Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Set of dark wooden candlesticks. "These candlesticks Mr. William Mellor who was then superintendent of the Thaddeus Stevens Industrial School Lanc. Pa. - Presented to Judge Charles I. Landis March 4, 1921 ["I give both to the Lancaster Historical Society J(?) Landis"] The Mahoganey is from handrail of stairs in home of The Honorable Thaddeus Stevens ["4th"] South Queen St.
Empire style chest of drawers, mahogany veneer on pine or poplar. Four drawers, each with two pressed glass pulls & keyhole and each with bookmatched veneer of highly figured mahogany. The top drawer overhangs lower drawers and has a curved front (top-to-bottom), while the three lower drawers have flat fronts. Freestanding ionic columns flank drawers with carved plinths. Sunken panel construction at sides. Two extensively carved paw feet in front; two ball feet in back.
In April 1982, the entire case was disassembled and discovered to be signed and dated by Markley, behind the left front stile above the column. (Not seen in 2011. Inscription appears on top of thick drawer divider supporting top drawer.) Also stamped by maker within oval on upper surface of top drawer bottom: "J.F. MARKLEY/ CABINETMAKER/ Locust Street/ COLUMBIA."
According to file, the 1830-1846 Columbia Borough tax records list Markley variously as a doctor, cabinetmaker, contractor or gent.
See also a gentleman's dressing table with mirror, P00.39.01.
Piece of veneer 1.5" x 0.5" is missing from top right above drawer. Small spots and scratches overall, and two large cracks on top: one near front right corner, and one at rear center, partially filled in. The left pull on the second drawer up from the bottom is split in half; held in place with string windings.
Two toes on the right front foot were pieced and recarved by Joseph Molz of Lancaster City. Some veneer was also pieced.
Object ID
P.77.02
Notes
More info in file. There was a discrepancy in the research with two different Jacob Markleys. It appears that the maker of this chest of drawers was Jacob Fry Markley (1800-1854), born in boro of Strasburg to parents Jacob Markley, Sr. (1765-1829) and Barbara Fry Markley. Jacob Sr. was also a cabinetmaker.
Son Jacob is listed with different occupations over the years. He was living in Columbia in 1830 and possibly as late as 1841. He moved to Spring Grove, Philadelphia County by 1850 and is listed as a druggist in the 1850 Census with wife Ann & 5 children. "JACOB F. MARKLEY M.D." is on his tombstone in the Hatboro Cemetery. Thus Jacob Markley claimed to be a cabinetmaker, druggist and doctor (Doctor is perhaps what he called a pharmacist).
Place of Origin
Columbia
Role
Cabinetmaker
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Colorized print depicting the violent 1763 attack by the Paxton Gang against the local tribe of Susquehannock peoples, called "Conestogas" by the English. This print was created in 1841, for Events of Indian history by James Witmer.
