One of two soup plates with scalloped edge, coat of arms, white porcelain with double gold bands at border. Gold laurel leaves between coat-of-arms (raised arm with dagger) monogrammed in gold. Manufacture nationale de Sèvres, France. Designed by Jacquel.
Large trunk (a) with two large shelves (b, c) that lift out, and one smaller shelf (d). Exterior of the trunk has brown-striped canvas with three horizontal wood straps on the front, back, and hinged lid. There are wrought iron straps riveted at the corners of the trunk to reinforce the construction. Iron handles, one each side. Two sides covered with shipping labels.
Traveling trunk. Large chest-shaped with metal sheet strips at corners. Studded wooden bands at front, back, and top over canvas-covered wood. Two metal catches on lid, remains of leather strap. Lid is rounded. Exterior has remnants of travel destination stickers and one end cap has Henry Elliot Johnston's initials stenciled 'HEJ'.
Locket-like, rounded-corner rectangular box, deep, hinge-lidded, loop at top with link for chain. Front has buckle-like piece with two small screws and cable-like pieces applied. Back is engraved with ivy-leaf-like designs and scrolling: 'Lottie in Remem
Portrait of James Buchanan Henry in oval frame. Elaborate oval frame with light colored dry brushing. Henry faces the viewer; has long mustache, side parted light brown hair, blue eyes. Family history indicates that this was a self portrait by Henry, whose art career was discouraged by his uncle James Buchanan (the 15th US President).
Benjamin E. Heller received the chair from his maternal grandparents, Eberhard Lamparter and his wife Gertrude Hoffman Weidel. This chair and one matching chair were used in Wheatland and when their condition deteriorated they were given to Miss Shirley who worked at the mansion as a domestic servant. Miss Shirley took the chairs to a family friend, Eberhard Lamparter, who repaired them; his wife, Gertrude Hoffman Weidel decorated the new cushions with needlepoint designs. Miss Shirley gave this chair to the Lamparters as a gift; the Lamparters bequested it to their grandson, Benjamin E. Heller, the donor.
Ca. 1850 maple side chair with foliate carved crest and horizontal splat with floral motif carving along top edge. Back side rails surmount saber back legs. Upholstered cushion is fastened to side rails, back and serpentine-shaped apron with rosette decorative tack nails. The upholstery fabric has floral needlepoint decor with a bird center design.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.