Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Named for its principle use, this mahogany table top, with its oblong top and bead molded edge, was typically found at the side of a bedstead. The table's skirt is three to four inches deep and contains a single drawer that is the full width of the skirt. The drawer has two original brass knob pulls and a top centered brass escutcheon keyhole. The table is supported by four round tapering legs with ring and ball turnings at the top and two sets of ring turnings approximately two inches above the tapered feet of the legs.
Provenance
Alexander Speer, maternal first cousin to James Buchanan
Traveling trunk. Large chest-shaped with metal sheet strips at corners. Studded wooden bands at front, back, and top over canvas-covered wood. Two metal catches on lid, remains of leather strap. Lid is rounded. Exterior has remnants of travel destination stickers and one end cap has Henry Elliot Johnston's initials stenciled 'HEJ'.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
Ivory-handled razor. Straight razor, yellowed handle, slightly curved. Two rivets at either end, handle is two pieces of flat ivory between which the razor rests when closed. Has maker's mark and inscription 'H.Boker and Co.', 'Germany,' and 'Red-Injun N
Cotton quilt. On white ground are 9 large blocks delineated by sashing, a yellow print with a vine of red berries. Within each block is a geometric design made of overlapping strips of a red check print arranged like an angular lovers knot.
Back is white cotton with three inked stencils / prints on cloth in blue. First print has flowers with a bird and '30/2' ; the second print has scrollwork around a shield with 'Superior Longcloth' ; the third print has an ormate design around "CLYDEWORKS. BLEACH & FINISH / S.H. GREENE / PROVIDENCE R.I."
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
