Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Wool work picture of a basket of flowers on a buff cotton background in a frame. A wide range of stitches was use, including satin stitches and French stitches. Brown, lattice-worked basked holds a very full arrangement of variegated flowers in bright hues. Flower types include tulips, carnations, forget-me-nots and a tiger lily. The arrangement also has leaves and branches. The double frame is molded and deep and woolwork is covered by old bubbled glass. The cotton background is stitched to an underlying fabric whit is in turn glued to the cardboard backing.
Inscription on reverse of cardboard backing is faintly printed in pencil:
WORKED IN WOOL BY MARY
BRINTON LEACOCK TOWNSHIP
IN PENNSYLVANIA 1849
(Written by William Carter.)
Provenance
Stitched by Quaker Mary Brinton in 1849.
Bought at sale at Brinton property by Vernon Gunnion. Same as drawing by Susan Brinton (P.96.11.1) 259-A Mascot Rd.
Pole firescreen with mounted sampler by C. Carpenter. Late Federal style firescreen, tripod form, with Hepplewhite legs supporting a tapering, turned pillar with urn and inverted trumpet turning above legs and a ring and button turning below legs. Turned ball-and-ring finial doweled into top.
Sampler is set into a walnut frame (22.75 inches square) and attached to pole by two loops of strap iron screwed to back of frame. Sampler is worked on scrim with polychrome wools. A floral vine border has a spray of flowers inside each corner and a large floral bouquet at center. Underneath central bouquet are three lines: "Wrought by /Christiann Carpenter/ AD 1843."
The outside border of green silk is over 2 inches wide and has a pleated circle of the same silk at each corner. Reverse side is covered by green velvet.
Provenance
Mrs. Isaac (Hilda) Weaver states she is unable to track down maker. Isaac Weaver's mother was Dorothy Christine Hartman (m. Herbert Bachman Weaver); her father was Isaac Carpenter Hartman; his parents were John Ives Hartman and his first wife Anna Weidler; and Ann's father was Dr. Isaac C. Weidler of Upper Leacock. Mrs. Weaver surmises the Dr. Weidler's middle name was Carpenter.
Given in memory of Dorothy Hartman Weaver, mother of donor.
Top of standard has repaired break (plugged hole at back). Scarring and screw holes along shaft. Legs reglued with nail heads visible near top of each as well as glue residue at joints and under turned bottom.
Sampler is generally good; scrim is puckered overall as is silk border. Marked moisture stains at top right and bottom center. Dark soil/stains in area of inscription.
Umbrella Manufactured by Follmer, Clogg & Co., Lancaster
Description
Umbrella, black silk-cotton canopy, metal ribs and shaft, carved J-shape wooden handle finished with dark stain and glossy varnish. Canopy appears to be a black blend of cotton and silk, having no glossy sheen.
Initials "FUMC" printed in white on applied piece of fabric on the underside of the canopy crown, apparently representing the maker, Follmer, Clogg & Co. (FUMC = Follmer, (Clogg) Umbrella Mfg. Co.) of Lancaster.
Bottom of wooden handle is relief-carved with a heart, inside of which are 4 raised diamonds, separating two sets of 3 leaves. Heart is surrounded by vertically carved 'slices' into the wood.
Black cotton-silk tape secures umbrella when closed, using a metal ring at one end and small black button at other end where sewn to bottom of canopy. (Michael Middleton)
Provenance
Donor is niece of former umbrella hand-carver working for Follmer-Clogg (claims donor). John I. Hartman says the company did not have any carvers as actual employees.
Year Range From
1920
Year Range To
1944
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 5
Storage Cabinet
Unit 46
Storage Shelf
Shelf 3
Storage Container
Box 0382
Object Name
Umbrella
Length (cm)
90.17
Length (ft)
2.9583333333
Length (in)
35.5
Dimension Details
42 inches wide when open
Condition
Good
Condition Date
1998-01-02
Condition Notes
Wear to metal shaft, with paint losses. Shaft tip has wear and corrosion.
Clear pressed glass compote and lid. Added decoration is wheel-cut. Body is a round vessel with upward curving sides and a ring of recessed ovals around its base. Sides decorated with a wheel-cut design of leaf-and-berry vine. Body sits on a pedestal with raised round foot stem with a decorative ball at center resembling a pineapple. Domed lid has same decorative ball as stem of compote. Same vine design as on the is wheel-cut into top and a ring of ovals is at bottom (same as ring of ovals on base). Note: Number appears only on bottom of compote. Lid is not marked.
(Written by Wendell Zercher.)
Provenance
Donors are brother and sister, Marianne Richman Replogle of Arizona and Merle Richman of Florida. The recall ownership of the compote bye their maternal grandmother Mable (Mrs. Charles) Wisner of 1016 Marietta Ave. in Lancaster. The believe the compote was used at their summer home at Landisville Camp Meeting (a Methodist campground of cottages). Compote then passed to the daughter (donors' mother) Louise Wisner Richman (1909-2006). Louise left Lancaster in 1931 after graduating from Lancaster General as a nurse. She later returned to Lancaster as a widow and resided in the home at Landisville Camp Meeting. Louise always wanted this compote to be given to a museum and not to the children.(Wendell Zercher.)
Year Range From
1900
Year Range To
1950
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
West Wall
Storage Cabinet
Unit 33
Storage Shelf
Shelf 4
Object Name
Compote
Material
Glass
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
20.955
Width (ft)
0.6875
Width (in)
8.25
Condition
Good
Condition Date
2006-04-01
Condition Notes
Very minor scratches in some areas. Otherwise in very good condition with no chips or significant damage.
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Black silk quilted woman's bonnet with large visor attached to small crown at back. Long skirting around nape of neck is not quilted. Bonnet is hand-quilted with a running stitch in two wide outer bands having a zig-zag pattern, and nine narrow inner bands. Cotton batting.
The lining at the back of interior is cotton print of squares in tan, white, blue and plum.
Two black tying strings are pinned to the bottom--one partial tie is sewn on.
Year Range From
1840
Year Range To
1870
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
33.02
Height (ft)
1.0833333333
Height (in)
13
Width (cm)
25.4
Width (ft)
0.8333333333
Width (in)
10
Depth (cm)
20.32
Depth (ft)
0.6666666667
Depth (in)
8
Condition
Good
Condition Date
2001-05-18
Condition Notes
Small losses to silk on outside; larger loss on interior silk. Fraying in interior where black silk meets lining.
Copper tea kettle, classic form with gooseneck spout, high dome lid, marked strap handle hinged on "plinth w/ serifs" tab bases. Lid fitted with a crudely fashioned replaced iron or steel mushroom-shaped finial, bent to one side.
Vertical dove-tailed seam on side opposite spout, top seam running length of spout. Dove-tailed bottom.
Tarnished with numerous dents and scratches over body. Two very heavy dents at shoulder, opposite each other and one on bottom. Finial knob bent to one side. Two significant cracks on proper right side at shoulder and one on back.
Object ID
P.01.48.1
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Copper sculpting/modeling tool hand fashioned to create a flattened, spoon-like handle leading to a rounded shank ending in another flattened end bent at the tip to create a short 1/2" extension bent to nearly a right angle for working in clay or plaster. End is squared off. Crude but effective tool for sculpting bears marks of hammering, especially underside of flattened handle. Used by Lloyd Mifflin. Tool presumed to have been fashioned by Lloyd Mifflin himself from a length of copper. Provenance: Mifflin to the Minnich sisters to the groundskeeper at Norwood to donors.
Miniature stoneware crock made as an advertising piece for Steinman Hardware. Cylindrical body, molded rim at outside. Printed on side in cobalt blue is: "STEINMAN HDWE. CO./ LANCASTER, PA. Dark brown glaze on inside and top half of outside; bottom half is a tan glaze. Bottom unglazed with work marks over surface.
Very small redware jar, squat ovoid shape with small foot ring and flaring rim. Orange-brown body, decorated with random slanted swaths of dark manganese. Tin glazed inside and out except for bottom 1/5 of exterior and bottom.
Unique inscription: "A Bixler" is impressed on bottom with printer's fraktur typeface.
East Earl Twp. or Brecknock Twp. Attributed to Absalom Bixler (1802-1884).
Miniature redware storage jar, reddish-brown body with manganese decoration on neck and shoulders with side drips. Tin glazed overall except for bottom.
Body is tall and cylindrical with slightly flared base, shoulders that slope upward to a minimal plain neck and mouth. Mid-line impressed band of "beads" and additional band very faintly impressed 1/4" above base.
Coloring is typical of pieces made by Jacob Medinger (1856-1932). Jacob's father, William Medinger, operated a pottery in Limerick, Montgomery Co., which was taken over by his three sons. By 1900, Jacob alone ran the pottery.
Perhaps Montgomery County, PA by Jacob Medinger (1856-1932).
Large redware pitcher, sectioned octagonal form with conforming low pedestal base. Applied handle and pulled pouring spout. Orange-red color dark brown manganese mottling with clear glaze overall.
Impressed mark on underside is "C GAST" for Conrad Gast (1813- after 1880).
Prince and James Sts. Lancaster, PA
Provenance
Heritage Center purchased from Ruth Rogers of School House Farm Antiques, New Holland.
Wear at all salient points of the lower body as well as the outside and tip of handle. Two medium chips at opposite sides of lip and several minor chips at spout and sides of lip. Wear at bottom.
Object ID
P.02.04.1
Place of Origin
Lancaster
Credit
Gift of V. Ronald Smith, Heritage Center Collection
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
