Spool holder/dispenser, turned wooden round box with fitted, slightly domed lid. Container is pill-box shape with thin walls. Three holes of graduated size marked "40" "50" and "60" under each. Hole insets of white glass or bakelite. Vertical spindles/dowels meant to hold spools on bottom of inside are missing. Bottom covered with a dark brown, pebbled finish paper.
Fitted lid has painted and/or woodburned design (shells and sea flora?). Box has lacquered natural finish.
Large round paper label pasted to underside depicts three circular medals at center. Above the center one is "NEW YORK 1853."
At top of label is "JOHN CLARK JUNR. & CO./ MILE-END/ GLASGOW." At bottom of label is "BEST SIX CORD SPOOL COTTON/ ON BLACK SPOOLS/ THOMAS RUSSELL/ SOLE AGENT/ FOR THE UNITED STATES."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Heavy crazing onlid. Small abrasions overall. Hole inset missing for #40 size hole. Three spindles on interior are broken and missing. Interior dark with oxidation. Paper on bottom has old losses from peeling.
Object ID
G.05.15.5
Place of Origin
Glasgow, Scotland, UK
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Pin card is a rectangle of paper-covered rigid material holding 48 colored glass-head pins arranged in clusters ofthree along its edges. On both sides of packet are printed papers: one side is a scene of two young children in 19th c. clothing, the girl looking out the window and a boy in background working with a bird and birdcage. Second side has dark blue paper with gold printing stating "Pin Card" at center. At bottom is "48 Pins Germany."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Tinned sheet iron coffeepot with band handle and straight tube spout. Painted decoration with floral design in yellow, green, red and with a yellow border at top. Marked, "624" on the interior of the lid. Pressure adhesive label on bottom reads, "No Acc No."
Hand wrought copper teakettle, brazed spout, brazed bottom, copper handle attached with riveted hinges. Handle is stamped, "Silvius" 2-part lid with band handle, most likely a replacement.
Copper teakettle, attached seamed spout, dovetailed body. Bottom constructed from a separate piece and dovetailed and soldered to body, Flat band handle hinged to main body, Maker's mark along top of handle, "John Getz"
Domed lid with knob (not copper), classic shape with spout and moveable handle attached to flanges. Dove-tailed verticle seam visible opposite straight seamed spout. Bottom is dovetailed into place. Flanges which the handles are attached are riveted to the body by two rivets. Tin hinge?
Platter of ironstone transferware with clear glaze. Rectangular with clipped corners, recessed bottom and moderately wide sides that extend outward. White body is devoid of decoration except for black transfer scene of a long bridge spanning a river, 5 people in foreground, town at right end of bridge and another in the distance on right bank. Underside has apparent impressed mark and transfer maker's mark at center: under a spread eagle with shield is a "sign" reading "COLUMBIA BRIDGE ON THE SUSQUEHANNA". Below it is "W.R.", indicating maker William Ridgway & Co. Sticker on bottom is: "$390" and "CLP". This river scene is a variation of the print done by William Henry Bartlett (see G98.12.21).
Shelton or Hanley, England
Provenance
Purchased in Adamstown Antiques Gallery for Heritage Center collection. Transferred from Heritage Center, December 2012.
Copper tea kettle, classic form with gooseneck spout, high dome lid, marked strap handle hinged on "plinth w/ serifs" tab bases. Lid fitted with a crudely fashioned replaced iron or steel mushroom-shaped finial, bent to one side.
Vertical dove-tailed seam on side opposite spout, top seam running length of spout. Dove-tailed bottom.
Tarnished with numerous dents and scratches over body. Two very heavy dents at shoulder, opposite each other and one on bottom. Finial knob bent to one side. Two significant cracks on proper right side at shoulder and one on back.
Object ID
P.01.48.1
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Traditional tea kettle form made of tinned sheet iron. Now unmoveable handle hinged to oval tab bases with two rivets. Dovetailed vertical seam on side opposite spout: spout has a straight seam along top and also bottom of base section. Dovetail seam around shoulder top. Slightly domed lid has black-painted knob.
Made by George Rogers, tinsmith, (1814-1854, working c. 1848).
For references to G. Rogers, see Kauffman, American Copper and Brass, p. 207. Copy in file.
Also see 1859-60 Directory, p. 143 for reference to George Rogers.
Height (in)
11
Width (in)
11.75
Diameter (in)
8
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior heavily rusted. Dent to the right of the spout on shoulder. Multiple smaller dents. Multiple score lines, possibly from a rasp, especially on shoulder area.
Copper sculpting/modeling tool hand fashioned to create a flattened, spoon-like handle leading to a rounded shank ending in another flattened end bent at the tip to create a short 1/2" extension bent to nearly a right angle for working in clay or plaster. End is squared off. Crude but effective tool for sculpting bears marks of hammering, especially underside of flattened handle. Used by Lloyd Mifflin. Tool presumed to have been fashioned by Lloyd Mifflin himself from a length of copper. Provenance: Mifflin to the Minnich sisters to the groundskeeper at Norwood to donors.
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Large redware pitcher, sectioned octagonal form with conforming low pedestal base. Applied handle and pulled pouring spout. Orange-red color dark brown manganese mottling with clear glaze overall.
Impressed mark on underside is "C GAST" for Conrad Gast (1813- after 1880).
Prince and James Sts. Lancaster, PA
Provenance
Heritage Center purchased from Ruth Rogers of School House Farm Antiques, New Holland.
Wear at all salient points of the lower body as well as the outside and tip of handle. Two medium chips at opposite sides of lip and several minor chips at spout and sides of lip. Wear at bottom.
Object ID
P.02.04.1
Place of Origin
Lancaster
Credit
Gift of V. Ronald Smith, Heritage Center Collection
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Wheel-thrown stoneware pitcher, gray ovoid body with extended neck and pulled spout. Applied handle. Clear salt glaze except for bottom and interior. Brushed cobalt decoration is foliate designs at both sides of spout, graceful leaf and flower design at front side with two pendant branches; both handle terminals highlighted with additional leafage extending from lower terminal. Decorative incised line at top of shoulder.
Badly chipped: 2 at spout, 1 at side of rim, minor ones at base along with one very large chip and one medium size. Rusty discoloration at one side with adjacent imperfections in finish likely from firing. Stained and soiled on bottom and interior.
Object ID
G.96.37.103
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Glazed soft paste porcelain Gaudy Dutch teapot (A) with lid (B). Handpainted "Butterfly" pattern decoration on pale blue body of pearlware. Squat ovoid body sits on a low footring; body swells most in lower half. Collar extends outward below an oblong mouth fitted with conforming domed lid with oblong knob finial . Spout has minimal molding as does arching applied handle.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Overall strong staining, especially at lower spout and base section and interior. Strong hairline cracks throughout base and bottom, with resulting staining. Scratchon butterfly wing. Chip on underside of spout tip. Long split/crack on handle back, perhaps from firing. Coloring is very uneven at multiple places, sometimes creating a mottled effect. Wear and soil under foot ring.
Object ID
G.98.51.03a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
