Coverlet of red wool and blue-green cotton. 2 loom widths decoratively and strongly seamed in the center with red wool. This coverlet is comparatively light weight. Self-fringes of red wool on both sides. Foot end is rolled and hand-stitched. Red wool fringes appear to have been individually applied.Top/head edge is finished with a 1.5-inch wide folded silky red binding. Some machine stitching in black thread and also hand-stitching to attach the binding.
Center field contains rows of circular designs. Roses border the lower edge and foliage in urns border the sides.
Unlike most coverlets, Satler's weaver's blocks in bottom corners are oriented to be read from the top of the coverlet.
Known as a box or lap coffee mill. The iron handle has a wood knob; when turned the handle activates a round burred grinder inside the metal hopper. The ground roasted beans collect in the small wood drawer at the base.
Pedestalled Vases- Square base with round urn shape above decorated with grape clusters and leaves which also form two handles, either side of neck, which is high and long. Wide lip, surrounded with grape clusters and leaves is repeated at the base.
Signature stamp. Thin metal layer mounted on thick piece of wood, attached by small nails. Thin metal has signature of 'James Buchanan' carved out of it in reverse. Wood stained along metal strip from ink
Wine bottle. Brown glass, shallow pontil, seamed shoulder and neck. Cork with red wax to seal mouth. Wine inside almost to shoulder level. Found by volunteers sometime during the early years of the James Buchanan Foundation. Bottle was found in the east end of the basement level in the Wheatland mansion.
Simple marble top Rococo revival style table characterized by curvilinear lines and carved floral and foliate ornamentation on the apron and cabriole legs. An X-shaped stretcher with a central finial connects and supports the legs.
Center table. Oval, with white marble top overhanging wood skirt which is double-cyma curved. Four C- and S- scrolled supports curve down to cartouche-shaped shelf. Four scrolled legs curve down to casters.
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey