Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
On front, James Buchanan written along the top above a heatshot engraving of James Buchanan. Beneath the portrait, "IN GOD WE TRUST/15th President/1857-1861". On back, Statue of Liberty, showing top half only. "UNITED STATES OF AMERICA" written alongside the outer edge of the back of the coin. Underneath arm holding torch is "$1". "DE" inscribed in tiny letters on the cover of the book the Statue of Liberty is holding. Copper colored edges. "E PLURIBUS UNUM" inscribed on edge. "2010 P" and 13 stars also inscribed on the edge.
On front, James Buchanan written along the top above a heatshot engraving of James Buchanan. Beneath the portrait, "IN GOD WE TRUST/15th President/1857-1861". On back, Statue of Liberty, zoomed in to show only the top half of the statue."UNITED STATES OF AMERICA" written alongside the outer edge of the back of the coin. Underneath the arm holding the torch is "$1". "DE" inscribed in tiny letters on the cover of the book the Statue of Liberty is holding. Copper colored edges. "E PLURIBUS UNUM" inscribed on edge. "2010 P" and 13 stars also inscribed on the edge.
One of two soup plates with scalloped edge, coat of arms, white porcelain with double gold bands at border. Gold laurel leaves between coat-of-arms (raised arm with dagger) monogrammed in gold. Manufacture nationale de Sèvres, France. Designed by Jacquel.
Leaded wine glass with round foot, thickens near stem. Stem is wide near foot and tapers to a narrow shaped stem before slightly flaring wide near base of bowl. Eight faceted. Facets extend up to the bowl of the glass and ends in scallops. Body has slightl flare.
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Crest of top rail, finger-molded in scalloped shaped. Horizontal splat curved upward, terminating in scroll on each end, thicker at middle. Seat is shield shape, serpentine front. Legs plain cabriole, back legs square and canted. 36.14.3 differs from 36.
Re-upholstered -date unknown Two had been green velvet and one blue velvet Originally [when owned by Buchanan] chairs were covered in green morocco leather.
Rococo Revival walnut upholstered Salon Parlor Chair. Carved roses on crest and apron, Cabriole legs terminating in castors. Upholstered in gold damask fabric, chair back is button tufted.
Provenance
Owned by a Buchanan family member
To Elizabeth Hensel Nauman (Dorothy Flinn - donor)
Oval platter, slightly scalloped edge with coat of arms, white porcelain with double gold bands at border. Gold laurel leaves between coat-of-arms (raised arm with dagger) monogrammed in gold. Manufacture nationale de Sèvres, France. Designed by Jacquel.
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
One of 44 Parisian Pink dinner plates. White with gold laurel leaf border; inside wider band of pink bordered with gold; monogram 'HEJ' and coat of arms (armored upraised arm with dagger) in gold; scalloped edge.
Cotton quilt. On white ground are 9 large blocks delineated by sashing, a yellow print with a vine of red berries. Within each block is a geometric design made of overlapping strips of a red check print arranged like an angular lovers knot.
Back is white cotton with three inked stencils / prints on cloth in blue. First print has flowers with a bird and '30/2' ; the second print has scrollwork around a shield with 'Superior Longcloth' ; the third print has an ormate design around "CLYDEWORKS. BLEACH & FINISH / S.H. GREENE / PROVIDENCE R.I."
Photograph of Harriet Lane. Oval picture showing Harriet 3/4 front to her right. Hair is arranged on top of her head, ears exposed. No jewelry. Off-the-shoulder dress with flowers at bosom, dress tinted bluish-white. Hair is silvery. Chair at back with s
Photograph has been removed from frame. Framed by the 'Eagles Nest' in 1987. Donor was ___________ of Harriet. (Cousin?) Received part of her estate, probably source of this artifact.
Porcelain vase with very ornate, heavily scrolled lip and base. White background with gold accents. Roughly urn-shaped: wide body, narrow neck, flared lip. Rudimentary handles, scrolled, at body. Central medallion on body with roses, morning glories, and daisies.
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Shield-shape with loop at top. Has bright blue ribbon fragment through loop with grey-blue thread. Front has meander design around border with 'Mary' at top. Center picture of Mary Magdalene and Jesus in the cemetery with 'Rabboni' below. Reverse side ha
Locket-like, rounded-corner rectangular box, deep, hinge-lidded, loop at top with link for chain. Front has buckle-like piece with two small screws and cable-like pieces applied. Back is engraved with ivy-leaf-like designs and scrolling: 'Lottie in Remem
Stone brooch. Black bevel-edge square set in gold edge inlaid with tiny multi-color mosaics forming a picture of garland of flowers and buds with two birds. One bird has outstretched wings. Flowers are in blues, pinks, yellow, and orange with green folia
Supposed to have been given to donor's grandmother by Ann Coleman's parents - Mr. Benson managed the Coleman Furnace at Colebrook. Cracked through width and depth.
Hollow, screw-on pendant earrings. Roughly oval with scalloped outline, two-sided, beaded inside edge. Tapers in thickness. Thickest at bottom. Inscription: 'S' inside a small heart. 10K gold.