Cracked. Reads: "I H 1774" Marked three times: "MZ"
Front and back hounds are heavy wooden members of the running gear. Each is configured into a "wishbone" shape whose "prongs" are attached to front or rear axle. Thus, this iron is likely a hound band that encircles and secures the hounds where they are joined to the coupling pole that runs front to back. (These wooden members are part of what we now call the chassis.)
Oil Painting on paper of General John Steele. Gen. Steele is seated with his right arm on the arm of a chair, left hand on his right wrist. He's attired in a black coat high with high back collar. A high white collar around his neck has a bow tied in the front with a ruffled front.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
Porcelain china compote with hand-painted landscape scenary on outer body of the bowl. Acquired by James Buchanan while serving as Secretary of State from then outgoing French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
Mark applied over glaze, therefore some of the ojects no longer have the designer's signature
Height (cm)
13.97
Height (ft)
0.4583333333
Height (in)
5.5
Diameter (cm)
25.4
Diameter (ft)
0.8333333333
Diameter (in)
10
Condition
Fair
Condition Date
2023-03-31
Condition Notes
Some thinning of decorative paints, chipping, broken.
Object ID
W.1935.010.001
Notes
In 1995 the JBF staff assigned the Object ID W.95.69.2 to this Compote as a FIC probably because original paper records were not found.
In March 2023 the paper file has been found that identifies Lois Cassatt Thayer as the donor in 1935. Mrs. Thayer was the daughter to Alexander Cassatt and his wife, Maria Lois Buchanan Cassatt. Maria Lois Buchanan was the daughter to Rev. Dr. Edward Y. Buchanan, the youngest sibling to President James Buchanan.
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
Eichholtz travelled to Boston in 1811-12 to study with accomplished portrait artist, Gilbert Stuart. This travel was sponsored by Rev. Thomas Barton, rector of St. James Episcopal Church. Barton also commissioned this copy of Stuart's portrait of Washington.
Acquisition was made possible by Mr. and Mrs. Robert J. Hamilton, The Thomas R. and Georgina T. Russo Family Foundation and The Richard C. von Hess Foundation
