Corn knife used by one of the Black resistors in the Christiana Riot on September 11, 1851. Wrought iron long curved blade of 19.5" is fitted into oak or ash turned handle rounded terminal end. Tang of blade extends through length of handle and protrudes at terminal where it is clinched.
The Christiana Resistance resulted from the efforts of a Maryland slave holder to claim fugitives hiding in the home of Willam Parker, a free black man living in Chritiana, PA. This corn knife was used by one of the black resistors during this confict. The bloody confrontation, occurring in September of 1851, resulted in the death of Edward Gorsuch, the slaveholder, and the escape of William Parker and the fugitive slaves to freedom in Canada.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Pennsylvania Long Rifle; percussion cap; curly maple stock; iron barrel stamped "H. GIBBS" on top of barrel. Brass fittings and patch box. Some rust on iron and brass parts. Approximately .40 caliber muzzle. 44" barrel with an overall length of 61 inches.
See notes for information on Gibbs.
Provenance
Purchased by donor (Walt Dunlap) at auction in Lancaster County in 1956.
Henry Gibb Sr. and his son Henry Gibb were Lancaster City gunsmiths active for most of the nineteenth century. The father from 1812 until 1843 and the son from 1843 until 1880.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Portrait of young gentleman. Fairly faded out. Water marks/stains, one around right eye of man (viewer's left) in decorative bronze-colored frame with glass narrow gold-colored braid around edge. All with a red velvet rectangle. On the red velvet lining of the lid/cover: "Addis (?) s Lancaster Gallery/ NE Corner of Centre Square & N. Queen St." Black container has decorative motifs on front and back.
Photo album with marbelized cover and 40 plastic sleeves. 12 contain photos and notes related to Lancaster's Bicentennial celebration. Handwritten on card on first page: "June 10, 1992/ These documents from the City Safe were taken to The Conservation Centre for Art, Historic Artifacts in Philadelphia for restoration and preservation. Here are before and after pictures of
a. The Lancaster Corporation Book, 1742
b. The Charter of the City of Lancaster, 1742
c. The Plot Plan of the City of Lancaster, (?)
...Jarvis "(signature)
On page 14, handwritten on a card: "This was the metal box in which the Charter was stored until someone framed it and exposed it to the light."
On page 19: "This is the Plot Plan which needs to be studied. It has the drawing of gentleman X on the reverse side. Who drew this?"
Copper alloy coin with two sides, each having raised lettering and image and background coated with dark antiquing. One side has at center, "BOWMANSVILLE / SESQUI-CENTENNIAL / CELEBRATION / 1820-1970." At top is "OFFICIAL SOUVENIR COIN" and at bottom is "BRECKNOCK TOWNSHIP / LANCASTER COUNTY, PA." Opposite side has central scene of 2-story, 4-bay house with sign above door. Trees at left and right with large cloud behind. At top is "BOWMANSVILLE / Sesqui-Centennial" and at bottom is "1820 - 1970 / AUGUST 14, 15, 16, 1970."
Five identical wooden disks printed both sides, each with a different color - red, blue, green, brown or black. One side has head of Native American brave in profile with "WOODEN NICKEL" above, all within a circle. Opposite side reads: "A Souvenir of / BOWMANSVILLE / SESQUI - CENTENNIAL / August - 14 15 16 / 1820-1970 / Brecknock Township / Lancaster County, Pa."
Oval picture in rectangular frame with velvet backing. Buchanan facing almost front, dark suite, white tie. Back of frame 'Daguerreotype presented to President Buchanan by J. Henry Brown-1851'
Sepia-tinted photo of Harriet Lane. Oval. Harriet facing 3/4 front, to her right. Hair rolled under with flowers. Decolletage dress with flowers at center and at shoulders. Light-colored dress, no jewelry. Shown from hips up. Frame: rounded front, plain,
a. (medal): Circular bronzed copper commemorative medal. On Front: Raised profile of James Buchanan in center. Around edge: "James Buchanan, President of the United States" "Paquet F." under profile. On reverse: Standing toga-clad man with snake around his right wrist. To left is seated female; young man on knees with arm around standing man/physician; bearded man with scythe behind and to right. "To Dr. Frederick Rose, Assistant Surgeon, Royal Navy, G.B." At base: "For kindness and humanity/ to officers and crew/ of the U.S. Steamer/ Susquehanna."
b.(case): Book-like red leather case. On both outside covers, an eagle within a circle surrounded by 13 stars. A square floral border with spray of flowers in each corner is inside an outer border of 3 solid lines. All impressions in gold. A brass clasp in center on front and back covers. Circular opening/holder for medallion is surround by a metallic thread cord. Dark blue velvet with impressed floral sprays in each corner cover the front and back. Metallic cord around outer edges. Narrow red leather edges are stamped with a gold chain pattern.
