The fourth book in a series of photographic histories of the county illustrates how Lancastrians participated in times of war. From the Civil War to the Iraq war , from the homefront to the trenches, whether gathering scrap or going off to foreign lands.
Lititz, our community in story : a collaborative project by the Lititz Historical Foundation and the Archives Committee of the Lititz Moravian Congregation
The third book in a series of photographic histories of the county highlights how Lancastrians had fun and spent their leisure time from the late 1800s to 1970. Its chapters cover a wide range of subjects-from amusement parks to swimming holes to movie theaters to athletic events.
iii, 77, 4, 19, 13, 9 leaves. : ill., maps, ports. ; 28 cm.
Notes
Includes diary transcript of Mary Eleanor Hoak from July 1, 1910 to February 23, 1911.
Includes bibliographical references (leaves 72-77)
Summary
The author examines the diary of a female relative of the early 20th century. The relative had decided not to marry,went to college ,and worked as a school teacher in Lancaster, PA, and other areas. The author viewed her as an example of the "new woman" of the time and wished to know more about the motivation not to become the traditional married homemaker.
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
