Painting: Oil on canvas, Fair/Good, crackling throughout, surface dirt, some mildew spotting, scuffing right center over boat, some in painting apparent under black light.
Painting conservation needs: Surface clean, remove old varnish, revarnish.
Frame: 2" painted wood and gold, Fair.
Frame conservation needs: Surface clean and minor touchup.
Object ID
1968.010.001
Notes
Frame measurements: Height 40.5
Width 54
Depth 2
Object should have new 3-digit # 001 added to existing # on the object. As of 01/31/22 the object ID number on the frame is 1968.010.
Painting: Oil on linen, 5 tears in canvas middle mid center, repaired with duct tape, Poor/Fair, crackling throughout, paint loss throughout with previous inpainting (5%).
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
Pastel of Hazel Dell Brown (1892-1982) by Florence Starr Taylor. Brown was former chief of interior designer for Armstrong for 36 yrs (1921-1956) and lived in Lancaster. Signed in pencil at bottom right corner: "Florence * Taylor".
Inscription on home-made brown paper envelope attached to paper backing is: "To Richard Hopf from Hazel Dell Brown 1975". Envelope is empty. Paper sticker at top of Stack's Art Shop on W. Walnut St., Lancaster.
Watercolor of country mill. Probably painted by Julius Augustus Beck, brother of first wife of William Alexander Hammer, Martha Ann Beck. (Original entry by unknown person)
WRZ entry: Colorful W/C mounted onto nearly 1/8" thick paperboard (H: 5.75" W: 7.75") with gold, pebbled surface on back, and "Hammer" scrawled in pencil script. Front side, in margin above mounted watercolor is "4160 Hammer" also in pencil script.
Mounted in black modern frame with window mat for exhibit 2013-2016. (Removed from Med. Flat Box 35, "Fine Arts: Paintings", Cabinet 2).
Painting of on paper of elegant unidentified woman in oval gold frame with convex glass; has hanging ring. Woman gazes toward viewer's right, dressed in black Victorian formal clothing with fancy high collar and elaborate coiffure with bow. Mottled background of various hues.
Frame housed in an oblong leather-covered case with divided lid opening like twin hinged doors. Oval frame fits into central cavity of main leather frame, all covered with dark red velvet. Frame back has recessed "leg" that pulls out to allow frame to stand..
Painting signed with red lettering: "William S." at lower right edge.
Oval case is H: 5.25" (incl. hanging ring) W: 3.50"
Condition
Good
Condition Date
2016-06-10
Condition Notes
Portrait has good color and detail. Gold frame is good; glass has minute pitting and scattered abrasions. Leather-covered case interior is good with worn velvet on large center panel, including hook covering. Leather on exterior is fair-to-poor condition due to significant losses, tears ans abrasions. Structurally sound.
The Buchanan home in the 19th century, with lights on inside, on front porch and lamppost in right foreground. A woman in a pink dress and bonnet is being assisted as she alights from a black horse-drawn carriage. The man helping her is attired in a formal black suit with top hat. The driver and a third gentleman are seated inside the carriage. Although flowers cascade from a planter in the foreground, the orange leaves indicated fall.
The artist signed Florence Taylor 1970 on lower right beside lamp post.
Written on the back: "Purchased at Wheatland Fallfest Auction held in front of building 5 October 1978. From Wheatland Collection. Used as cover illustration on 36-page booklet "Tour of mansion in color." Hung in the Florence Starr Taylor Show at The First Presbyterian Church, Lancaster Town Fair, October 20 and 21. 1980. (Unknown initials)
Also, taped to the back are newspaper clippings: articles/obits and funeral notice.
Watercolor portrait of a woman, facing viewer, looking to viewer's left. Brown hair and brown eyes, wearing metal-rimmed eyeglasses. Below pink garment, artist signed "Bertha Rockwell '78."
Donor Regitz writes that this woman may be a Steinman family member.
Brown overall--dark brown edges on reverse. Liquid stain lower left edge on reverse. Front lower left stain on both sides. Lower left corner (2.5" on side x 2" on bottom edge) broken from the painting.
Painting of young, uniformed Civil War "soldier", posing in front of a cannon & American flag and leaning on a fluted pedestal with urn. Painting done a paper 5 3/8" x 6 1/2" piece of paper paste-mounted onto a larger piece of paperboard within a double-line border. Below image is a hand-painted cartouche with "Regimental Bugler, A.F. Shenck, / 9th Penna. Vet. Calvary, / Aged 14 years". Outside of border at bottom left is painted "PRESENTED TO A.F. SHENCK ESQ., / BY REDMOND CONYNGHAM.
Note: Redmond Conyngham (1863-1929) was a Lancaster attorney as was Shenck (8-16-1846 to 4-1-1921). This presentation piece appears to have been a gift and tribute to Shenck, honoring his Civil War service, suggesting a friendship between the two colleagues.
Provenance
Note on card accompanying drawing/painting is: "D.A.R. gift / 1880s". This date seems doubtful since it suggests Shenck giving this presentation piece away while still a young man in his 30's or early 40's.
Papers filed for construction and repair of bridges. The types of petitions presented to the Court of Quarter Sessions include: petitions for bridge construction and repair, petitions for inspections, and petitions for bridge funds. Other types of items include: specifications, proposals, and contracts for bridge construction and repair; bridge blueprints and plans; correspondence; bills for materials; and bridge condition reports. Many papers show date; court term and case number; names of petitioners, viewers, inspectors, and contractors; costs and fees; location of bridge; and name or number of bridge. The order and report of viewers documents are of particular interest as they usually include a copy of the original petition; the order and names of viewers to inspect the site; the public announcement for the viewers meeting; the report and recommendation of viewers, often with a drawing of the site and surrounding area; and the court decision.
System of Arrangement
Records are arranged by township, then chronologically within each township.
