Woven coverlet with central medallion circled by leaves, vines and grapes. Eagles on each of the four inner corners have wings spread, stars and stripes on their breasts. Eagles on the border have wings closed. Outer border of swags and tassels. Band at foot edge:, "Made by H. Stager - Mount Joy - Lancaster Co. PA - Fast Color - No 1 - Clara L. Whitlock"
One piece, no center seam. Cream-colored cotton warp; red, green and blue-green wool weft. Top edge rolled and stitches. 2-inch self-fringes on sides; tape with fringes sewn to foot edge.
" We now offer to the most particular (wagon) builder a fifth-wheel with gear connections for drop center work which is ideal in every respect. ..has a connection for spring carrier to take the weight off the horse. Can be used on pole or shafts."
Internet: The term fifth wheel comes from a similar coupling used on four-wheel horse-drawn carriages and wagons. The device allowed the front axle assembly to pivot in the horizontal plane, to facilitate turning.
Gold ring with interwoven chain linked to clip with long neck, fan-like end, slide ring for tightening. Fan-like end molded with lines, foliate designs, diamond pattern, zig-zag edge. Some tarnishing / staining on end.
Lithograph signed Print of Queen Victoria from painting by F. Winterhalter. Black ink, oval background. Victoria-body is 1/4 to her left, head front. Wearing crown, drop jewel earring, large stone necklace. Shoulder gown in trimmed with fur. Mounted in a The frame is a gilt decorated wood frame. Signed "Victoria R."
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
Simple marble top Rococo revival style table characterized by curvilinear lines and carved floral and foliate ornamentation on the apron and cabriole legs. An X-shaped stretcher with a central finial connects and supports the legs.
Center table. Oval, with white marble top overhanging wood skirt which is double-cyma curved. Four C- and S- scrolled supports curve down to cartouche-shaped shelf. Four scrolled legs curve down to casters.
Chess Set made by Col. E. D. Roath from beams/rafters while POW imprisoned at Libby prison during the Civil War.
Square board is painted with red and black squares. A hole is drilled 7/8 inches from one edge. All 32 chessmen, half red and half white appear to be hand carved. All pieces are individually numbered beginning with the red king and ending with the white pawn.
Medal consisting of three parts: At top is a pin of cast bronze with a spread eagle clutching a saber against two cannons & cannon balls; middle section is a suspended American flag silk ribbon which in turn suspends a cast bronze star replete with military symbols on front and back. On front side within a centered circlular band are the words: "GRAND ARMY OF THE REPUBLIC." and "1861 - VETERAN - 1866." Inside circle is a scene of a soldier's return from war. Reverse side has numerous symbols portrayed within a compartmented, scallop-edged circle.
Medal consisting of three parts: At top is a pin of cast bronze with a spread eagle clutching a saber against two cannons & cannon balls; middle section is a suspended American flag silk ribbon which in turn suspends a cast bronze star replete with military symbols on front and back. On front side within a centered circlular band are the words: "GRAND ARMY OF THE REPUBLIC." and "1861 - VETERAN - 1866." Inside circle is a scene of a soldier's return from war. Reverse side has numerous symbols portrayed within a compartmented, scallop-edged circle.
Eagle's proper right wing tip is broken off and bent back. Bronze is very dark with tarnish and soil. Ribbon is extremely faded on both sides with some soil on back.
Mechanical fluter that attaches to tabletop with clamp on base. Wood-handled crank moves two rollers with longitudinal ridges that engage each other like gears.
Patented in 1866
Provenance
that they were better known as fluting irons or fluting machines, but were also called rufflers, crimpers and fluters. They were very popular during the 18th century when Victorian women wore dresses with mounds of fabric trimmed in dainty ruffles, flutes, flounces and small pleats.
These machines were used to “crimp, ruffle and press little pleats into starched fabric. Fluters were used for collars, cuffs, etc., and these vintage tools were an invention that saw their heyday in America from the 1860s through the 1880s,” according to the Mechanical Nature Antiques website
