Watercolor of Eli K. Mylin farm, mounted in large gilt frame.
Painting is done on a rectangular, heavy sheet of sepia-brown paper with textured surface. Executed in greens, brown, red and white. Immediate foreground shows a railroad stretching from left to right, bordered by wooden fencing. Fields in near foreground lead up to a farmstead in midrange consisting of a stone house at far right encircled by a white picket fence, a large white barn at far left, and various outbuildings located between them. Distant fields rise slightly to form rolling hills with trees and fencing at horizon. Sketchy white clouds are arranged across the sky.
The farm is located directly south of Willow Street, Pequea Twp., Lancaster County and belonged to donor's great-grandfather. Her grandmother, Lillie V. Stehman, grew up there before marrying Isaiah D. Stehman and moving to Mount Joy.
The 1864 Atlas shows E.K. Mylin residing in the extreme southeast corner of Pequea Twp. The 1899 Atlas shows two farms in close proximity, both owned by E. K. Mylin.
Painted in 1913, probably from a photo post card (with a May 1906 postmark) that shows this exact scene.
(Written by Wendell Zercher.)
Provenance
Given in memory of Isaiah D. Stehman and Lillie V. Stehman, grandparents of the donor, Mrs. M. Patricia Bowman of Harrisburg, Pa. Donated on July 11, 2001.
Overall good condition. Minor buckling across surface with vertical streaks of dark soil across both painting and backing paper. Bother papers have suffered some fading. Frame has much of gliding intact on interior surfaces although worn and soiled but exterior surfaces of frame have been painted over to hid chips and losses. Reverse side of frame has torn and soiled brown paper backing covering two large wood back boards.
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Needlework family register, cone in black cross stitch on canvas. A large pink fabric rose is attached to each corner with three smaller roses at the top, all with green fabric leaves and stems. The heading at the top reads "The/Family of/ Noah and Katie Fisher," then lists the names and birthdates of the parents and children (Rachel, Emma, Betsie, Salome, Amos, Susie, and Aaron). At the bottom is the following inscription: "When this you see remember me/Susie Fisher/ 1910", with orange and black diagonal lines above and below the date. The piece is currently in a simple wood frame with gold leaf.
(Written by Scott Sagar.)
Provenance
Stitched by Susie Fisher. This piece was purchased at the Mary H. Fisher sale held at Paradise Fire Hall, April 19, 1989. Given by Dr. & Mrs. Donald M. Herr.
There are small light brown spots over the entire surface. There are a few dead insects in the fabric roses. The gold leaf has chipped away in a few spots.
April 7, 2004- Replaced backing with acid free & removed insect carcasses for 2004 exhibit.
Wool work picture of a basket of flowers on a buff cotton background in a frame. A wide range of stitches was use, including satin stitches and French stitches. Brown, lattice-worked basked holds a very full arrangement of variegated flowers in bright hues. Flower types include tulips, carnations, forget-me-nots and a tiger lily. The arrangement also has leaves and branches. The double frame is molded and deep and woolwork is covered by old bubbled glass. The cotton background is stitched to an underlying fabric whit is in turn glued to the cardboard backing.
Inscription on reverse of cardboard backing is faintly printed in pencil:
WORKED IN WOOL BY MARY
BRINTON LEACOCK TOWNSHIP
IN PENNSYLVANIA 1849
(Written by William Carter.)
Provenance
Stitched by Quaker Mary Brinton in 1849.
Bought at sale at Brinton property by Vernon Gunnion. Same as drawing by Susan Brinton (P.96.11.1) 259-A Mascot Rd.
Pole firescreen with mounted sampler by C. Carpenter. Late Federal style firescreen, tripod form, with Hepplewhite legs supporting a tapering, turned pillar with urn and inverted trumpet turning above legs and a ring and button turning below legs. Turned ball-and-ring finial doweled into top.
Sampler is set into a walnut frame (22.75 inches square) and attached to pole by two loops of strap iron screwed to back of frame. Sampler is worked on scrim with polychrome wools. A floral vine border has a spray of flowers inside each corner and a large floral bouquet at center. Underneath central bouquet are three lines: "Wrought by /Christiann Carpenter/ AD 1843."
The outside border of green silk is over 2 inches wide and has a pleated circle of the same silk at each corner. Reverse side is covered by green velvet.
Provenance
Mrs. Isaac (Hilda) Weaver states she is unable to track down maker. Isaac Weaver's mother was Dorothy Christine Hartman (m. Herbert Bachman Weaver); her father was Isaac Carpenter Hartman; his parents were John Ives Hartman and his first wife Anna Weidler; and Ann's father was Dr. Isaac C. Weidler of Upper Leacock. Mrs. Weaver surmises the Dr. Weidler's middle name was Carpenter.
Given in memory of Dorothy Hartman Weaver, mother of donor.
Top of standard has repaired break (plugged hole at back). Scarring and screw holes along shaft. Legs reglued with nail heads visible near top of each as well as glue residue at joints and under turned bottom.
Sampler is generally good; scrim is puckered overall as is silk border. Marked moisture stains at top right and bottom center. Dark soil/stains in area of inscription.
Percussion pistol; octagonal iron barrel becomes round at muzzle end. It is 3 1/2 inches long. Full-length stock is faux-grained maple. Percussion lock is moderately decorated with engraving and is marked on plate: "DREPPERD/ LANCASTER."
Brass t
Provenance
01/23/95 - Purchase from Vernon Gunnion 2002 Marietta Avenue, Lancaster, PA 17603 7173947527
Scratches on wood; scratches and dents on brass. Iron parts are rusted; barrel pitted at lock. Finish on wood is worn at edges; minor wood loss at muzzle end.
Object ID
P.95.01.01
Place of Origin
Lancaster
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
