Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
Ink drawing on paper of "The 'Keppele House.' Lancaster. Pa./ N. Queen St. near Centre Square. E.side.' On the walk in front and to the right of the house: "1883." The right of the house: "Muhlenberg's / Drugstore."
There are several tears along the top right edge; also a 1/2" tear at top center and a 7/8" tear at the top right corner that have been mended. Several small black sports appear in the left area of the drawing. There are the remains of a previous backing on the corners of the reverse.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.53
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Hand towel, plain-weave linen, elaborately decorated with blue and red cotton cross stitch as well as drawn thread panels. Hanging tabs are plain-weave linen tape, 3/8" wide and very long.
Panel #1 has "MARIA" at the top flanked by large floral trees growing out of hearts. Second line reads: "MACDALLNA DAMY" and 3rd line is: "MY HAND AND NWEDLE." Below are 5 large tree motifs grounded on a horizontal embroidered line, followed by 8 small grounded trees.
Panel #2 is a drawn thread panel w/ cotton darn-stitched designs. Drawn threads stop short of sides -- unusual.
Panel # 3 has five blue and red motifs: star at center flanked by crowned peacocks, in turn flanked by geometric motifs.
Panel # 4 is a tripartite design: center has "HF" within an ornately embroidered red and blue heart, flanked by drawn thread panels w/ cotton darn-stitched trees surmounted by birds. (Initials stand for future husband Henry Fenstermacher, married the following year,1837.)
Panel #5 is very similar to panel #3.
Panel #6 is another drawn thread panel stopping short of sides, decorated w/ cotton darn-stitched geometric designs.
Panel #7 has upper case alphabet ending with the date 1836.
Panel #8 has three lines: "CHRISTOPHER/ DAMY CATHARINE/ DAMY A D 1836." (parents)
Plain self fringe at bottom has an applied short panel of linen with an elaborate knotted self fringe.
Made by Maria/Mary Magdalena Demmy (1811-1884).
Seller pinned on a note stating the mate to this towel (made by sister Elizabeth) was sold in the Rich and Joan Smith sale for $2400, inventory # CB29. Both towels illustrated in This is the Way I Pass My Time, p. 31.
Note: Older sister Maria/Mary Demmy's taufschein is P.06.15.1.
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Very unusual German edition of a Birth & Baptismal Certificate (B&BC) printed on wove paper by Lancaster printer Herman William Villee. Infilled in red ink by an unknown, unskilled, illiterate hand for William Craus/Crause of Cocalico Township. Glued onto a mid-20th century printed certificate on thin cardboard & mounted in a modern thin, black frame.
Entitled "Geburts und Tauf Schein." at top. Entire frame around main text consists of one single cut (printing block) with the baptism of Christ at top and Christ blessing the children below. Central text block in German has blanks infilled in English with red ink. William Crouse was born August 10, 1828 to parents William and Sarah Craus(e?). He was baptized by Rev. Frederick Harman and the sponsor was John Koch(?). The birth year is scrawled above text three times and below is written "whas Ritten May 21. 1833." Villee's name and location printed at bottom.
Certificate is H: 16.25" x W: 13" It is heavily colored with dark red, black and yellow throughout.
J.J. Strine records the marriage of a William M. Crouse Esq. of W. Cocalico and Nancy Eberly of Reamstown, 12 Oct. 1858. (If the same Crouse, he was age 30.) 1869 Directory lists both Wm. Crouse Sr. & Jr., combmaking in Reinholdsville, while the Business Directory (p. 408) only lists Wm. Jr. as one of two comb manufacturers in Lanc. Co. William M. Crouse & son were manufacturing combs in Reinhold's Station in W. Cocalico Twp. in 1890 Directory. In 1909, only George W. Crouse continued.
Atlas of 1864 has Wm. Crouse Jr. w/ two bldgs. between Reinholdsville & Berks Co. line. The 1875 Atlas shows W.M. Crouse listed only with the bldg. nearest Berks Co. while the other bldg. is gone. The 1899 Atlas shows property labeled "COMB FACTORY".
Ellis & Evans lists William M. Crouse as a Justice of the Peace in 1855-1860 in W. Cocalico Twp. (p. 722).
Printed N. Queen Street; likely infilled in W. Cocalico Twp.
Provenance
Provenance unknown.
See P.01.60.1 for Heaven & Hell broadside by Villee.
See Klaus Stopp, The Printed B&BC of the German Americans, Vol. III, pp. 136-137.
Heavy damage with moderate staining. Extensive tears, wrinkles and holes, esp. at center. Largest losses are scene of Crist blessing the disciples. Many areas mended with tape. Glue & tape apparently used to mount document. Old cardboard backing. NEEDS CONSERVATION.
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Bunch of grapes, carved wood, gessoed and painted dark purple/blue with green leaves. Iron hanging ring attached at top; cluster hangs from a reproduction decorative hanger (see notes).
This bunch of grapes was said to have hung at the Grape Tavern (Sign of the Grapes) at 32-34 North Queen Street, Lancaster, most likely on the interior. This fragile object would not have stood up to outside weather. (Ellis & Evans, writing in 1883, state, "The wrought iron bunch of grapes now hanging in front of the hotel was made for, and used by, Adam Reigart.")
The Grape tavern was built in 1741 by John Harris, then sold at sherrif's sale to Adam Reigart, Sr. in 1769. He ran it from 1769 to March 3, 1794, when John Michael took over ownership. During his ownership, the tavern began its most opulent elegance as well as being called by various names including The Grape, Conestoga Waggon (sic) and Michael's Hotel. He ran it until May 5, 1821, when it was purchased by his son John Michael, Jr. who kept it until 1839, restoring the original name. According to Ellis & Evans, John Michael, Jr. moved the tavern, with the "old familiar sign" to the adjoining lot in 1839. It was then known by the original name as well as Michael House.
Provenance
Once owned by W.U. Hensel (1851-1911) who lived at the historic "Bleak House" near Kinzer, where it hung on the porch. He had a collection of early Lancaster signs.
Pictured on frontispiece of booklet of Hensel's address in 1912 on "Jacob Eichholtz, Painter." The grape sign was sold at the estate sale (March 1947?) of Hensel's daughter Elizabeth Hensel Nauman and purchased for $320 by William Lebzelter of Lancaster City, whose family owned the American House which was successor to the Grape Tavern (Groff and Wolf Dept. Store at time of sale).
No record in file later than this other than the name of seller, Marian L. Schaffner. She was the wife of physician Meade D. Schaffner, on Columbia Ave.
Paint chipping in some spots; some wood loss at tips of some individual grapes. Iron hanging ring has minor rust spots. Minor losses of gesso repaired, gesso loss between grapes at bottom. Nail repairs. Repainted at some date prior to 1984; painted at least once before. Wood at top shows deterioration.
Object ID
P.77.72
Notes
Ellis & Evans, pp. 363, 394 1/2 and 395.
Multiple references in this file including newspaper articles.
Booklet entitled "Jacob Eichholtz, Painter", an address given by W.U. Hensel Nov. 22, 1912 (eve of portrait exhibit at Woolworth's)
Hanger is a reproduction scrolling wrought iron bar with eight small swirls along the top, and is attached to a heart-shaped iron mounting plate. Made by Thomas C. Moore of Glen Rock in January 1978, based on a drawing and painting by David McNeely Stauffer (P77.31.57 and P77.31.22).
Maker is unknown.
Place of Origin
Lancaster County
Usage
Grape Tavern
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collecti
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Empire style chest of drawers, mahogany veneer on pine or poplar. Four drawers, each with two pressed glass pulls & keyhole and each with bookmatched veneer of highly figured mahogany. The top drawer overhangs lower drawers and has a curved front (top-to-bottom), while the three lower drawers have flat fronts. Freestanding ionic columns flank drawers with carved plinths. Sunken panel construction at sides. Two extensively carved paw feet in front; two ball feet in back.
In April 1982, the entire case was disassembled and discovered to be signed and dated by Markley, behind the left front stile above the column. (Not seen in 2011. Inscription appears on top of thick drawer divider supporting top drawer.) Also stamped by maker within oval on upper surface of top drawer bottom: "J.F. MARKLEY/ CABINETMAKER/ Locust Street/ COLUMBIA."
According to file, the 1830-1846 Columbia Borough tax records list Markley variously as a doctor, cabinetmaker, contractor or gent.
See also a gentleman's dressing table with mirror, P00.39.01.
Piece of veneer 1.5" x 0.5" is missing from top right above drawer. Small spots and scratches overall, and two large cracks on top: one near front right corner, and one at rear center, partially filled in. The left pull on the second drawer up from the bottom is split in half; held in place with string windings.
Two toes on the right front foot were pieced and recarved by Joseph Molz of Lancaster City. Some veneer was also pieced.
Object ID
P.77.02
Notes
More info in file. There was a discrepancy in the research with two different Jacob Markleys. It appears that the maker of this chest of drawers was Jacob Fry Markley (1800-1854), born in boro of Strasburg to parents Jacob Markley, Sr. (1765-1829) and Barbara Fry Markley. Jacob Sr. was also a cabinetmaker.
Son Jacob is listed with different occupations over the years. He was living in Columbia in 1830 and possibly as late as 1841. He moved to Spring Grove, Philadelphia County by 1850 and is listed as a druggist in the 1850 Census with wife Ann & 5 children. "JACOB F. MARKLEY M.D." is on his tombstone in the Hatboro Cemetery. Thus Jacob Markley claimed to be a cabinetmaker, druggist and doctor (Doctor is perhaps what he called a pharmacist).
Place of Origin
Columbia
Role
Cabinetmaker
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Flintlock long rifle by Melchoir Fordney has a 44-inch octagonal rifled barrel, 44 caliber, with tooling & brass insets has "M Fordney" on top near lock. Elaborately relief-carved full-length curly maple stock has engraved mounts: side plate (w/ squared ends), trigger guard (few did this), butt plate, muzzle cap and rear ramrod pipes. Cheek side of stock has a silver inlaid double eagle; engraved oval silver plate on top of stock behind lock. Engraved brass patch box with horse head terminal is of the later Lancaster type due to exposed wood between lid and upper & lower plates. Hickory ramrod.
The top of the barrel is signed "M Fordney" in script. The engraved lock is marked "DREPPERD", a lock used by many Lancaster gunmakers. See NOTES.
Trigger and lock rusted. Minor wear on wood and brass. Long crack in stock under barrel has amateur glue repair (seen when ramrod removed).
Object ID
P.77.04
Notes
See:
The PA-Kentucky Rifle, Kauffman, pp. 229-231.
Joe Kindig, Jr., Thoughts on the Kentucky Rifle..., pp. 130 ff. (this rifle on p. 136).
Reprint of Lancaster Examiner and Herald, Wed, Oct. 21, 1846; 1847 "Report of the Trial & Conviction of John Haggerty..."
H.J. Kauffman writes Fordney was 1st listed as a gunmaker on Lancaster Borough's tax lists in 1813 (an 1846 news article states 1811 and gives his genealogy). His shop was in the 5th block of So. Queen where he worked until his tragic death in 1846 at the hands of an axe-wielding neighbor. Fordney created guns in a unique style with old-style carving and engraved patterns that were "cut deeply and profusely," comparable to some of the best in Pa.
Kindig notes Fordney was first listed as a gunmaker on tax list of 1811 in Lancaster. In 1835 he and his wife agreed to separate and in 1839 he sold his home on S. Queen St. While apparently living elsewhere in town in 1846, his death occurred at the hands of a neighbor, John Haggerty, a religious fanatic who was incensed because Fordney was living with a common-law wife. He attacked Fordney outside, then inside, his gun shop, killing him with blows to the head with an axe.
Kindig states Fordney was one of the finest Lancaster gunsmiths, making "distinctive rifles that are particularly outstanding for their engraving." He likely engraved "more extensively" than any other gunmakers during the Golden Age; he was one of a few who engraved the trigger guard. HJ Kauffman notes his wood carving is also exceptional.
This was one of four guns stolen from a wall case Aug. 17, 2000 by workmen in the Masonic Lodge, but later recovered.
Place of Origin
Lancaster
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Hand-done Birth and Baptisimal Certificate, on tan paper with cursive English, for William Coleman by Henry Keim. Design inspired by the printed angel-type fraktur, although this one is horizontally oriented. Main text at center within a rectangular line border. There is also very faded text above and below box, apparently religious. Text is flanked by two confronting angels with lyres standing on polka dot clouds. Strong-jawed angels with black cap-like hair have yellow skirts and wings and black vest. Also taken directly from the angel B&BCs, are the two birds perched on flowering stems in each lower corner. Entire fraktur is edged with a striped border. Colors used are yellow, green, blue teal, black, brown and cream.
The main central text reads: "Certificate of birth and babtism(sic)/ William a son of George Coleman/ Catherine Lowry was born on the 20th/ day of March in the year of/ our Lord 1820 in the/ Township of Elizabeth in the/ the County of Lancaster in the/ state of Pennsylvania in north/ America; and was babtised(sic)/ in the year of our Lord 1820/ by the Revd Mr Shaffner/ of Marietta". Signed "Henry, Keim" at lower corner within squiggled box.
See NOTES.
Lancaster County, perhaps Marietta or Elizabeth Twp.
Fading in text. Pronounced breakage & small holes through vertical fold line at center has been mended (see reverse). Darkened in this area from top to bottom. Short breaks also mended, eg. between bottom edge and breast of left bird. Wrinkles throughout. Paper darkened overall due to soiling and acid or light damage. Liquid staining. Blotchy stains particulary in left half.
Frame: Moderate wear with scratches and chips. Removed from frame due to acidic mount. Remains mounted on tan matboard with hinges at top corners.
Object ID
P.00.19.1
Notes
See copy in file of Pastoral Records 1808-1835 of Henry B. Shaffner, Reformed Pastor, p. 100. Listed under Baptisms of Manheim is son William Coleman, whose birth is recorded as 29 March 1820 & baptism on 4 June. The witness/sponsor was "Gorg Long w Fr (Frau?)." Most significantly, in the column listing parents, Shaffner writes "Gorg Coleman with / his housekeeper". In other words, Wm. Coleman was an illigitimate child, born to unwed parents, likely creating a scandal in this important, wealthy Coleman family. The grandparents were ironmaster Robert Coleman and his wife Anne Coleman.
George Coleman (1790-1821) only lived to age 31 and is buried in Brickerville United Lutheran Cemetery. Note that the Find A Grave record for George Coleman also lists a son William (1820-1890), buried in Mt. Lebanon cemetery. 1860 census for Lebanon, PA lists William married to Maria McCloud, working as a shoemaker and having 6 children, the oldest of whom was named George Coleman, apparently after his father.
The scrivener/artist, Henry Keim, may possibly lived at one time in Chester County. See letter in file.
Watercolor of flowers done on tiny rectangular piece of wove paper. Two large red blooms with large, hairy green leaves, two smaller detached leaves and two flower buds. Detailing lines of black ink on three largest leaves.
Signed on reverse in black ink is "E Haverstick" beside a large smudged area of ink. Piece was perhaps made for a student as a reward of merit or simply a remembrance. Haverstick is believed to be a schoolmaster and was active in the 1830s.
Fold lines across paper. Faded with minor soiling. One corner has been clipped.
Object ID
P.04.34.7
Notes
Other Haverstick pieces in collections are Birth Certificates for brothers John Bachman (G.96.09.1) and Christian Bachman (G.00.23.1). Substantial research was done over the years to find evidence of Eli Haverstick, to no avail. Research and images of related Haverstick work is in Heritage Center's vertical file.
Platter of ironstone transferware with clear glaze. Rectangular with clipped corners, recessed bottom and moderately wide sides that extend outward. White body is devoid of decoration except for black transfer scene of a long bridge spanning a river, 5 people in foreground, town at right end of bridge and another in the distance on right bank. Underside has apparent impressed mark and transfer maker's mark at center: under a spread eagle with shield is a "sign" reading "COLUMBIA BRIDGE ON THE SUSQUEHANNA". Below it is "W.R.", indicating maker William Ridgway & Co. Sticker on bottom is: "$390" and "CLP". This river scene is a variation of the print done by William Henry Bartlett (see G98.12.21).
Shelton or Hanley, England
Provenance
Purchased in Adamstown Antiques Gallery for Heritage Center collection. Transferred from Heritage Center, December 2012.
Copper tea kettle, classic form with gooseneck spout, high dome lid, marked strap handle hinged on "plinth w/ serifs" tab bases. Lid fitted with a crudely fashioned replaced iron or steel mushroom-shaped finial, bent to one side.
Vertical dove-tailed seam on side opposite spout, top seam running length of spout. Dove-tailed bottom.
Tarnished with numerous dents and scratches over body. Two very heavy dents at shoulder, opposite each other and one on bottom. Finial knob bent to one side. Two significant cracks on proper right side at shoulder and one on back.
Object ID
P.01.48.1
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Very small redware jar, squat ovoid shape with small foot ring and flaring rim. Orange-brown body, decorated with random slanted swaths of dark manganese. Tin glazed inside and out except for bottom 1/5 of exterior and bottom.
Unique inscription: "A Bixler" is impressed on bottom with printer's fraktur typeface.
East Earl Twp. or Brecknock Twp. Attributed to Absalom Bixler (1802-1884).
