LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Additional Notes
1. Larceny.
Identified in the document as "Negro Sol"
African-American.
2. Accessory before the fact.
Baker, John. Baker, Jacob.
3. Receiving.
4. Misdemeanor.
Baker, Mary. Baker, Margaret.
1 item, 1 piece
Access Conditions / Restrictions
Request at Reference Desk; photocopy made by staff member.
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Additional Notes
Assault and battery.
Identified as "Negro Tom".
African-American.
1 item, 1 piece
Access Conditions / Restrictions
Request at Reference Desk; photocopy made by staff member.
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Additional Notes
Assault and battery.
Identified as "Negro Tom".
African-American.
1 item, 1 piece
Access Conditions / Restrictions
Request at Reference Desk; photocopy made by staff member.
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Additional Notes
Felony.
Identified as "Negro London".
African-American.
1 item, 1 piece
Access Conditions / Restrictions
Request at Reference Desk; photocopy made by staff member.
Cast iron ashtray in rectangular form, sloping sides, sunken top with raised sides having a textured surface with two corner indentations for cigarettes. Opposite end of indentation is a grouping of four geese, fully formed, attached to top surface with screws. Entire surface is bronzed with a pattern of oblique stripes on sides.
Marked "144" on bottom. The Hubley catalog "Metal Art Goods" lists this ashtray as #144 and named "Goosie Goosie Gander." The description notes it has "an unusual bronze finish".
Provenance
Owned by J. Roland Gilbert (1888-1940) and inherited by his daughter the donor (1916-1992). Donor writes: "acquired in the late '20s or early '30s and 'possibly' a gift from Mr. Joseph Breneman, a Hubley Exec." J. Roland Gilbert was president of Lancaster Press Inc. and general manager of the New Era Publishing Co.
Flat shaped tool is constructed of two sheet brass sides riveted together at the handle end, allowing a flat triangular iron blade that is sandwiched between to slide out at the other end for cutting. Blade slides via a small riveted guide that slides along a slot in the brass sides. Cutter's brass sides have a fleur-de-lis-shaped handle and scalloped sides and each slot has a measuriing scale numbered from one to ten.
Inscription: The sliding guide on both sides of the slot reads "D.M.CO. / PAT SEPT. 3, 72 / BPT.CONN."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Tatting hook of bone handle shaft of iron hook set into smaller end.
Tool has handle of elongated teardrop shape, somewhat flattened in cross-section. Wire-like shaft with rounded hook on tip is set into handle. Shaft is thicker than hooked end.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Framed vorschrift on laid paper with German text penned on both sides with dark iron gall ink. Paper is folded with two strong creases, creating four quarters of the sheet. Half of "front" side contains illuminated vorschrift with four letter styles.
Top line in very large, ornate letters reads, "Wohl dem der..." Initial letter "W" is oversize and decorated with scrolling acanthus leaves. Arching over this line is a horizontal vine with flowers and pomegranate. The religious text in script ends with what appears to be Psalm 112. It ends with a final line in fraktur lettering reading, "Heinrich Miller, in Canastogen Townschip, Anno 1782."
One quarter of same side states, "Vorschrift Vor Heinrich Miller, in Canastogen Townschip, den 5ten Martz, Anno 1782."
Reverse side has a text in German script framed with a lined border. It has ten lines including numbers and alphabet, and it ends with the same line as above, "Heinrich Miller, in Canastogen Townschip, 1782."
Fraktur scholar David Johnson identified this artist as Friedrich Hartman, likely a schoolmaster. Hartman is found on no records but the 1790 Census, in Conestoga Twp., suggesting that he owned no property. Other Hartman pieces were found in the 1986 Fraktur Harvest (see this file).
This vorschrift relates closely to work done in northern Lancaster County near Ephrata Cloister although the artist is not known to have had connections in that community.
Provenance
HC purchased at Scott's sale through Christie's for $1265.00, Jun 11, 1994. This piece was likely collected by Scott in his usual manner, purchase at sale in Lancaster Co. or region.
Mounted in frame folded in half: H: 8.25" W: 13.125"
Frame is H: 16.25 W: 19.25"
Condition
Good
Condition Date
2016-10-24
Condition Notes
Overall soil with many stains. Edges are ragged, a 2-inch-long sections is cut from one corner. There is breaking at creases and losses where heavily inked. Paper loss where crease coincides with lettering as well as tulip-shaped flower.
Matted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
P.94.13.3
Notes
This fraktur is recorded in the Winterthur Library: Decorative Arts Photographic Collection, NEH 475, 17-19 (per Christie's)
Pictured on p.15, of Fraktur: Folk Art & Family by Corinne & Russell Earnest.
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
