Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Hand-made greeting card made of ruled paper folded in half, book-like. The front has a Thanksgiving day greeting from Joseph H. McGlaughlin to Clara (Weinhold, whom he later married on March 30, 1893). Decorative outside border is "ribbon-work", a style of penwork likely developed by McGlaughlin himself.
Greeting is "To Clara. / This is Thanksgiving / Day. / May you live to see / many more. / Your Friend, / Jos. H. McGlaughlin / Conestoga, / Pa. Nov. 28, 1889".
Inscribed in a florid hand in ink is "Leacock, Pa., Nov. 28, 1889. Dear Clara, this motto which is a part of my work on this holiday, I dedicate to thee, that thou mayst remember me. Your Friend. Jos. H. McGLaughlin" and lower is "To Miss Clara Weinhold, Leacock, Pa."
Covers the manufacture of iron, the life of ironworkers, and the use of iron implements in colonial times and includes a variety of related activities and a mystery story.
Chapters: Aeronauts --- Inventors ---- Fliers --- Genesis of an Industry --- Decline and Revival --- Big Business and Aviation --- Troubled Skies --- Peace and War --- Postwar Readjustments and Progress --- The Aerospace Age
Summary
From the early days of hot air ballooning to supersonic aircraft, High Frontier chronicles the history of flight in Pennsylvania. Early experimentation with lighter-than-air craft in the nineteenth century was followed by significant advances in aerodynamics, the advent of the airplane, and its gradual acceptance by the public. The state had its own contingent of inventors and aviators, who flew and crashed their homemade machines in countless exhibitions. After World War I commercial flights took wing, including government airmail delivery, and expanded airports, federal and state regulation of aeronautics laid the groundwork for the growth of the industry. [from the publisher]
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins.While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations. [from the publisher]
"More a reference book than a book you read straight through, this book advances the fascinating thesis that four groups of immigrants from England ( Albion ) essentially set much of what we now regard as American culture. The links between these four waves of immigrants from particular parts of England, and the Yankee, patrician Virginia, Quaker/Philadelphia, and Appalachian hill cultures, are documented.Its fascinating to see traits that seem inexplicable and odd traced back to obscure corners of 17th and 18th century England. We're talking about the way houses look, the way people get married, their attitude toward government, you name it." [from GoodReads]
