One of two soup plates with scalloped edge, coat of arms, white porcelain with double gold bands at border. Gold laurel leaves between coat-of-arms (raised arm with dagger) monogrammed in gold. Manufacture nationale de Sèvres, France. Designed by Jacquel.
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
One of 44 Parisian Pink dinner plates. White with gold laurel leaf border; inside wider band of pink bordered with gold; monogram 'HEJ' and coat of arms (armored upraised arm with dagger) in gold; scalloped edge.
Cotton quilt. On white ground are 9 large blocks delineated by sashing, a yellow print with a vine of red berries. Within each block is a geometric design made of overlapping strips of a red check print arranged like an angular lovers knot.
Back is white cotton with three inked stencils / prints on cloth in blue. First print has flowers with a bird and '30/2' ; the second print has scrollwork around a shield with 'Superior Longcloth' ; the third print has an ormate design around "CLYDEWORKS. BLEACH & FINISH / S.H. GREENE / PROVIDENCE R.I."
Photograph of Harriet Lane. Oval picture showing Harriet 3/4 front to her right. Hair is arranged on top of her head, ears exposed. No jewelry. Off-the-shoulder dress with flowers at bosom, dress tinted bluish-white. Hair is silvery. Chair at back with s
Photograph has been removed from frame. Framed by the 'Eagles Nest' in 1987. Donor was ___________ of Harriet. (Cousin?) Received part of her estate, probably source of this artifact.
Porcelain vase with very ornate, heavily scrolled lip and base. White background with gold accents. Roughly urn-shaped: wide body, narrow neck, flared lip. Rudimentary handles, scrolled, at body. Central medallion on body with roses, morning glories, and daisies.
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Shield-shape with loop at top. Has bright blue ribbon fragment through loop with grey-blue thread. Front has meander design around border with 'Mary' at top. Center picture of Mary Magdalene and Jesus in the cemetery with 'Rabboni' below. Reverse side ha
Locket-like, rounded-corner rectangular box, deep, hinge-lidded, loop at top with link for chain. Front has buckle-like piece with two small screws and cable-like pieces applied. Back is engraved with ivy-leaf-like designs and scrolling: 'Lottie in Remem
Stone brooch. Black bevel-edge square set in gold edge inlaid with tiny multi-color mosaics forming a picture of garland of flowers and buds with two birds. One bird has outstretched wings. Flowers are in blues, pinks, yellow, and orange with green folia
Supposed to have been given to donor's grandmother by Ann Coleman's parents - Mr. Benson managed the Coleman Furnace at Colebrook. Cracked through width and depth.
