Watercolor of country mill. Probably painted by Julius Augustus Beck, brother of first wife of William Alexander Hammer, Martha Ann Beck. (Original entry by unknown person)
WRZ entry: Colorful W/C mounted onto nearly 1/8" thick paperboard (H: 5.75" W: 7.75") with gold, pebbled surface on back, and "Hammer" scrawled in pencil script. Front side, in margin above mounted watercolor is "4160 Hammer" also in pencil script.
Mounted in black modern frame with window mat for exhibit 2013-2016. (Removed from Med. Flat Box 35, "Fine Arts: Paintings", Cabinet 2).
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
Painting: Canvas in fair condition, surface grime, oil on canvas, heavy cracking throughout, mildew damage throughout, minor paint loss lower center, signed lower left W. Satterlee.
Frame: 6" painted gold with plaque that reads "Walter J. Bausman, 1859-1924, W. Satterlee". Fair condition with minor scuffing & scratching throughout.
Frame conservation needs: Surface clean with minor touchup.
Painting: Oil on canvas, Fair/Good, crackling throughout, surface dirt, some mildew spotting, scuffing right center over boat, some in painting apparent under black light.
Painting conservation needs: Surface clean, remove old varnish, revarnish.
Frame: 2" painted wood and gold, Fair.
Frame conservation needs: Surface clean and minor touchup.
Object ID
1968.010.001
Notes
Frame measurements: Height 40.5
Width 54
Depth 2
Object should have new 3-digit # 001 added to existing # on the object. As of 01/31/22 the object ID number on the frame is 1968.010.
Painting: Oil on linen, 5 tears in canvas middle mid center, repaired with duct tape, Poor/Fair, crackling throughout, paint loss throughout with previous inpainting (5%).
This picture was taken in 1913. I paid 7 dollars 34 cents for it. I was 15 years & 3 months old when I enlisted in the year 1864 at which time it was first taken at Carlisle, Penna. John L. Hackman.
Oscar Hackman gave it to me Sarah E. Warner, Nov. 6, 1957. Oscar is 89 years old now [and in] April 1958 he will be 90 years. One son and one daughter of John and Sarah Hackman had. Oscar is John's son, Lizzie Stiner, sister of Oscar, [is] 85 years old 1957.
I was named after John's wife Sarah Elizabeth Neissinger Hackman. My grandma was Sarah's sister, Fiona Neissinger Hollinger. Oscar is the last of [the] family of Hackmans. I am on the Hollinger-Neissinger side of family. Great Aunt Sarah (?), Oscar's mother __ __ is also the discharge of 1865 of John L. Hackman here ___ time 1957.
Unframed painting of Buck Henry reportedly done by this third wife, Margaret Grote Elliman Henry. Appears to be acrylic paint w/ thin varnish coat. Subject is seated in a wicker chair, facing viewer's right. He is a white-haired gentleman with moustache, dressed in a black suit, smoking a thin cigar. Left leg crossed over right. His eyes are closed or nearly so. A dark background except for wall at right
Stylized monogram painted at lower left corner.
Provenance
Margaret Grote Elliman Henry (1880-circa 1964-65) to Pamela Henry to grand-niece Louisa Dent (donor).
Chipboard paper somewhat cupped laterally, esp. left side. Painted surface has thin semi-gloss coating of varnish. Remnants of raised narrow paper strips adhered to perimeter of ptg.; bottom strip missing. Reverse has scattered foxing.
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
