8-day clock works by George Hoff, Jr. (1788-1822) installed in a curly maple Federal style case signed by either J(acob) Stein/Stine or J(osiah) Shufflebottom (inside waist section). White painted dial signed with maker's name and "Lancaster". Moon wheel above. Scroll pediment has turned roundels and urn finials. Bonnet has applied carving under center finial, free-standing turned columns at front and back, arched side lights and reeded base moldings. Chamfered quarter columns on waist and base. Reeded moldings at top and bottom of waist. Door has shield inlay at lock escutcheon and ghosting from a now-removed metal escutcheon. French bracket feet.
"Hertzler" is etched onto top surface of bonnet top. Signed inside waist: appears to be either Josiah Shufflebottom or Jacob Stein/Stine.
Provenance
Donor states clock was part of the furnishings in the home of her grandparents John B. and Emma (Groff) Hertzler at 131 E. Orange St., Lancaster. Hertzler was a banker at The Lancaster Trust Company in early 20th c..
John J. Snyder states Stine was listed on tax lists 1817-19 and Shufflebottom worked c. 1811-1848. Both were cabinetmakers in Lancaster Borough.
Dial paint is crazed. Base has large cracks on both sides and lifting veneer and crack at front. Dents and other scarring on cove molding at top of base. Small cracks on left side of hood.
Works cleaned and repaired by Paul Warfel, 1980. Glazing in door replaced by curator Bruce Shoemaker, 1983, due to crack.
Object ID
G.77.25.1
Place of Origin
Lancaster
Credit
Gift of Elizabeth H. Nichols in memory of John and Emma Groff Hertzler, Heritage Center Collection
30-hour clockworks installed into a built-in walnut corner cupboard with softwood interior painted white. Constructed in two parts: Upper section has an upper section of 3 doors, glazed central dial door flanked by two blind doors. Below are three glazed doors, central pendulum door flanked by two doors leading to shelves. Base section of cupboard has central false door flanked by two blind doors. Recent addition of brass lock escutcheons on all but dial door. Clock dial is white with paint decoration; calendar wheel; signed "John Hoff/ LANCASTER." Cupboard was built into home of Daniel Zittle/Sittle (1773-1855) of Lampeter Square and removed about 1887 by later owner Dr. J. Henry Musser. Plywood backing added then.
Clockworks by John Hoff (1776-1818), Lancaster Borough, and cubboard by an unknown joiner in the vicinity of Lampeter Square.
Provenance
From Daniel Zittle to son Cyrus Zittle who sold property in 1887 to Dr. J. Henry Musser (b. 1845 in Lampeter), where he practiced medicine1866-1916. Dr. Musser removed the clock to his Lampeter residence. Then removed to son William M. Musser's Lampeter home in 1923. Then given to his son (donor) in 1952 for his home at 1768 Rockvale Rd., Lancaster, PA. Then moved to home of donor's son William M. Musser, III at 1525 Mission Dr., Lancaster, PA. Finally gifted to Heritage Center May 26, 1994.
Fewer than six cupboards with centrally positioned clockworks are known. John Hoff's account book has an August 19, 1812 entry noting the sale of an alarm clock with 12" dial to Daniel Sittle of Lampeter Square, to be done in 2 months. Later entry notes "Took the Clock away Nov. 28, 1812"
Clock functions, minute hand partially broken and hour hand bent. Cupboard has old crazed finish, not original. Cornice molding replaced at right corner; side pieces of molding missing at mid-line; nail holes and damaged areas at lower sides and bottom edges where attached to floor and walls. Holes and indentations remain where missing latches were attached at four lower and middle doors. Mullions removed on glazed doors. Waist section gouged out at sides to allow pendulum room to swing.
Object ID
G.94.10.1
Credit
Gift of William Musser in memory of Dr. J. Henry Musser, Heritage Center Collection
Eight-day tall case clock w/ cherry case & walnut inlay. White-painted arched dial has Arabic numerals, sweep seconds and calendar hands, exceptionally well painted dial w/ fan-decorated spandrels & rare rope-like border on chapter ring. Signed "Martin Shreiner" over "No. 182". Clock expert Gary Sullivan says dial was made by Samuel Curtis & Knowles of Boston who later operated out of Philadelphia (see Notes).
Bonnet has four free-standing corner columns, broken arch pediment with inlaid fylfot rosettes at terminals and three urn finials (likely replacements) on tall plinths and a central keystone medallion at the tympanum.
Above rectangular thumbnail molded waist door with hollow top corners is an inlaid eagle within an inlaid walnut oval within multi-line inlay. Eagle has wax-infilled shield and banner in his beak that reads, "Bluribus Unum," (without the initial "E" and Pluribus misspelled). Large inlaid oval on door and brass steeple butt hinges on door. Quarter columns have reeded chamfers which extend only 3/4 of the way up, terminating in lambs tongues.
Facade of base is veneered with mitered corners surrounding a large inlaid square with fan corners. At bottom is horizontal double line of string inlay. There is a drop apron and four French feet. The weights, winding key and door lock & key are not original.
Notes: J.J. Snyder has studied eagle inlaid clock cases and notes in 12/5/96 letter to HC Director, "It is virtually certain that the workshop of Emanuel Deyer of Manheim was the source of many of these..." In 12/15/96 letter he notes that two eagle types were used - symmetrical & asymmetrical, as on this clock.
Stacy Wood's 1995 article on Martin Shreiner notes on p. 580 that a Shreiner clockworks numbered #180 is dated 1815. Thus, we can safely say that this clock - #182 - would be dated about the same year.
Lancaster Borough (clockworks) and probably Manheim (case)
Provenance
Donor is great, great, great-grandson of Shreiner. Clock descended through the Cochran family to him.
Case cracked in many places, e.g.across eagle & cove molding above base. Heavily refinished. Urn finials likely replaced. Infill at cracks and separated joints. Strip added to left side of door opening where door locks, and repair at upper left corner. Wood loss at left hollow corner of door; door lock replaced; one-inch-long gouge in veneer of base at left side of front. Chipped at corners and feet; dents on base front. Dial overpainted at many places.
Object ID
G.96.31.1
Notes
See commentary on clock by John J. Snyder, Jr. in his letter of 5 Dec 1996. He notes the clock has "mediocre surface and finish, many repairs and patches, and questionable urn finials."
In 2015, clock expert Gary Sullivan stated that Shreiner used dials made by Samuel Curtis of Boston (commonly have a paper label on reverse, reading "Curtis Manufactory for Patton & Jones, Phila.) Popularity of tall case clocks lasted longer in PA, so Curtis moved to Phila. Abraham Patton & Samuel C. Jones formed a partnership in 1797 called "Patton, Jones & Co." Changed to "Patton & Jones" in 1798. Parnership failed in 1814 when they could no longer get materials from England due to the War of 1812. Tell tale sign is the banner sign spanning the globes under the moon wheel.
Works made by Martin Shreiner, Sr. (1769-1829). Case attributed to Emanuel Deyer.
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
Walnut Chippendale style bookcase on desk. Bookcase has broken arch pediment with carved scrolls terminating in12-petal rosettes, large flame finials at corners and a carved stylized shell at center. Scrollboard has graceful symmetrical vine carved in relief on nearly smooth ground (usually punched ground). Below are two flat-paneled doors with brass escutcheons; right door has keyhole. Interior shelves. Inset fluted quarter columns.
Lancaster County, certainly Lancaster Borough
Fall-front desk sits on 4 ogee-bracket feet. 4 graduated, thumbmolded drawers, each w/ replacement bail brasses and an oval brass keyhole escutcheon. Inset fluted quarter columns w/ unexpected small volutes carved above capitals. Two wooden slide supports flank top drawer. Replaced fall-front door fitted w/ a brass keyhole escutcheon with swiveling cover. Interior has a central prospect door with shell and leaf carving, opening to two pigeonholes over two drawers. Door is flanked by manuscript drawers faced with baseball bat-shaped carving. On each side are groups of four valanced pigeonholes over four drawers fitted with small bail-type brass pulls. Pencilled inscription on underside of top right interior drawer has "Adam Bare, sheriff," (also dated 1846?). Adam Bare (1784-1877) apparently owned the desk. He was a Mennonite tavernkeeper near New Holland who became sheriff of Lancaster County from 1831-1833. Perhaps his father, John "Bear", was the original owner (he was an innkeeper at a hotel in Bareville, Upper Leacock Twp.).
Provenance
Found in 1938 by S.E. Dyke in a home being demolished on New Holland Ave. S.E. Dyke owned it until 1943, when he sold it to C.W. Lyons of New York City for $4,500. By 1970, it was owned by H.R. Sandor, who sold it to Mrs. Margaret A. Lucas of New York City for $24,500. At some point, General L.W.T. Waller of Meadowbrook, PA, owned the piece and sold it to Ronald A. DeSilva, Inc. of NYC, who sold it to the Heritage Center.
Underside of drawer has: "Adam Bare, sheriff," (also dated 1846?).
Inscription Type
Inscription
Object Name
Secretary
Oither Names
Desk and Bookcase
Material
Wood, Brass
Height (in)
96
Width (in)
42
Depth (in)
23
Condition
Good
Condition Date
2014-08-27
Condition Notes
Extensive restoration (done by unknown person apparently when first obtained by Sam Dyke). Early photo shows damage/losses and restoration: replacement of left scroll and rosette and portion of right rosette; missing fall-front, 3 interior drawers and finials; both front feet damaged (bottom half of left foot missing and right foot cracked); missing right volute, damaged drawers, overall badly scarred with extensive loss of finish, etc.
Above repaired/replaced. There are two significant cracks on the writing surface: one 5" long at right and one 7 1/2" long at left. 1/4" gouge on right side of bookcase. Long horizontal crack across tympanum and one under shell "finial". Long vertical crack a both sides of desk. Repaired vertical crack in right door panel, repairs to both doors' top edges, both escutcheons replaced and holes plugged. Dark stains on inner writing surface.
Left diagonal edge of desk accidentally damaged while at museum in 1984 (see envelope w/ snapshots). Restored by Alan Miller.
Object ID
P.77.34
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Pewter plate, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Flat bottom, rounded booge and wide, flat rim with single reeded edge.
Underside struck with two oval marks: one has "Townsend and Compton" and the other reads "LONDON." Following are four small square marks in a row. The last one has the initials "T&C".
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Hepplewhite blanket chest of walnut with dovetail construction. Hinged lid with centered inlaid eagle in flight and applied molding on three sides. Eagle is heavy in form, without shields, banners or stars. Front and sides undecorated except for hollow corner rectanglular cartouches of string inlay; one on each side and two on front.
Two drawers below the mid-line molding have the same inlay rectangles as well as bail handles and oval lock escutcheons. The left drawer has a "1" on the bottom in red chalk and an illegible pencil inscription. The right drawer has a "2" in the same place and in red chalk. Applied base molding and supported by French feet.
Cannot open chest due to missing key. John Snyder reports that "Fianna Bitzer" is written on the inside of the chest lid. She was born in 1861, the daughter of Martin and Annie Royer Bitzer of Ephrata Twp. Although Bitzer was a later owner, Snyder believes that the chest was originally in the Bitzer or Royer families.
Note: John Snyder states that there is a small group of Lancaster County chests and a desk with eagle inlays like this one. This is the best documented piece of the group.
Northern Lancaster County, likely Ephrata area
Provenance
Chest was purchased by John Snyder from Greg Kramer at the York Antiques Show in May 1993. Kramer had just purchased it at Alderfer Auction Co. May 20, 1993. Snyder then sold it to his mother Evelyn Snyder who donated it to the museum.
Has significant cracks, especially on front side where a midline crack extends entire length of chest. Front has inlay losses; in unstable condition; reglued in Jan. 1996 by Clifford Clayton, as well as repair to damaged feet. Dark stains and marring on lid with molding loss at front right. Water spots and worn finiah across lower section of front and feet. Strong wear overall. Old refinishing. Hardware appears to be replaced. No key for opening chest.
On 10/11, discovered extreme detaching of proper right front foot, partially on front left foot and minimally on back left. Reseated all nails but replaced one short rose-head nail at front section of proper right foot w/ modern box nail. It will not penetrate farther, however, and is not properly seated) Old nail placed in envelope in drawer.
Object ID
G.94.19.1
Place of Origin
Lancaster County
Credit
Gift of Evelyn R.G. Snyder, Heritage Center Collection
Two-piece corner cupboard, white pine, painted with brown glaze over yellow (possibly a mid-19th century repainting). Bold cornice over a band of thin reeding in staggered blocks on fascia. Pilasters of thin reeding flank door sections. Upper section has large door with 12 lights (7.5" x 6.5") of old glass, hand-cut tin lock escutcheon and latch with brass pendant ring handle. with; staggered fluting on fascia. The bottom section has bracket feet with below carved sunbursts. Double doors with triple-raised panels and latch with brass pendant ring handle. The interior is painted off-white, and has four shelves furnished with plate moldings along back.
Pencil inscriptions at top inside rail of each bottom door. Left door appears to have "John Rentschler" or similar name, likely an owner. Rentschler name is found in Berks County in mid-19th c.
Lancaster County, possibly Strasburg area
Provenance
Purchased from Park Edwards at a Strasburg, PA sale in April, 1969. It was then purchased from a Walter Himmelreich sale in October, 1971 by Harry Hartman Antiques. Purchased by Museum Sept. 1979.
Scattered losses overall, with chipping and gouges. Evidence of most wear and damage is at cornice, mid-line molding and feet. Existing finish likely a late 19th c. repaint. Strong paint losses on molding at base of upper section. Large area of wood loss in lower left door adjacent to latch. Upper cupboard has wood losses along back edge of right side and reeding at fascia.
Object ID
P.79.101.1
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Chippendale cabinet on chest, walnut. Cabinet is set back on chest. It has a scroll-top broken arch pediment, carved rosettes, applied central carved shell and three urn finials on fluted plinths. Two arched doors have 10 lights each with exposed hinges. Interior has 3 shelves, each furnished with wood strips for supporting plates. Inset fluted quarter columns flank doors.
Base is a chest of drawers with three small ones over three long graduated drawers, thumb molded edges, bail type brasses and oval lock escutcheons. Flanked by inset fluted quarter columns. Four ogee bracket feet.
Provenance
Family states this piece made in Ono, Lebanon Co., what was then Lancaster County. There is also the family tradition that it was made by ancestor John Bachman II, which donor Herbert Bachman Weaver states he cannot confirm or deny. Early museum labels seem to support the Ono origin.
Multiple scrapes, gouges and small holes. Two scrapes halfway up right side of cabinet. Top right molding separating from cabinet. Cracks in glass: bottom row, 2nd pane from left; third row up, 2nd pane from right; and bottom right pane of fan. Crack at top center of cabinet (from doors through the shell carving). Key hole escutcheon missing on door. Damage around door hinges. Traces of red paint on top of chest, under cabinet. Dark drip-burn marks down center of chest. Wood losses at top corners of long drawers. Back is unfinished.
Object ID
G.79.102.1
Place of Origin
Ono, Lebanon County, Pennsylvania
Credit
Gift of Herbert B. Weaver in memory of his father Isaac Hoover Weaver, Heritage Center Collection
Framed Center white cotton quilt has pieced work as well as appliqued cut-out images from an English block-printed cotton chintz that dates from the 1780s. This applique technique (here using colorful birds and branches) is known as "broderie perse" or Persian embroidery.
Center medallion has two birds of prey and flowering branches. Inner border is defined by sawtooth applique of chintz. Outer border continues with broderie perse applique of flowering branches and smaller exotic birds resembling peacocks with long trailing tails.
Quilting patterns: undulating feather in outside border with filled-in areas of waffle and vine-and-berry. Center has vine-and-berry with waffle. Inner border has a rope pattern.
Quilt has white cotton back and cotton batting.
Possibly Northeastern Lancaster County.
Provenance
Quilt was purchased by the Dykes in East or West Cocalico Twp.
Very good overall. Light brown liquid stains, especially in right center area. sprinking of small light brown stains overall.
Object ID
P.77.35.1
Notes
See "Quilts in America" by P. & B. Orlofsky (cover and p.225) for a c. 1803 quilt with this appliqued print. Label states this chintz print was "cut out of a 1780s English block-printed chintz of the type favored in England and France at that time and very popular in American quilts in the late 18th and early 19th centuries."
See also Weissman and Lavitt, "Labors of Love", p. 42.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
All-cotton quilt with appliqued Tulip pattern; has 35 center blocks, 12" square, 18 of which have appliqued tulips. All done on white cotton ground. Appliqued blocks are straight set with solid white blocks as alternates. Quilt is machine pieced, hand appliqued and hand quilted. White solid border is 14 3/4" wide at sides and bottom, 7" wide at top, with mitered corners.
Tulip pattern done in solids and prints of green, blue, yellow and red.
Moderate amount of quilting follows applique and piecing designs. Floral or snowflake in plain blocks and border. Pieced by Edna Spangler Keefer (3/30/1912 - 6/6/1997). Quilting was done by a sheltered workshop and is not of high quality with some uneven stitches. Pencil lines still visible.
White cotton solid binding. Batting is mid-weight cotton. Backing is pieced white cotton.
Provenance
Provenance: Top made by donor's mother, Edna Spangler Keefer, and quilting done by a sheltered workshop. Edna was raised in York Springs area although the quilt was made while Edna and husband Dale were living in Sharon, Mercer Co. Inherited by donor.
Family Album pattern quilt is a personalized commercial pattern made of all cottons. Top has 20 12-inch appliqued blocks of solid colors and prints on white ground. Appliqued blocks are set straight with 2.5" blue sashing and 8.5" white mitered borders all four sides. Machine pieced, with hand applique and hand quilting.
Six center blocks are personalized to portray Keefer family history. Two central blocks have maker and husband's names, "DALE" and "EDNA". Center blocks above have house and standing couple. House does represent actual house, according to donor. Lower center blocks are a cradle with daughter Betsy's name and birthdate, and the other block has the church with 1938 marriage date. Donor does not believe her parents were married in a church. Remaining 14 blocks provide a frame for the central six. All 20 blocks portray very Dutchy floral and bird motifs. Vivid colors are blue, red, yellow, green and black.
Batting is mid-weight cotton. Backing is a white cotton. Binding of white cotton on bias is 3/8" wide. Hand quilting has good even stitches and follows the applique designs while sashing has a chain pattern. Borders have parallel lines in which pencil marks are still visible.
Top four inches of quilt were folded back and stitched to create a sleeve for hanging. Stitches now removed.
Provenance
Made by donor's mother, Edna Spangler Keefer (3/30/1912 - 6/6/1997), while living in Sharon, Mercer Co. Inherited by donor who was their only child.
Large white cotton Framed Center quilt, with extensive applique and stuffed work. The applique technique is called "broderie perse" (of cut-out chintz elements) with fruit surrounding the center medallion. Also appliqued are two types of pieced 8-point stars, and 9-patches. Extensive stuffed & corded work executed in vines, flowers, grapes, melon-like fruit and leaves. Center medallion has stuffed initials "MG" above "1810". Main quilted designs are waffle, wedding ring, shell and parallel lines. Cotton batting and white cotton back. No binding; turned edges sewn together.
Inscriptions: "JNS" (J. Nevin Schroeder) stamped on back of top right corner and "331" written in ink on back of top left corner.
Made by Ann Margaret Gundaker, daughter of wealthy Lutheran merchant Michael (1753-1815) and Barbara Walter Gundaker, residing at S.E. corner of East King & Lime Sts., before her 1816 marriage to Robert Evans (c. 1791-1831). She had been a student at the Moravian School for Girls in Lititz (now Linden Hall) in 1805-06 where she certainly received instruction in needlework. This quilt is the earliest known dated Lancaster County quilt and has descended through five generations of Evans, Locher, and Schroeder families. Trish Herr notes this quilt illustrates the English influence on quilts made in prosperous Pa.German households.
Provenance
Descent in family from Gundaker to Evans to Locher to donor (see letter from Pat K. Conner to Mrs. Shroeder). Donor received quilt from her mother-in-law Mira Locher Schroeder.
1. Documented in Quilt Harvest #419A.
2. See G.01.51.1-.6 for other signed Gundaker textiles.
3. Pat Keller wrote 2009 article in Chester Co. H.S. book LAYERS, noting similarities in stuffed work between this quilt & a Chester Co. quilt, suggesting communication via a network of sanguinity or friendship. (See copy this file)
Generally moderate wear overall with many small yellow-brown scattered stains. Torn along top edge, 13" from left corner. Chintz appliques are deterioration with somoe losses.
Object ID
G.93.08.1
Place of Origin
Lancaster
Role
Quiltmaker
Credit
Gift of Mrs. J. Nevin Schroeder in memory of Mira Loche
Paint and herringbone, chain, buttonhole, stem, and running stitches on commercial cotton fabric, with commercial synthetic fringe. Machine-pieced top in Diamond in a Square type pattern on white background. Sashing to make diamond and square forms are pieced with blue and white cotton. Blue pieces are outlined in blue running stitch on their short sides. Points of square and diamond are white fabric, with blue running stitch in square form.
Painted floral wreath in center diamond, with an embroidered bow in blue buttonhole. Wreath includes five roses in pink and red; greenery; blue, pink, yellow, purple, and orange flowers; and red berried sprigs.
Triangular areas, outside of diamond, each contain 4 painted flowers. One blue flower in each outside corner, with orange center. Three flowers along diamond edge. One five-lobed yellow flower, with orange center. One large pink and red rose, with greenery. One purple five-lobed flower, with orange center. Floral vine and leaf outer border. Five-lobed pink flowers worked in blanket stitch, with stem stitch highlights. Vine worked in green herringbone stitch. Leaves in green blanket stitch, with chain and stem highlights. Machine-applied commercial synthetic twisted fringe on four sides.
Back is machine-pieced white cotton. Shows evidence of embroidered green leaves, blue running stitch and ribbon, and pink highlights.
Original inventory number--630.
Provenance
Collected by George Lyster in Lancaster Co. Intended as a gift, entire collection remains on loan.
All cotton quilt of pieced blocks in pinwheel pattern, using early 19th c. dress fabrics. Within a wide border of yellow print -- three sides only -- is a field of blocks set on point. Pieced blocks have a pinwheel pattern composed of four solid white triangles and four red floral print triangles. Alternate blocks are a print of blue stripes alternating with stripes of brown & blue flowers with white ground. Half-blocks in large triangle form use the same striped print to surround the center field on three sides. The triangles at top are a plaid print of blue, tan and brown.
Quilting patterns are feathers in wide yellow border, waffle in striped blocks and clam shell in triangles. The bordering large triangles have repeating chevrons. An inscription in running stitch in upper right corner block is "Catharine/ Myers the rose/ is read (sic) the leaves/ green here is my/ name when I/ am dead in/ the year/ 1816."
Backing is a red foliate print on white ground. It is brought forward to create binding.
Provenance
Descent through family to Mary E. Walter Ziegler who believed it came from her mother's maternal line (Brubakers and Kempers). Mary Ziegler brought quilt to a Quilt Harvest for documentation in 1992 and considered donating to Heritage Center. In need of funds, she instead sold the family quilt in 1996 to dealer Frances Woods who then sold to Heritage Center.
Extensive research indicates descent from the Walter ancestors of Mary Ziegler's father, one of whom, Peter Walter, was married to a Kathryn Myers (although she was certainly born after the 1816 quilt date). Likely made by another Catherine Myers from the preceeding generation. (See file)
Very good for its age. Some minor wear at edges of binding. Soil visible especially on solid white fabric.
Object ID
P.96.05.1
Notes
Trish Herr notes in Quilting Traditions of Lancaster County, 2000, p. 27, that Catharine was the daughter of Henry (b. 1830) and Barbara Brenner Myers of East Donegal Twp. Catharine later married Peter Walter, also a farmer from the same neighborhood. This CANNOT BY CORRECT since this Catharine was born after the quilt was made. This Catharine Myers Walter is buried in the Cross Roads Church Cemetery.
Place of Origin
Lancaster County
Role
Quiltmaker
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Thimble of Mexican sterling silver (925) in classic shape but unusual construction. Sides have a vertical seam and top is capped with a domed and dimpled top. This horizontal joint is then wrapped with a band of silver.
Heavy applied decoration: upper 3/5 of sides have three flowering plants growing out of S-scrolls below and C-scrolls arranged in the lower 2/5. The scrolled decoration is applied like quilled paper. This raised decoration stands out against a black painted body.
Struck along inside of rim is "MEXICO" and "IGU---" over "92-". Other marks unclear. (See Notes) A "2" is struck on outside of body creating a circular depression.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Dark overall with what appears to be black paint. All salient surfaces are worn and there are paint losses. Distortion of body and multiple places where maker has struck lettering or designs.
Object ID
G.05.15.37
Notes
See another example of this ring found on internet in this file. Iguala is a town near the renowned silvermaking town of Taxco (near the west coast of Mexico) where William Spratling, in the 1930s, famously reinstituted the silver industry and craftsmanship that had died centuries before.
Place of Origin
Iguala de la Independencia, Guerrero, Mexico
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Thimble of "Alpaca Silver" (see Notes). Similar to G.05.15.38, the sides have a vertical seam and are capped by a domed top with a waffle pattern produced by a machine. Upper half of sides have vertical rows of hand-punched dimples. Plain bottom half. Bottom edge has a raised, applied band with 10 hand-set pieces of vari-colored abalone. Solder points quite visible.
Struck inside rim is "-LPACA". Most likely made in Mexico
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Dents/distortion at sides as well as significant tarnish.
Object ID
G.05.15.39
Notes
Nickel silver, German silver, Argentan, new silver, nickel brass, albata, alpacca, or electrum is a copper alloy with nickel and often zinc. The usual formulation is 60% copper, 20% nickel and 20% zinc. Nickel silver is named for its silvery appearance, but it contains no elemental silver unless plated. The name "German silver" refers to its development by 19th-century German metalworkers in imitation of the Chinese alloy known as paktong (cupronickel). All modern, commercially important nickel silvers (such as those standardized under ASTM B122) contain significant amounts of zinc, and are sometimes considered a subset of brass.
Place of Origin
Mexico
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Wrought iron trivet is a heart shape with three legs with small turned feet. Top end of legs pierce heart and are flattened on top like rivets to secure them. Top surface of heart is punch-decorated with dots
Provenance
Card in file has note by donor stating "made by C.B. Zimmerman, R.D.1, East Earl." However, "Made by" is later crossed out, resulting in questionable origns. A Christian B. Zimmerman (1908-1981), a farmer in East Earl and belonging to the Old Order Weaverland Mennonite Church is buried in the Weaverland Menn. Cemetery.
Diminutive hammer has elongated steel head; tapered cylinder end and thin flattened opposite end. Long hardwood handle mortised into head is wide and flat at head end and swelled to a rounded oval shape before tapering to blunt point at terminal.
Provenance
Donor was given hammer mid 1970s by an acquaintance, Frances Geiger, a "maiden lady from Quarryville." Attribution to Gorgas was stated by Ms. Geiger at that time. (Research indicates Frances was a teacher living in Millersville.)
Handmade sticker on hammer, now removed, had "Circa 1763-1798". These dates relate to Gorgas Sr. rather than Jr. The father appeared on Cocalico tax records by 1763 and died 1798.
Head has some dark tarnish. Handle is smooth and polished with some dark stains. Two small nails driven into handle end as it protrudes at top of head.
Object ID
G.08.19.1
Usage
Gorgas, Jacob, Jr. (b. circa 1763-1828)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Diminutive hammer has elongated steel or iron head; tapered cylinder end and a tapering, flattened, thin end. Long hardwood handle is square-mortised into head and has a swell near opposite end with a blunt tip.
Provenance
Donor states the hammer was used by clockmaker Martin Shreiner (1769-1866), his great, great, great grandfather. Donor donated a signed statement by Edward D. Glass (1881-1962) that the hammer was purchased by him from the Shreiner estate sale at 136 E. Walnut St. in Lancaster, apparently around 1895 or 1896. (see file) Glass was a paperboy in that district of town and lived with his parents Daniel & Mary at 556 N. Shippen St. He would have been 14 or 15 yrs. old when he bought the hammer.
Head has some considerable corrosion. Moderate wear and soil on handle with some minor loss of wood near terminal. Head is loose on handle and small nail has been driven into handle end as it protrudes at top of head.
Object ID
G.96.31.2
Usage
Shreiner, Martin
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
