Copper teakettle with round body, gooseneck spout, very low domed lid w/ scrolled knob of sheet copper riveted onto lid with a hand-cut washer added under lid, suggesting repair or replacement. Curved handle hinges onto tapered plinth tab bases with two rivets each. Vertical dove-tailed side seam opposite single-seamed spout. Dove-tailed bottom.
Touchmark on top of handle is "R..REED." within a rectangular reserve with serrated ends.
Made by Robert Reed, working in Lancaster 1771-1779, then 1785-1795.
Provenance
Purchased by Heritage Center from Philip Bradley Antiques
Transferred from Heritage Center to LancasterHistory.org December, 2012.
Tax assessment lists Robert Reed 1786-1793.
Kauffman, Henry J. American Copper and Brass. New York: Bonanza, 1979.
Coppersmith info from Shelley Horvath Posten (dau. of Don Horvath), 2009
Copper dented and scratched overall, polish residue at handle hinges. Side handle break repaired with sheet iron patch secured to outside with two iron rivets. Knob appears to be a repair or a replacement.
Object ID
P.80.131
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation,
Round copper vessel, shaped like a teakettle, but without a spout. A shaped strap handle is attached to each side of the opening at shoulder with riveted brackets. The handle widens near the middle, where the maker's mark is stamped: "P & B. SCHAUM"
Body is dovetailed to base, one dovetailed vertical seam, handle attached to flanges held in place by two rivets each. Pot insert is missing. Another insert (S.13) was purchased as a replacement.
Vessel has multiple dents, creating a general distortion overall. Surface is also tarnished and has drip stains running down the sides. The bottom is very worn and has numerous stains. Blueish-white stains on the inside. Polish residue on handle.
Object ID
P.77.61
Place of Origin
Lancaster
Related Item Notes
See broadside for Benjamin Schaum's hardware store, P.91.02
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Yellow earthenware lobe-paneled spittoon decorated with streaked and spattered dark brown manganese under a clear lead glaze. Oval drain hole on side. Underside has impressed maker's name in block letters: "Eagle/ Porcelain Works / Lancaster City, PA / Henry Gast, S.Q. St. "
Paperweight or keepsake of carved white marble has a carved reclining sheep, done in bas relief, is lying on a narrow ledge on an inch-thick slab of marble resembling a curved top tombstone. Incised name in block letters below the sheep: "E. M. Howell." Bottom edge below name is relieved with a carved cupid's bow design.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts. Great grandson Dick Witmer states E.M. Howell is certainly Howell's wife Elizabeth Michael who Charles married in 1841. She died 10-22-1877.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Paperweight or keepsake of carved white marble has a 3-D carved reclining sheep reclining on a half-inch-thick rectangular base, secured with a screw on underside. Base has chamfered top edges. Thin sheet of red rubber glued to underside of base.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Small plate, used as a paten (communion plate). Circular, with single reed brim, marked on bottom with initials "I.CH." and Jacobs touch #169. Double incised lines near brim and single incised line within sunken bottom.
Quilt, star pattern, made of pieced cottons. Diamond shapes of pink, white, green, red and blue create 9 large stars on a field of small scale print of red foliate motif on white. Finally a narrow inner border of off-white and a wide outer border of red. Corners are mitered. Narrow binding of green cotton sewn to back, wrapped and stitched to front.
Backing is a cotton print of red flowers on a cream-colored ground. Batting is cotton.
Hand-quilted patterns in white and beige are waffle in outer border, foliate in inner border, and diamonds of stars have conforming lines. The diamond shapes of the calico print field are have 12-petal flowers and squares have wedding ring design.
Made by Mennonite mother Susan Gamber Brubaker(1883-1940) as a gift for her daughter Mary Gamber Brubaker (27 May 1888 - 15 Oct 1984) in anticipation of her marriage (14 Nov 1909) to Wallace Metzler Hottenstein (14 April1888 - 12 Sep 1966). Wallace and Mary grew up on adjoining farms east of Landisville. Susan was the wife of Isaac L. Brubaker (1862-1954).
McGovernville/Landisville area,
Provenance
Descent from quilt recipient Mary Gamber Brubaker Hottenstein to daughter Mrs. Melvin Lauver (Mary Brubaker Hottenstein Lauver) circa 1944. Then gifted by husband to Heritage Center.
Documented in Quilt Harvest, #29D See G.92.09.2 for studio wedding photo of recipient Mary Gamber Brubaker & her husband Wallace M. Hottenstein. Published in J. Lasansky's "Bits & Pieces" in article by Pat Keller, 1991.
Several minor stains on top. Binding has some areas of separation at front where stitching was faulty. Small hole at binding edge about 3" from one corner. Binding is frayed/tearing at middle of one side, about 3" long.
Object ID
G.92.09.1
Place of Origin
East Hempfield Twp.
Role
Quiltmaker
Credit
Given in memory of Mary Brubaker Hottenstein Lauver, daughter of Wallace M. and Mary Gamber Brubaker Hottenstein, Heritage Center Collection
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Detached family record pages from an English language Bible; one folded sheet of paper having 4 printed pages for marriages, births and deaths. In succession, pages have been filled in by William Henning, the Francis Blum and finally David C. Hoke (per Josh Reeder, expert).
Holy Matrimony page by William Henning (and/or Francis Blum) records marriage of William W. Brenneman and Mattie L. Mann, in Lancaster City on Nov. 15, 1887.
Births page has births of parents and 5 children. All work by Henning or Blum except for last entry (Viola) by David Hoke.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Executioner's hood, or cap, of "black Albert twill serge", was made by John C. Dinan and mentioned twice in the June 29 New Era article "MURDERERS PAY PENALTY." It was worn by Lee Furman, convicted murderer, for his hanging on June 29, 1905.
Hood is form-fitted to a round head shape, with a protrusion at the middle of side (for nose?). Hood narrows at the neck and flares strongly out to shoulders and extends to mid-chest in length. Vertical flap extends from bottom to perhaps jaw line, where there is a small, circular opening, likely to accomodate the rope. Flap is secured by 3 cloth-covered buttons. Expertly sewn, likely by a local seamstress or tailor.
Also included with gift is a postal card postmarked Sept. 9, 1905 from H.S. Eckels & Co. in Philadelphia to Mr. J. Fred. Fisher at 128 N. Duke St., Lancaster, PA. message is handwritten in black ink: "Hood use(d) on Lee Furman Hung Thursday June 29, 1905 for the killing of Samuel Ressler "Toll gate Keeper" July 1, 1904." See NOTES on Fisher.
Provenance
Hood was purchased by Mayor Smithgall for $100 from a woman whose father reportedly had acquired it from the mortician. Postal card is unexplained (J. Frederick Fisher was a clerk for the P.R.R. and boarded at 504 N. Queen St. according to the 1890 Directory.
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
Renunciations are papers filed in the Orphans' Court by executors of an estate who do not wish to administer that estate. They show the name of the decedent, the decedent's place of residence, the name of the person renouncing administration, the name of the replacement administrator to be appointed, and date. The relationship between the decedent, the executor, and the administrator is usually shown. Arranged chronologically and then alphabetically within each year.
System of Arrangement
Arranged chronologically and then alphabetically within each year.
