Leather multi-compartment Wallet. Some remnants of a red printed logo on interior flap. Contained the Civil War discharge papers of William Sweigart, Private, 195th Regiment.
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Named for its principle use, this mahogany table top, with its oblong top and bead molded edge, was typically found at the side of a bedstead. The table's skirt is three to four inches deep and contains a single drawer that is the full width of the skirt. The drawer has two original brass knob pulls and a top centered brass escutcheon keyhole. The table is supported by four round tapering legs with ring and ball turnings at the top and two sets of ring turnings approximately two inches above the tapered feet of the legs.
Provenance
Alexander Speer, maternal first cousin to James Buchanan
White ribbon. In center in black is a profile of James A. Garfield on left and a front facial image of Chester A. Arthur. Above these images is "Garfield/ and/ Arthur." Below is: "Veterans,/ -of-/ Columbia, PA." and in smaller print: "With malice toward none, with/ charity for all, with firmness in the/ right, let us finish the work we are in./ Abraham Lincoln."
Political ribbon mounted to cardboard. Yellow ribbon, "Under the 19th ammendment / I cast my vote November 2nd, 1920 / Harding Coolidge / Lancaster, PA"
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Two tan / gray linen sheets with red cross-stitching at the top of each. .1 39 inch wide length of ecru linen fabric hand overcast on underside to form a sheet .78 inches wide. Lengthwise sides are selvedges. Handstitched .5 inch hems on crosswise ends. Red cross-stitch, 6.5 inches long, 6.75 inches from a selvedge stitched parallel to selvedge Cotton floss. In center, 2 birds facing a central tulip and perched on a heart; a "B" and "L" and "S"
Provenance
Donated by Ruth Usner; belonged to donor's grandfather.
Acidification lines along probable folds. One large rectangular area of acid burn; may have been stored on wood. Some fraying at corners on one hemmed edge.
Sheraton/Empire Tabernacle style mirror. Gilt mirror with a flat molded cornice with projecting breaks at the corners and fourteen pendent sphere. Double pilasters have decorative captials, beaded reeds and a rope motif terminating with urn-shaped bases. Frieze has foliate carvings.
Bottom mirror's silvering is delaminating from exposure to moisture; some chipping on the gilt frame.
Object ID
W.1935.042.001
Notes
Mr. Robert K. Cassatt's (donor) aunt was Miss Annie Buchanan. Annie was Robert's mother's sister and niece to James Buchanan. This mirror formerly hung at Wheatland.
Rectangular tray. White porcelain with gold trim, raised pink tray with support openings for a white ink well and a white pounce sander. Scalloped edges form handles on both ends of the raised tray and continues along the oblong tray that held pens. Scalloped edges feature gilded edges on white background bordered by a wide cobalt blue band gilt floral decor. The center of the pen tray is white with a pink, blue and white flower motif.
Provenance
James Buchanan
To Rev. Edward Y. Buchanan (brother)
To Lois Buchanan Cassatt (daughter/JB niece)
To Edward Buchanan Cassatt (son/JB great nephew)
To Lois Buchanan Cassatt Thayer (daughter/JB great, great niece)
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Hepplewhite Pembrook Oval Table. Two drop leaves, when opened, are supported by pivoted shaped brackets. End skirts are straight with one containing a full-width drawer. The four slender tapering legs have satinwood inlay at the upper end.
School Masters Desk. Turned legs, slantied hinged desk top, panel in center of interior, three drawers, three open pigeon holes, pigeon holes are topped by two small drawers on either side.
James Buchanan was the second owner of this desk; he gifted the desk to a domestic servant (name unknown) who was the third of eight owners not counting the museum.
Three-quarter length painting of Buchanan in black frock coat, high white collar and stock. Signed 'Matilda Mueden, Leiseuring, 1922' Painted by Wm. M. Chase at the White House from an old engraving.
Assumed to be traveling dress from latter part of 19th century.
84.41.1 is long-sleeved contoured woman's top of durable ribbed fabric. 2 bust-darts on both sides with stays from the waist up in all 4 darts. Collar and buttonhole panel, center front, of dark brown fabric. 13 hand-finished 1-inch buttonholes on right front. 11 buttons on right front. Buttons are covered in dark brown with 4-pointed brown stars in center. Set-in sleeves with 2 seams and tiny gusset at armhole. Cuff of same fabric is attached and folded up. Edge trimmed in a dark brown ribbed tape and 3 matching buttons on upperside of wrist and cuff. Front opening at waist opens like an upside-down "V." Center back seam runs from neck to hem. 2 seams run shoulder to hem; 2 additional seams run from armholes to hem.
Inside: Double construction with light tan fabric. One stay (4.5 inches long) is stitched to the center back seam from waist up. 4-inch wide pieces with 4 eyes on left and 4 eyes on right front, both contain vertical stays. Seam edges are overcast. On lower right front below buttonholes is an additional button hole on the inside only.
84.41.2- Long skirt of brown durable ribbed fabric. 1 1/2-inch wide waistband of same brown polished cotton as lining. At center front a 3-inch length of brown tape is sewn on the inside of the waistband creating a loop. A 9.5-inch placket in back is closed with a single black metal button and buttonhole. Center front is flat with 2 pleats. Top skirt measures 29 inches long. In back, top skirt is full, gathered and hiked up and tacked in center area. Underskirt upper portion is lining fabric. In the back (16.5 inches above hem) a casing holds brown fabric tape that has been pulled to gather fabric. The lower edge has a plain flat inner hem trimmed in a light brown tape. The portion of the underskirt that shows is 12 inches long with a 3-inch flat upper section; a 2.5-inch wide gathered section. The lowest 6.5-inch section is edged in dark brown trim with 1-inch box pleats about every 2 inches around the bottom edge. A 1/2-inch wide dark brown tape is sewn 1-inch above the hem edge around the entire skirt.
Inside, about 12 inches below the waistband is back, a band of brown fabric, 17 inches long is tacked to the lining in 3 places. On the right seam of the lining is a 'pocket' (17 inches long and 6 inches wide). Opening is a narrow 3 inches.
Small, cotton, pink child's dress. Drop-waist. From approximately the turn of the century. Trimmed with machine made lace. Square neckline. Buttons down back made of mother of pearl. Button holes hand made. Large tuck from cap of shoulder down front.
9in set in sleeves with lace trim 2.25in from cuffs. Same lace trim sewn on waist seam, around neck opening and on pleated skirt 6 in above hem. Machine made but for white cotton tape had stitched insde at skirt hem, seam where bodice and waist are joined. Pink cotton fabric tape hand stitched inside neck edge,. 8 back closure button holes are hand sttitched, 8 2 holed .25in shell buttons sewn on back. Front hem tear repaired.
