Redware plate, shaped over a mold, with gently curving sides rising to a coggled edge. Top has incised image of a one of the buildings at Ephrata Cloister, the Academy. Surface is colored an orange-brown with green touches on foliage. Brownish red band at edge.
Tin glazed on top only. Impressed on bottom is a tulip surrounded by "FOLTZ POTTERY/ REINHOLDS, PA." Foltz's signature above stamp and "1988" below. Also incised at top is "The Academy - 1837/ at the Ephrata Cloister." Below is written: "Made for Doneckers/ Ephrata, Pa./ Limited Edition/ #116."
Redware plate, shaped over a mold, with gently curving sides rising to a coggled edge. Top has incised image of a one of the buildings at Ephrata Cloister, the Saal. Colored orange-brown (caramel) with green touches on foliage. Brownish red band at edge.
Tin glazed on top only. Impressed on bottom is a tulip surrounded by "FOLTZ POTTERY/ REINHOLDS, PA." Foltz's signature above stamp and "1987" below. Also incised at top is "The Saal - 1743/ at the Ephrata Cloister." Below is written: "Made for Doneckers/ Ephrata, Pa./ Limited Edition/ #112."
Redware plate, shaped over a mold, with gently curving sides rising to a coggled edge. Top has incised image of a house and small outbuilding at Ephrata Cloister, the Conrad Beissel House. Colored orange-brown (caramel) with green touches on foliage.
Tin glazed on top only. Impressed on bottom is a tulip surrounded by "FOLTZ POTTERY/ REINHOLDS, PA." Foltz's signature above stamp and "1989" below. Also incised, at top, is "The Conrad Beissel House/ at the Ephrata Cloister." Below is written: "Made for Doneckers/ Ephrata, Pa./ Limited Edition/ #51."
Wrought iron, two-tine meat fork. Long narrow handle of flat bar stock, except for one short round section near tines end. Handle end is rounded, with hanging hole. Heavily decorated with semi-circles along edges of top, like scalloping. Stamped "H. R. EBY" near midpoint.
Two tines are rounded and curved down and back up as viewed from side. Tines have a rectilinear "U" shape configuration with sharp corners at shoulders.
See Notes
Mastersonville, Rapho Twp. and Penn Twp.
Provenance
Dealer purchased form from someone who in turn had purchased the iron collection of an Elizabethtown collector.
Compare with another Eby fork, 18.5" long, pictured on page 50 of J. Lasansky's book "To Draw, Upset and Weld."
Also Jason Miller, "A Directory of Lanc. Co., PA Blacksmiths," 2001, p. 27.
Light corrosion on top surface; heavier corrosion under handle.
Object ID
P.04.05.1
Notes
Eby was raised in Penn Twp. and later moved to Mastersonville, Rapho Twp. for most of his adult life, before retiring to Lebanon Co. He & Lizzie are buried in Penryn Cemetery.
1860 Census- age 4 in Penn Twp.
1870 Census- age 15, a "servant" in home of uncle? Chr. Ruhl, Brickerville
1880 Census - age 28 in Penn Twp.
1900 Census - age 44 in Rapho Twp.
1910 Census - age 54 in Rapho Twp.
1920 Census - age 63 in S. Londonderry Twp., Lebanon Co.
1930 Census - age 73 in S. Londonderry Twp., Lebanon Co. (No occupation listed)
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Wheel-thrown stoneware pitcher, gray ovoid body with extended neck and pulled spout. Applied handle. Clear salt glaze except for bottom and interior. Brushed cobalt decoration is foliate designs at both sides of spout, graceful leaf and flower design at front side with two pendant branches; both handle terminals highlighted with additional leafage extending from lower terminal. Decorative incised line at top of shoulder.
Badly chipped: 2 at spout, 1 at side of rim, minor ones at base along with one very large chip and one medium size. Rusty discoloration at one side with adjacent imperfections in finish likely from firing. Stained and soiled on bottom and interior.
Object ID
G.96.37.103
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Ironstone china fish platter; long rectangular white molded specialized dish with a realistic overglaze painting of a large fish filling the recessed center of the platter. Rounded corners and ends of platter. Raised decoration is an identical design of scrolled roping from which hangs a flower and two branches of leaves extending sideways. Bottom has a conforming foot ring and center ridge, both unglazed. Impressed mark on bottom is "B.S." over "M." within a square with clipped corners.
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Finely crafted miniature copper teakettle with tinned interior. Classic late 18th-early 19th c. kettle shape with round body, goose neck spout, hinged arched handle and fitted domed lid with globular knop.
Keyed/dovetail joint at back side. Handle attached to riveted tabs with elongated tomahawk bases. Fits in oval tin box G.00.03.2.
Lancaster County or region
Provenance
Ownership by donor's father, William A. Heitshu. Donor believes she was told teakettle was a salesman's sample.
Weathervane, sheet iron, with iron upright support and brackets. In the shape of an Indian striding forward with right arm raised while holding a long hatchet. Directional arrow (spear?) is below waist, slanting upwards.
Tin candle mold with 2 rows of 4, mounted on a raised rectangular base. The 8 molds incline toward each other at their tips and are soldered together for strength. Wire finger ring attached to one side of base and large looped strap handle at other side.
Provenance
Provenance before donor is unknown. Transferred from Heritage Center, December 2012.
Copper sculpting/modeling tool hand fashioned to create a flattened, spoon-like handle leading to a rounded shank ending in another flattened end bent at the tip to create a short 1/2" extension bent to nearly a right angle for working in clay or plaster. End is squared off. Crude but effective tool for sculpting bears marks of hammering, especially underside of flattened handle. Used by Lloyd Mifflin. Tool presumed to have been fashioned by Lloyd Mifflin himself from a length of copper. Provenance: Mifflin to the Minnich sisters to the groundskeeper at Norwood to donors.
Paperweight or keepsake of carved white marble has a carved reclining sheep, done in bas relief, is lying on a narrow ledge on an inch-thick slab of marble resembling a curved top tombstone. Incised name in block letters below the sheep: "E. M. Howell." Bottom edge below name is relieved with a carved cupid's bow design.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts. Great grandson Dick Witmer states E.M. Howell is certainly Howell's wife Elizabeth Michael who Charles married in 1841. She died 10-22-1877.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Paperweight or keepsake of carved white marble has a 3-D carved reclining sheep reclining on a half-inch-thick rectangular base, secured with a screw on underside. Base has chamfered top edges. Thin sheet of red rubber glued to underside of base.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Balance-type scale, body of cast iron, flat pan of bronze and large scoop-shaped pan of copper. Two large weights of bronze and six smaller weights of cast iron housed in pine box.
Scale (A) has heavy cast iron base supporting a pivoting/balancing armature. One end of armature has flat, round, brass pan while opposite end has four fingers of iron supporting a detachable copper pan shaped like a large oval scoop with a rolled edge. Base has remnants of original red paint and gold striping. "Fairbanks" is embossed on top of both sides of central base section. Brass plate near center of armature reads: "Pat'd. Dec. 18, 1877."
Eight weights are as follows:
(B & C) Two circular disks marked "2" at top center, signifying 2 lbs.
(D) One cast iron weight, pie-shaped, with embossed "1" at top center, signifying 1 lb. Lead infill stamped "S" on bottom.
(E) One cast iron weight, pie-shaped, with impressed "8" at top center, signifying 8 oz. Bottom has small lead infill, unmarked.
(F) One cast iron weight, pie-shaped, with embossed "4" at top center, signifying 4 oz.
(G) One cast iron weight, pie-shped, with embossed "2" at top center, signifying 2 oz.
(H) One cast iron weight, pie-shaped, with embossed "1" at top center, signifying 1 oz.
(I) One cast iron weight, pie-shaped, with embossed "1/2" at top center, signifying a half oz.
(J) Square, finger-jointed pine box, used for housing the eight weights.
Provenance
Donor states scale was used in the candy department at Woolworth's store on North Queen Street. It was later acquired by the family. Donor recalls that her mother Florence E. Werner Cohen (1895-1994) used the scales extensively for baking in her home since she sold baked goods at her Central Market stand.
Width includes large pan length. Length is pan to pan.
Condition
Good
Condition Date
2014-12-19
Condition Notes
Considerable wear, esp. to copper pan which is tarnished and dented. Food residues in crevices. Red-painted body is worn w/ light corrosion over some parts. Weights are well worn, esp. the two 2# weights which are covered in small gashes and have dark stains. Box is strongly deteriorated and held together with nails. Heavy soil with accretions.
Object ID
G.01.19.3a-j
Notes
This scale has a removable pan for scooping merchandise such as candy. Disc weights determined the weight of goods by counterbalanceing on the opposing flat pan. This balance scale was used in the candy department of Woolworth's and then at home for measuring backing ingredients.
Place of Origin
St. Johnsbury, Caledonia County, Vermont
Credit
Gift of Rheta e. cohen Stacy in memory of Florence E. Werner Cohen
Pin cushion with a compressed drum shape having leather-clad fabric of reddish-brown comprising the top and bottom and a band of light red silk or satin covering the sides. About 23 pins inserted into sides, including three that have globular heads. Undetermined stuffing.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Significant losses to leather, particularly at edges where it joins side band. Side band fabric is faded and worn with pin holes and one larger moth? hole of about 1/16".
Object ID
G.05.15.16
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Thimble of miniature but conventional shape, cast, non-ferrous alloy with silvery plating.
Child-sized thimble has very indistinct indentations on domed top and upper 2/3 of sides and a plain band on lower third. Rim at bottom has a pronounced raised edge. Vertical casting seams on opposite sides. Inscriptions: Each side of plain band has raised lettering with "FOR A/ GOOD GIRL."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
