On front, James Buchanan written along the top above a heatshot engraving of James Buchanan. Beneath the portrait, "IN GOD WE TRUST/15th President/1857-1861". On back, Statue of Liberty, showing top half only. "UNITED STATES OF AMERICA" written alongside the outer edge of the back of the coin. Underneath arm holding torch is "$1". "DE" inscribed in tiny letters on the cover of the book the Statue of Liberty is holding. Copper colored edges. "E PLURIBUS UNUM" inscribed on edge. "2010 P" and 13 stars also inscribed on the edge.
On front, James Buchanan written along the top above a heatshot engraving of James Buchanan. Beneath the portrait, "IN GOD WE TRUST/15th President/1857-1861". On back, Statue of Liberty, zoomed in to show only the top half of the statue."UNITED STATES OF AMERICA" written alongside the outer edge of the back of the coin. Underneath the arm holding the torch is "$1". "DE" inscribed in tiny letters on the cover of the book the Statue of Liberty is holding. Copper colored edges. "E PLURIBUS UNUM" inscribed on edge. "2010 P" and 13 stars also inscribed on the edge.
Three gold coins. #1. $5.00 piece. Front has Indian head with 13 stars, 'Liberty', '1912' around edge. Reverse side has 'United States of America', 'Five Dollars' around edge. Eagle, 'E. Pluribus Unum', 'In God We Trust'. Diameter is .813'. Width is .063.
Three gold coins. #1. $5.00 piece. Front has Indian head with 13 stars, 'Liberty', '1912' around edge. Reverse side has 'United States of America', 'Five Dollars' around edge. Eagle, 'E. Pluribus Unum', 'In God We Trust'. Diameter is .813'. Width is .063.
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Black two-piece dress with bodice and skirt. Black grosgrain (silk?). Bodice is simple with plain collar. Faceted jet buttons down front. Plain long sleeves. Fan-like 'tail' on back. Skirt is bustle-style. Heavy with short ruffle at bottom hem. Overskirt
Large trunk (a) with two large shelves (b, c) that lift out, and one smaller shelf (d). Exterior of the trunk has brown-striped canvas with three horizontal wood straps on the front, back, and hinged lid. There are wrought iron straps riveted at the corners of the trunk to reinforce the construction. Iron handles, one each side. Two sides covered with shipping labels.
One of twelve linen napkins. White damask with hunting scenes on outside. Stag hunting with horses and dogs. Scene on inner side of napkin is duck hunting. At one corner, embroidered in white is 'HLJ' with the Johnston crest of an arm and dagger.
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'J'. Eight-point star impressed into center of bowl's exterior base.
Traveling trunk. Large chest-shaped with metal sheet strips at corners. Studded wooden bands at front, back, and top over canvas-covered wood. Two metal catches on lid, remains of leather strap. Lid is rounded. Exterior has remnants of travel destination stickers and one end cap has Henry Elliot Johnston's initials stenciled 'HEJ'.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
One of three linen handtowels. White damask with thinly hemmed edges (c. .125'). Meander border with foliate design and center panels of ivy leaf border, meander dividers, and strawberry vines. 'HLJ' at bottom center in white with pink circle accents.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Floral applique block quilt of cotton. Sixteen 15" floral applique blocks of flowers on white ground. Flowers have blooms of various greens & browns appliqued together to create two different designs that alternate block by block. Flowers branch out in curves with leaves of black & green print and intricate flower buds.
Sashing, 2.5" wide, separates blocks with white strips edged with thin green strips. Inner border of 1-inch wide brown strip encloses blocks. In large outer border of white with mitered corners are graceful grapevines of grape clusters, leaves of the same green & black print as leaves in centerfield,and tendrils of chain stitch embroidery. Wide red binding w/ mitered corners wraps to back and is hand stitched. White cotton back of four panels. Thin cotton batting.
Hand-quilted with a grid in centerfield except for bold cable that is superimposed on sashing and brown inner border. Outer border has slanting parallel lines. One distinctive round flower 2.5" in diameter with 10 petals is found in outer border near one corner, near edge.
Card originally sewn on quilt (handwritten in ink): "Quilt made by Rebecca Rynard of Line Lexington Penna. 90 yrs ago - it has taken many 1st prizes at the State Fairs in both Montgomery Co & Bucks Co - Penna." Below is "Property of M.D.S. Elwell 524 Cedar Lane Swarthmore(?)"
Provenance
Wheatland record states history of ownership is unknown between maker and donor. Research shows most Rynards lived in Cumberland Co.
Soil and multiple scattered stains overall, esp. on back. Significant holes on front. Wide binding is worn at edge and fraying. Many seams deteriorating and separated.
Blue infant's dress. Silk taffeta. Hem and bodice lined with polished cotton. Sleeves lined with white cotton. Square neckline bound with self-fabric with drawstring in binding. Thirteen sets of tucks on either side of bodice and pressed toward center. Wide square neckline. Ornate bodice and sleeves with pin tucks, smocking, fabric covered buttons (3 on each sleeve, 8 on bodice front) and lace decoration, including edges of short, 5in, sleeves 1in band between bodice and skirt. Front center 3in of skirt is flat. Pleats facing center on both sides, front and back. 4in center back is gathered. Closure is 2 hooks and eyes at waist band in back. Decorative work around skirt, front bodice and on sleeves. Bodice lining and 3.5in interior hem of blue polished cotton fabric. Sleeves work in 2 fabrics together. Seems hand sewn.
