Copper Teakettle has large 7-quart round body, domed lid with brass button knob attached to a metal base visible inside. Goose-neck spout. One vertical dove-tailed seam opposite spout, straight seam along top of spout and short seam underneath. Dove-tailed bottom. Arched handle hinged at chordal sector tab bases with three rivets each.
Maker's mark on top center of handle within serrated rectangular reserve: "7 JOHN.GETZ 7"
Made by John Getz (working 1801-1840).
Provenance
See 2009 materials sent by Shelley Horvath Poston (dau. of Don Horvath).
Copper has many dents and scratches. Significant 3 1/2" series of dents down the side opposite the spout and one under lid finial. Heavily soldered repair joint at base of spout.
Object ID
P.80.115
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Large copper teakettle with rounded body, goose-neck spout and hinged handle having a medium arc, mounted on shaped flanges with three rivets. The domed lid has a small brass mushroom knob (replaced). Dovetailed seams on bottom and vertical seam on side opposite spout. Seamed repair to spout tip.
"F. STEINMAN" is stamped on the handle within a reserve.
Provenance
Transferred from Heritage Center Collection, Dec. 2012
Jack Brubaker, The Steinmans of Lancaster, pp. 11-15.
HJ Kauffman, Early American Copper, Tin & Brass, 1995, pp. 42-43.
HJ Kauffman, American Copper & Brass, 1979, p. 65.
Height (in)
13
Width (in)
16
Condition
Good
Condition Date
2013-11-13
Condition Notes
Many dents and overall wear. HJK says handle slightly shortened (likely done by him). Tip of spout replaced. Plugged hole in bottom. Replaced knob. Stamped name very worn. Tarnished with polish residue where the spout, handle, and lid meet the main body.
Object ID
G.77.14
Notes
When his father died in 1758, John Frederick Steinman, Sr. (1752-1823) moved with his mother to Lititz from his birthplace, Bethlehem, Pennsylvania. His mother remarried a few years later to John Christophe Heyne, a tinsmith and pewterer from Lancaster. The shop of Heyne and Steinman would become known as Steinman's Hardware Store, the oldest hardware store in America.
Place of Origin
Lancaster
Credit
Heritage Center Collection. Gift of Henry J. Kauffman
Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
One of a pair of push-up candlesticks: G99.40.1&.2. Stepped, round base supports a hollow cylindrical shaft topped by a candle cup above a decorative ring. Candlestick shaft is fitted with an inner cylinder with attached knob that raises and lowers candle. Thumb screw knob slides via a slot on side of candlestick and screws tight to secure position.
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
Glazed soft paste porcelain Gaudy Dutch teapot (A) with lid (B). Handpainted "Butterfly" pattern decoration on pale blue body of pearlware. Squat ovoid body sits on a low footring; body swells most in lower half. Collar extends outward below an oblong mouth fitted with conforming domed lid with oblong knob finial . Spout has minimal molding as does arching applied handle.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Overall strong staining, especially at lower spout and base section and interior. Strong hairline cracks throughout base and bottom, with resulting staining. Scratchon butterfly wing. Chip on underside of spout tip. Long split/crack on handle back, perhaps from firing. Coloring is very uneven at multiple places, sometimes creating a mottled effect. Wear and soil under foot ring.
Object ID
G.98.51.03a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Cup (A) and saucer (B), glazed soft-paste porcelain, Strawberry pattern. Handleless cup has straight flaring sides & rests on a small foot Paint decoration on white ground has 2 strawberries & a large green leaf on each side with smaller leaves, purple roses and brown squiggles. Interior has double stripe with berries and flowers. Rim painted rust.
Saucer (B)
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
8-day clock works by George Hoff, Jr. (1788-1822) installed in a curly maple Federal style case signed by either J(acob) Stein/Stine or J(osiah) Shufflebottom (inside waist section). White painted dial signed with maker's name and "Lancaster". Moon wheel above. Scroll pediment has turned roundels and urn finials. Bonnet has applied carving under center finial, free-standing turned columns at front and back, arched side lights and reeded base moldings. Chamfered quarter columns on waist and base. Reeded moldings at top and bottom of waist. Door has shield inlay at lock escutcheon and ghosting from a now-removed metal escutcheon. French bracket feet.
"Hertzler" is etched onto top surface of bonnet top. Signed inside waist: appears to be either Josiah Shufflebottom or Jacob Stein/Stine.
Provenance
Donor states clock was part of the furnishings in the home of her grandparents John B. and Emma (Groff) Hertzler at 131 E. Orange St., Lancaster. Hertzler was a banker at The Lancaster Trust Company in early 20th c..
John J. Snyder states Stine was listed on tax lists 1817-19 and Shufflebottom worked c. 1811-1848. Both were cabinetmakers in Lancaster Borough.
Dial paint is crazed. Base has large cracks on both sides and lifting veneer and crack at front. Dents and other scarring on cove molding at top of base. Small cracks on left side of hood.
Works cleaned and repaired by Paul Warfel, 1980. Glazing in door replaced by curator Bruce Shoemaker, 1983, due to crack.
Object ID
G.77.25.1
Place of Origin
Lancaster
Credit
Gift of Elizabeth H. Nichols in memory of John and Emma Groff Hertzler, Heritage Center Collection
30-hour clockworks installed into a built-in walnut corner cupboard with softwood interior painted white. Constructed in two parts: Upper section has an upper section of 3 doors, glazed central dial door flanked by two blind doors. Below are three glazed doors, central pendulum door flanked by two doors leading to shelves. Base section of cupboard has central false door flanked by two blind doors. Recent addition of brass lock escutcheons on all but dial door. Clock dial is white with paint decoration; calendar wheel; signed "John Hoff/ LANCASTER." Cupboard was built into home of Daniel Zittle/Sittle (1773-1855) of Lampeter Square and removed about 1887 by later owner Dr. J. Henry Musser. Plywood backing added then.
Clockworks by John Hoff (1776-1818), Lancaster Borough, and cubboard by an unknown joiner in the vicinity of Lampeter Square.
Provenance
From Daniel Zittle to son Cyrus Zittle who sold property in 1887 to Dr. J. Henry Musser (b. 1845 in Lampeter), where he practiced medicine1866-1916. Dr. Musser removed the clock to his Lampeter residence. Then removed to son William M. Musser's Lampeter home in 1923. Then given to his son (donor) in 1952 for his home at 1768 Rockvale Rd., Lancaster, PA. Then moved to home of donor's son William M. Musser, III at 1525 Mission Dr., Lancaster, PA. Finally gifted to Heritage Center May 26, 1994.
Fewer than six cupboards with centrally positioned clockworks are known. John Hoff's account book has an August 19, 1812 entry noting the sale of an alarm clock with 12" dial to Daniel Sittle of Lampeter Square, to be done in 2 months. Later entry notes "Took the Clock away Nov. 28, 1812"
Clock functions, minute hand partially broken and hour hand bent. Cupboard has old crazed finish, not original. Cornice molding replaced at right corner; side pieces of molding missing at mid-line; nail holes and damaged areas at lower sides and bottom edges where attached to floor and walls. Holes and indentations remain where missing latches were attached at four lower and middle doors. Mullions removed on glazed doors. Waist section gouged out at sides to allow pendulum room to swing.
Object ID
G.94.10.1
Credit
Gift of William Musser in memory of Dr. J. Henry Musser, Heritage Center Collection
Eight-day tall case clock w/ cherry case & walnut inlay. White-painted arched dial has Arabic numerals, sweep seconds and calendar hands, exceptionally well painted dial w/ fan-decorated spandrels & rare rope-like border on chapter ring. Signed "Martin Shreiner" over "No. 182". Clock expert Gary Sullivan says dial was made by Samuel Curtis & Knowles of Boston who later operated out of Philadelphia (see Notes).
Bonnet has four free-standing corner columns, broken arch pediment with inlaid fylfot rosettes at terminals and three urn finials (likely replacements) on tall plinths and a central keystone medallion at the tympanum.
Above rectangular thumbnail molded waist door with hollow top corners is an inlaid eagle within an inlaid walnut oval within multi-line inlay. Eagle has wax-infilled shield and banner in his beak that reads, "Bluribus Unum," (without the initial "E" and Pluribus misspelled). Large inlaid oval on door and brass steeple butt hinges on door. Quarter columns have reeded chamfers which extend only 3/4 of the way up, terminating in lambs tongues.
Facade of base is veneered with mitered corners surrounding a large inlaid square with fan corners. At bottom is horizontal double line of string inlay. There is a drop apron and four French feet. The weights, winding key and door lock & key are not original.
Notes: J.J. Snyder has studied eagle inlaid clock cases and notes in 12/5/96 letter to HC Director, "It is virtually certain that the workshop of Emanuel Deyer of Manheim was the source of many of these..." In 12/15/96 letter he notes that two eagle types were used - symmetrical & asymmetrical, as on this clock.
Stacy Wood's 1995 article on Martin Shreiner notes on p. 580 that a Shreiner clockworks numbered #180 is dated 1815. Thus, we can safely say that this clock - #182 - would be dated about the same year.
Lancaster Borough (clockworks) and probably Manheim (case)
Provenance
Donor is great, great, great-grandson of Shreiner. Clock descended through the Cochran family to him.
Case cracked in many places, e.g.across eagle & cove molding above base. Heavily refinished. Urn finials likely replaced. Infill at cracks and separated joints. Strip added to left side of door opening where door locks, and repair at upper left corner. Wood loss at left hollow corner of door; door lock replaced; one-inch-long gouge in veneer of base at left side of front. Chipped at corners and feet; dents on base front. Dial overpainted at many places.
Object ID
G.96.31.1
Notes
See commentary on clock by John J. Snyder, Jr. in his letter of 5 Dec 1996. He notes the clock has "mediocre surface and finish, many repairs and patches, and questionable urn finials."
In 2015, clock expert Gary Sullivan stated that Shreiner used dials made by Samuel Curtis of Boston (commonly have a paper label on reverse, reading "Curtis Manufactory for Patton & Jones, Phila.) Popularity of tall case clocks lasted longer in PA, so Curtis moved to Phila. Abraham Patton & Samuel C. Jones formed a partnership in 1797 called "Patton, Jones & Co." Changed to "Patton & Jones" in 1798. Parnership failed in 1814 when they could no longer get materials from England due to the War of 1812. Tell tale sign is the banner sign spanning the globes under the moon wheel.
Works made by Martin Shreiner, Sr. (1769-1829). Case attributed to Emanuel Deyer.
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
Walnut Chippendale style bookcase on desk. Bookcase has broken arch pediment with carved scrolls terminating in12-petal rosettes, large flame finials at corners and a carved stylized shell at center. Scrollboard has graceful symmetrical vine carved in relief on nearly smooth ground (usually punched ground). Below are two flat-paneled doors with brass escutcheons; right door has keyhole. Interior shelves. Inset fluted quarter columns.
Lancaster County, certainly Lancaster Borough
Fall-front desk sits on 4 ogee-bracket feet. 4 graduated, thumbmolded drawers, each w/ replacement bail brasses and an oval brass keyhole escutcheon. Inset fluted quarter columns w/ unexpected small volutes carved above capitals. Two wooden slide supports flank top drawer. Replaced fall-front door fitted w/ a brass keyhole escutcheon with swiveling cover. Interior has a central prospect door with shell and leaf carving, opening to two pigeonholes over two drawers. Door is flanked by manuscript drawers faced with baseball bat-shaped carving. On each side are groups of four valanced pigeonholes over four drawers fitted with small bail-type brass pulls. Pencilled inscription on underside of top right interior drawer has "Adam Bare, sheriff," (also dated 1846?). Adam Bare (1784-1877) apparently owned the desk. He was a Mennonite tavernkeeper near New Holland who became sheriff of Lancaster County from 1831-1833. Perhaps his father, John "Bear", was the original owner (he was an innkeeper at a hotel in Bareville, Upper Leacock Twp.).
Provenance
Found in 1938 by S.E. Dyke in a home being demolished on New Holland Ave. S.E. Dyke owned it until 1943, when he sold it to C.W. Lyons of New York City for $4,500. By 1970, it was owned by H.R. Sandor, who sold it to Mrs. Margaret A. Lucas of New York City for $24,500. At some point, General L.W.T. Waller of Meadowbrook, PA, owned the piece and sold it to Ronald A. DeSilva, Inc. of NYC, who sold it to the Heritage Center.
Underside of drawer has: "Adam Bare, sheriff," (also dated 1846?).
Inscription Type
Inscription
Object Name
Secretary
Oither Names
Desk and Bookcase
Material
Wood, Brass
Height (in)
96
Width (in)
42
Depth (in)
23
Condition
Good
Condition Date
2014-08-27
Condition Notes
Extensive restoration (done by unknown person apparently when first obtained by Sam Dyke). Early photo shows damage/losses and restoration: replacement of left scroll and rosette and portion of right rosette; missing fall-front, 3 interior drawers and finials; both front feet damaged (bottom half of left foot missing and right foot cracked); missing right volute, damaged drawers, overall badly scarred with extensive loss of finish, etc.
Above repaired/replaced. There are two significant cracks on the writing surface: one 5" long at right and one 7 1/2" long at left. 1/4" gouge on right side of bookcase. Long horizontal crack across tympanum and one under shell "finial". Long vertical crack a both sides of desk. Repaired vertical crack in right door panel, repairs to both doors' top edges, both escutcheons replaced and holes plugged. Dark stains on inner writing surface.
Left diagonal edge of desk accidentally damaged while at museum in 1984 (see envelope w/ snapshots). Restored by Alan Miller.
Object ID
P.77.34
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Pewter plate, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Flat bottom, rounded booge and wide, flat rim with single reeded edge.
Underside struck with two oval marks: one has "Townsend and Compton" and the other reads "LONDON." Following are four small square marks in a row. The last one has the initials "T&C".
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Hepplewhite blanket chest of walnut with dovetail construction. Hinged lid with centered inlaid eagle in flight and applied molding on three sides. Eagle is heavy in form, without shields, banners or stars. Front and sides undecorated except for hollow corner rectanglular cartouches of string inlay; one on each side and two on front.
Two drawers below the mid-line molding have the same inlay rectangles as well as bail handles and oval lock escutcheons. The left drawer has a "1" on the bottom in red chalk and an illegible pencil inscription. The right drawer has a "2" in the same place and in red chalk. Applied base molding and supported by French feet.
Cannot open chest due to missing key. John Snyder reports that "Fianna Bitzer" is written on the inside of the chest lid. She was born in 1861, the daughter of Martin and Annie Royer Bitzer of Ephrata Twp. Although Bitzer was a later owner, Snyder believes that the chest was originally in the Bitzer or Royer families.
Note: John Snyder states that there is a small group of Lancaster County chests and a desk with eagle inlays like this one. This is the best documented piece of the group.
Northern Lancaster County, likely Ephrata area
Provenance
Chest was purchased by John Snyder from Greg Kramer at the York Antiques Show in May 1993. Kramer had just purchased it at Alderfer Auction Co. May 20, 1993. Snyder then sold it to his mother Evelyn Snyder who donated it to the museum.
Has significant cracks, especially on front side where a midline crack extends entire length of chest. Front has inlay losses; in unstable condition; reglued in Jan. 1996 by Clifford Clayton, as well as repair to damaged feet. Dark stains and marring on lid with molding loss at front right. Water spots and worn finiah across lower section of front and feet. Strong wear overall. Old refinishing. Hardware appears to be replaced. No key for opening chest.
On 10/11, discovered extreme detaching of proper right front foot, partially on front left foot and minimally on back left. Reseated all nails but replaced one short rose-head nail at front section of proper right foot w/ modern box nail. It will not penetrate farther, however, and is not properly seated) Old nail placed in envelope in drawer.
Object ID
G.94.19.1
Place of Origin
Lancaster County
Credit
Gift of Evelyn R.G. Snyder, Heritage Center Collection
Two-piece corner cupboard, white pine, painted with brown glaze over yellow (possibly a mid-19th century repainting). Bold cornice over a band of thin reeding in staggered blocks on fascia. Pilasters of thin reeding flank door sections. Upper section has large door with 12 lights (7.5" x 6.5") of old glass, hand-cut tin lock escutcheon and latch with brass pendant ring handle. with; staggered fluting on fascia. The bottom section has bracket feet with below carved sunbursts. Double doors with triple-raised panels and latch with brass pendant ring handle. The interior is painted off-white, and has four shelves furnished with plate moldings along back.
Pencil inscriptions at top inside rail of each bottom door. Left door appears to have "John Rentschler" or similar name, likely an owner. Rentschler name is found in Berks County in mid-19th c.
Lancaster County, possibly Strasburg area
Provenance
Purchased from Park Edwards at a Strasburg, PA sale in April, 1969. It was then purchased from a Walter Himmelreich sale in October, 1971 by Harry Hartman Antiques. Purchased by Museum Sept. 1979.
Scattered losses overall, with chipping and gouges. Evidence of most wear and damage is at cornice, mid-line molding and feet. Existing finish likely a late 19th c. repaint. Strong paint losses on molding at base of upper section. Large area of wood loss in lower left door adjacent to latch. Upper cupboard has wood losses along back edge of right side and reeding at fascia.
Object ID
P.79.101.1
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Chippendale cabinet on chest, walnut. Cabinet is set back on chest. It has a scroll-top broken arch pediment, carved rosettes, applied central carved shell and three urn finials on fluted plinths. Two arched doors have 10 lights each with exposed hinges. Interior has 3 shelves, each furnished with wood strips for supporting plates. Inset fluted quarter columns flank doors.
Base is a chest of drawers with three small ones over three long graduated drawers, thumb molded edges, bail type brasses and oval lock escutcheons. Flanked by inset fluted quarter columns. Four ogee bracket feet.
Provenance
Family states this piece made in Ono, Lebanon Co., what was then Lancaster County. There is also the family tradition that it was made by ancestor John Bachman II, which donor Herbert Bachman Weaver states he cannot confirm or deny. Early museum labels seem to support the Ono origin.
Multiple scrapes, gouges and small holes. Two scrapes halfway up right side of cabinet. Top right molding separating from cabinet. Cracks in glass: bottom row, 2nd pane from left; third row up, 2nd pane from right; and bottom right pane of fan. Crack at top center of cabinet (from doors through the shell carving). Key hole escutcheon missing on door. Damage around door hinges. Traces of red paint on top of chest, under cabinet. Dark drip-burn marks down center of chest. Wood losses at top corners of long drawers. Back is unfinished.
Object ID
G.79.102.1
Place of Origin
Ono, Lebanon County, Pennsylvania
Credit
Gift of Herbert B. Weaver in memory of his father Isaac Hoover Weaver, Heritage Center Collection
Framed Center white cotton quilt has pieced work as well as appliqued cut-out images from an English block-printed cotton chintz that dates from the 1780s. This applique technique (here using colorful birds and branches) is known as "broderie perse" or Persian embroidery.
Center medallion has two birds of prey and flowering branches. Inner border is defined by sawtooth applique of chintz. Outer border continues with broderie perse applique of flowering branches and smaller exotic birds resembling peacocks with long trailing tails.
Quilting patterns: undulating feather in outside border with filled-in areas of waffle and vine-and-berry. Center has vine-and-berry with waffle. Inner border has a rope pattern.
Quilt has white cotton back and cotton batting.
Possibly Northeastern Lancaster County.
Provenance
Quilt was purchased by the Dykes in East or West Cocalico Twp.
Very good overall. Light brown liquid stains, especially in right center area. sprinking of small light brown stains overall.
Object ID
P.77.35.1
Notes
See "Quilts in America" by P. & B. Orlofsky (cover and p.225) for a c. 1803 quilt with this appliqued print. Label states this chintz print was "cut out of a 1780s English block-printed chintz of the type favored in England and France at that time and very popular in American quilts in the late 18th and early 19th centuries."
See also Weissman and Lavitt, "Labors of Love", p. 42.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
