Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Empire style chest of drawers, mahogany veneer on pine or poplar. Four drawers, each with two pressed glass pulls & keyhole and each with bookmatched veneer of highly figured mahogany. The top drawer overhangs lower drawers and has a curved front (top-to-bottom), while the three lower drawers have flat fronts. Freestanding ionic columns flank drawers with carved plinths. Sunken panel construction at sides. Two extensively carved paw feet in front; two ball feet in back.
In April 1982, the entire case was disassembled and discovered to be signed and dated by Markley, behind the left front stile above the column. (Not seen in 2011. Inscription appears on top of thick drawer divider supporting top drawer.) Also stamped by maker within oval on upper surface of top drawer bottom: "J.F. MARKLEY/ CABINETMAKER/ Locust Street/ COLUMBIA."
According to file, the 1830-1846 Columbia Borough tax records list Markley variously as a doctor, cabinetmaker, contractor or gent.
See also a gentleman's dressing table with mirror, P00.39.01.
Piece of veneer 1.5" x 0.5" is missing from top right above drawer. Small spots and scratches overall, and two large cracks on top: one near front right corner, and one at rear center, partially filled in. The left pull on the second drawer up from the bottom is split in half; held in place with string windings.
Two toes on the right front foot were pieced and recarved by Joseph Molz of Lancaster City. Some veneer was also pieced.
Object ID
P.77.02
Notes
More info in file. There was a discrepancy in the research with two different Jacob Markleys. It appears that the maker of this chest of drawers was Jacob Fry Markley (1800-1854), born in boro of Strasburg to parents Jacob Markley, Sr. (1765-1829) and Barbara Fry Markley. Jacob Sr. was also a cabinetmaker.
Son Jacob is listed with different occupations over the years. He was living in Columbia in 1830 and possibly as late as 1841. He moved to Spring Grove, Philadelphia County by 1850 and is listed as a druggist in the 1850 Census with wife Ann & 5 children. "JACOB F. MARKLEY M.D." is on his tombstone in the Hatboro Cemetery. Thus Jacob Markley claimed to be a cabinetmaker, druggist and doctor (Doctor is perhaps what he called a pharmacist).
Place of Origin
Columbia
Role
Cabinetmaker
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Jacquard coverlet made by Samuel Hippert. Weft yarns are red, green and blue wool and warp is natural white cotton. Two loom widths sewn together in center.
Center field has circles of foliate motifs. Border includes a double row of 8-petal flowers. At foot end and sides is an inner borders of roosters.
Weaver's blocks in corners at foot: "S+ H+ ELI/ ZABETH/ TOWN/ PA 1858/ SARAH/ ANN/ FLURY". Band with "H PATENT" repeated along runs across coverlet between weaver's blocks.
Sides are self-fringes; foot edge finished with applied fringe. Top/head edge has red cotton tape handsewn over the raw edge.
.
Corner blocks have "S.H. ELIZABETHTOWN PA 1838 SARAH ANN FLURY". Hippert worked in Mount Joy ca. 1833-1838 and in Elizabethtown ca. 1835-1841.
Cup (A) and saucer (B), glazed soft-paste porcelain, Strawberry pattern. Handleless cup has straight flaring sides & rests on a small foot Paint decoration on white ground has 2 strawberries & a large green leaf on each side with smaller leaves, purple roses and brown squiggles. Interior has double stripe with berries and flowers. Rim painted rust.
Saucer (B)
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Leather fire bucket . Painted black banner with yellow letters: "Farmer's Bank." has foliate designs on both ends of banner. "No. 9" is painted below banner in black. Stitched leather construction. Metal D rings and leather loops attach 1in wide leather handle and bucket. Tag found inside bucket: "Water Bucket of C W Richenbach Property of Union No 1". Tag is for 1931 Union Fire Company annual dinner. Tag is now in object file.
Mahogany chest of drawers. Three drawers which are width of chest and vary in depth. Two smaller drawers at top. Pillars on either side American
Provenance
James Buchanan- General & Mrs. Logan [friends of Buchanan and purchased chest at Buchanan estate sale]- Elizabeth Logan Payne [inherited chest from Logans]
Information found in 'Restoration Committee Report 5/1/1957- 'Possibly an acquisition from Elizabeth Logan Payne-had belonged to Buchanan-Payne inherited the dresser from Gen. & Mrs. Logan who were friends of Buchanan in Washington.
