Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
On reverse is attached note, "To make sure that the old portrait of Julie Shultz and her father, who has her by the hand shall go into permanent possession of Lancaster County Historical Society
Miss Ella B. Hart who lived with her niece Mary Agnes Schultz when she died at 9 or 11 Shippen Street in 1911 gave it to me with that understanding (gave in the fall of 1935)
Julie was sister of Alexander Shultz who was a tinsmith in Strasburg. He built the house now owned by Robert E. Groh on site of birthplace of Thomas Burroughs.
Portrait of Lydia Steele Bailey, by Jacob Eichholtz.
Married to Robert Bailey.
Bailey, Lydia Steele (1779-1869) held the position of City Printer of Philadelphia from 1830-1850 and was the first and only womna to do so. She taught herself how to set type, created over 800 prints, supported four children as a widow, and at one point in her career had over twenty male employees and apprentices.
Painting: Oil on canvas, Fair/Good, crackling throughout, surface dirt, some mildew spotting, scuffing right center over boat, some in painting apparent under black light.
Painting conservation needs: Surface clean, remove old varnish, revarnish.
Frame: 2" painted wood and gold, Fair.
Frame conservation needs: Surface clean and minor touchup.
Object ID
1968.010.001
Notes
Frame measurements: Height 40.5
Width 54
Depth 2
Object should have new 3-digit # 001 added to existing # on the object. As of 01/31/22 the object ID number on the frame is 1968.010.
Portrait of three sons of Jacob Eichholtz, Henry Clay Eichholtz, Lavallyn Barry Eichholtz, and Robert Lindsay Eichholtz.
Jacob Eichholtz and his second wife, Catherine Trissler Eichholtz, named their three youngest children after prominent Kentucky senator and former secretary of state Henry Clay; Baltimore banker Lavallyn Barry; and beloved son-in-law and Philadelphia bookseller Robert Lindsay.
The father of 13 children, Eichholtz portrayed his three youngest with an immediacy and grace that rivals his finest work. Captured just four years prior to the artist's death, these angelic faces are rendered through the eyes of a father's's love and affection. - Thomas Ryan, President and CEO of LancasterHistory.org
Oil painting of Mrs. Alexander Hood seated on red chair with draped red curtain behind. Her dark brown hair is parted in the center and she is wearing a white covering with ruffles along sides covering her ears. The two wide sashes/ties hang down to her waist. A dainty lace collar piece, unattached, is around her neck with opening in front. She wears a black dress with gathers from a front vertical seam that ends in a point below her waist. Long sleeve visible on her left arm has two sections of gathers on the upper arm. Her left hand rests on her lap.
Artist: Arthur Armstrong, American portrait painter (b.1798-d.1851).
Some crackling overall. Some paint rubbed off above wooden edges. Some fine vertical streaks on woman's dress, left elbow. A small spot on right side of painting above red chair. Canvas nailed to stretcher bars in tact.
Painting of young, uniformed Civil War "soldier", posing in front of a cannon & American flag and leaning on a fluted pedestal with urn. Painting done a paper 5 3/8" x 6 1/2" piece of paper paste-mounted onto a larger piece of paperboard within a double-line border. Below image is a hand-painted cartouche with "Regimental Bugler, A.F. Shenck, / 9th Penna. Vet. Calvary, / Aged 14 years". Outside of border at bottom left is painted "PRESENTED TO A.F. SHENCK ESQ., / BY REDMOND CONYNGHAM.
Note: Redmond Conyngham (1863-1929) was a Lancaster attorney as was Shenck (8-16-1846 to 4-1-1921). This presentation piece appears to have been a gift and tribute to Shenck, honoring his Civil War service, suggesting a friendship between the two colleagues.
Provenance
Note on card accompanying drawing/painting is: "D.A.R. gift / 1880s". This date seems doubtful since it suggests Shenck giving this presentation piece away while still a young man in his 30's or early 40's.
