Watercolor of country mill. Probably painted by Julius Augustus Beck, brother of first wife of William Alexander Hammer, Martha Ann Beck. (Original entry by unknown person)
WRZ entry: Colorful W/C mounted onto nearly 1/8" thick paperboard (H: 5.75" W: 7.75") with gold, pebbled surface on back, and "Hammer" scrawled in pencil script. Front side, in margin above mounted watercolor is "4160 Hammer" also in pencil script.
Mounted in black modern frame with window mat for exhibit 2013-2016. (Removed from Med. Flat Box 35, "Fine Arts: Paintings", Cabinet 2).
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
Very large oil on canvas, life-size portrait of Simon Cameron (1799 – 1889) sitting in an armchair in his library, turned partway to the right. Dressed in black coat, trousers and sash around neck. Left arm rests on writing table and paper with writing is hanging over the edge, secured by Cameron's left hand. No. 42, No. 56 stamped on stretcher strip.
NOTE; DOUBLE NUMBERED - 2016.999.7.
The words are difficult to read, but reportedly express Cameron's wish for the creation of a "slave army," as written in his first report to Congress in 1861. Lincoln was angry, since it was his decision to make and not Cameron's. Lincoln expunged the statement from the report and demanded that already printed copies be retrieved. See NOTES
Provenance
For several weeks before the presentation to Cameron, the portrait was in an exhibition in the Academy of Fine Arts.
Although the donors expressed their wish that the portrait be passed to the Cameron children and grandchildren, it somehow ended up with George W. Hicks, apparently a friend and/or neighbor of Cameron. He was a noted educator and long-time justice of the peace of E. Donegal Twp. Hicks died at his Maytown home in May of 1904. At some point, Mrs. Geo. Hicks donated the painting to LCHS. It is obvious that the Hicks admired Cameron since they named their son Charles Cameron Hicks (1883-1961).
H: 72 inches x W: 58 inches. Gilding w/ corners lavishly decorated w/ composition flowers, scrolls and leafage.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
56
Width (in)
42
Dimension Details
Frame is: 72" x 58"
Condition
Good
Condition Date
2016-11-07
Condition Notes
Minor blemishes across surface; canvas is not stretched adequately. Frame has significant losses, particularly at corners.
Object ID
1930.015
Notes
On Wed., July 19th, 1865, Cameron was presented with his portrait at his home on Front St. in Harrisburg by representatives of the Union State Central Committee from Philadelphia. During the ceremony, James N. Kerns "addressed General Cameron in behalf of the committee charged with presentation of the portrait. "He said that the Union men of Philadelphia, having a high appreciation of his worth as a citizen of Pennsylvania , and desiring to bear testimony to his services in assisting to carry the old Keystone State on the side of the Union, in the great political contest at the ballot-box in 1964, had caused this portrait to be painted by one of the best artists in the country, and charged the committee now present to present it to Simon Cameron..."
-- From an article in the Harrisburg Telegraph, July 22, 1865. (copy in file)
Painting of on paper of elegant unidentified woman in oval gold frame with convex glass; has hanging ring. Woman gazes toward viewer's right, dressed in black Victorian formal clothing with fancy high collar and elaborate coiffure with bow. Mottled background of various hues.
Frame housed in an oblong leather-covered case with divided lid opening like twin hinged doors. Oval frame fits into central cavity of main leather frame, all covered with dark red velvet. Frame back has recessed "leg" that pulls out to allow frame to stand..
Painting signed with red lettering: "William S." at lower right edge.
Oval case is H: 5.25" (incl. hanging ring) W: 3.50"
Condition
Good
Condition Date
2016-06-10
Condition Notes
Portrait has good color and detail. Gold frame is good; glass has minute pitting and scattered abrasions. Leather-covered case interior is good with worn velvet on large center panel, including hook covering. Leather on exterior is fair-to-poor condition due to significant losses, tears ans abrasions. Structurally sound.
Hand-charcoaled photograph. Photographic paper on cloth and stretched with strips. The artist is unknown, possibly Daniel Esbenshade and Elizabeth Lefever?
Donated circa 1956 by Lloyd Espenscheid and Rev. Willis C. Espenshade
Portrait of Daniel Tyler Willson (1826-1874). Married in 1848 to Anna Esther Bell Bowman. Willson was the principal owner of D. T. Willson, Bros. & Co., iron founders and manufacturers of agricultural machinery in Harrisburg, PA. Willson was the great grandfather of the donor. Painted and signed by J. Augustus Beck.
Painting: Oil on canvas, Fair/Good, crackling throughout, surface dirt, some mildew spotting, scuffing right center over boat, some in painting apparent under black light.
Painting conservation needs: Surface clean, remove old varnish, revarnish.
Frame: 2" painted wood and gold, Fair.
Frame conservation needs: Surface clean and minor touchup.
Object ID
1968.010.001
Notes
Frame measurements: Height 40.5
Width 54
Depth 2
Object should have new 3-digit # 001 added to existing # on the object. As of 01/31/22 the object ID number on the frame is 1968.010.
Painting: Oil on linen, 5 tears in canvas middle mid center, repaired with duct tape, Poor/Fair, crackling throughout, paint loss throughout with previous inpainting (5%).
Painting of young, uniformed Civil War "soldier", posing in front of a cannon & American flag and leaning on a fluted pedestal with urn. Painting done a paper 5 3/8" x 6 1/2" piece of paper paste-mounted onto a larger piece of paperboard within a double-line border. Below image is a hand-painted cartouche with "Regimental Bugler, A.F. Shenck, / 9th Penna. Vet. Calvary, / Aged 14 years". Outside of border at bottom left is painted "PRESENTED TO A.F. SHENCK ESQ., / BY REDMOND CONYNGHAM.
Note: Redmond Conyngham (1863-1929) was a Lancaster attorney as was Shenck (8-16-1846 to 4-1-1921). This presentation piece appears to have been a gift and tribute to Shenck, honoring his Civil War service, suggesting a friendship between the two colleagues.
Provenance
Note on card accompanying drawing/painting is: "D.A.R. gift / 1880s". This date seems doubtful since it suggests Shenck giving this presentation piece away while still a young man in his 30's or early 40's.
This record group contains canceled orders that were issued by the county commissioners for payment to be made by the county treasurer. The orders show date, order number, amount, name of payee, purpose, and signatures of the county commissioners. In the case of "poor children," teachers were reimbursed by the county for tuition and/or the supplies purchased for students whose parents were unable to pay. Orders include: Poor Children, Almshouse, Bridges, Coroners' Inquests, Prisons, Roads, Court House, and Tax Exonerations.
System of Arrangement
The record group is organized chronologically, then arranged by order number within each year.