed in decorative borders. Next is "Children" followed by two entries. Toward bottom is a third heading "Deaths" followed by four entries, with the last entry enclosed in a decorative border.
At bottom of mounting board is rectangular business card of heavy-weight tan paper. Printing in black reads, "Jos. H McGlaughlin/ Ornamental Penman./ Family Records, Birth, Baptismal,/ Marriage and Lodge Certificates,/ Neatly and Artistically Written./ Family and Memorial Charts Made to Order./ LEOLA, Lanc. Co., Pa." (See unmounted example G.96.03.02).
Assumed that mounting was performed by donor who used these materials for demonstrating his own penwork at public events.
Several long tears; rips and ragged edges, esp. top; buckling and wrinkling overall due to glue mounting.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
