Simple marble top Rococo revival style table characterized by curvilinear lines and carved floral and foliate ornamentation on the apron and cabriole legs. An X-shaped stretcher with a central finial connects and supports the legs.
Center table. Oval, with white marble top overhanging wood skirt which is double-cyma curved. Four C- and S- scrolled supports curve down to cartouche-shaped shelf. Four scrolled legs curve down to casters.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Color lithograph of 'The Presidents of the United States.' George Washington in center oval. Surrounding ovals contain pictures of John Adams, James Madison, John Quincy Adams, Martin Van Buren, John Tyler, James Polk, William Henry Harrison, Andrew Jack
James Buchanan Secretary of State' 'James Buchanan Secretary of State'
Description
Black and white lithograph of James Buchanan. Bust view. Buchanan wears a black jacket and vest, and a white shirt. Pillar in the background. 'James Buchanan Secretary of State.'
Black and white lithograph of James Buchanan. Bust view. Buchanan wears a black jacket and vest, and a white shirt. Pillar in background. 'James Buchanan Secretary of State.'
Black and white lithograph of James Buchanan. Bust view. Buchanan wears a black jacket and vest, and a white shirt. Pillar in background. 'James Buchanan Secretary of State.'
Black and white lithograph of James Buchanan. Buchanan sitting in chair, holding papers in his right hand. He wears a black jacket, black vest, white shirt, and white bow tie. 'James Buchanan.'
Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Jacquard coverlet of cotton warp and dyed wools (blue, red, green). Corner block reads: "Jacob C. / Schriver. / Hampton / Adams / County. PA. / AD. 1844 / Eve / Spangler."
Two-part (42-inch widths) coverlet is joined with a vertical center seam. Dominant motif in centerfield is a 4-part floral motif of leaves and tulip-like flowers. Interspersed with several smaller motifs: stars, snowflakes and floral designs. Outer border has repeating tulip branches with two leaves, one of is dominating. Self-fringe of natural cotton at foot end.
Made for Eve Spangler (Aug 17, 1825 - Nov. 21, 1895), obviously before she married Daniel Trimmer in the same year coverlet was made (1844).
Jacob C. Shriver (1816-1896) working 1840-1856
Provenance
Passed down within Spangler family in unknown manner to Edna Spangler Keefer, then to daughter.
Woven piece is 92 inches long with 4 inch fringe = 96 inches long
84 inches wide with 3-inch fringes on both sides = 90 inches
Condition
Good
Condition Date
2015-02-09
Condition Notes
Generally good with brown stains along top/head.
Object ID
G.09.03.14
Notes
See donor's note about Eve Spangler in file. Eve married Daniel Trimmer, a farmer in Tyrone Twp., and they had Sarah Ann Eliza who grew up to marry her 2nd cousin Franklin S. Spangler.
Coverlet passed to Franklin and Annie's son Charles then to his had a daughter Edna who had a daughter Betsy (donor).
Weaver Jacob C. Schriver also cited in :
1. Heisey, John W., compiler. A Checklist of American Coverlet Weavers. Williamsburg, VA: The Colonial Wmsbrg. Foundation, 1978. p.103
3. Anderson, Clarita. American Coverlets and Their Weavers. Wmsburg, VA, 2002. p.208
Place of Origin
Hampton, Adams County, Pennsylvania
Credit
Gift of Betsy Keefer in memory of the Spangler family quilters, Heritage Center Collection
Coverlet of red wool and blue-green cotton. 2 loom widths decoratively and strongly seamed in the center with red wool. This coverlet is comparatively light weight. Self-fringes of red wool on both sides. Foot end is rolled and hand-stitched. Red wool fringes appear to have been individually applied.Top/head edge is finished with a 1.5-inch wide folded silky red binding. Some machine stitching in black thread and also hand-stitching to attach the binding.
Center field contains rows of circular designs. Roses border the lower edge and foliage in urns border the sides.
Unlike most coverlets, Satler's weaver's blocks in bottom corners are oriented to be read from the top of the coverlet.
Percussion pistol; octagonal iron barrel becomes round at muzzle end. It is 3 1/2 inches long. Full-length stock is faux-grained maple. Percussion lock is moderately decorated with engraving and is marked on plate: "DREPPERD/ LANCASTER."
Brass t
Provenance
01/23/95 - Purchase from Vernon Gunnion 2002 Marietta Avenue, Lancaster, PA 17603 7173947527
Scratches on wood; scratches and dents on brass. Iron parts are rusted; barrel pitted at lock. Finish on wood is worn at edges; minor wood loss at muzzle end.
Object ID
P.95.01.01
Place of Origin
Lancaster
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
Known as a box or lap coffee mill. The iron handle has a wood knob; when turned the handle activates a round burred grinder inside the metal hopper. The ground roasted beans collect in the small wood drawer at the base.
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Miniature Portrait of William Frazer, son of Judge Frazer in large gold frame. William was a lieutenant in the 3rd Artillery in the US Army in Seminole war. died in Lancaster in 1844. The original of this protrait was painted in 1842 by John Henry Brown and exhibited in 1912. This is a copy of that painting, painted by the same artist in 1844.
Another Miniature of William Clark Frazer was donated in 1976 by Virginia Moore Burk Dwight. See object files for 1976.999
