One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
One of 12 linen napkins. Square white damask cloth with two finished edges and two hemmed edges. Woven in white with cross-grain threads, central design circle of folded continuous ribbon with garlands of roses and bead-like strands 'hanging' from it. Embroidered 'B' at the corner of each napkin.
Reverse painting on glass mounted in an American Reverse Cove Gold Leaf Picture Frame, is a scene of Fort Washington from the Maryland side of the Potomac River. The moon is shaped from a piece of Mother of Pearl. The Fort served as one of the points of defense for Washington D.C. during the Civil War.
Reverse painting on glass mounted in an American 1850 Sully Gambose Picture Frame, is a scene of two houses in a rural setting near a meandering river with two people in a small boat and a sail boat down stream. The white facades of the houses are Mother of Pearl.
"Lancaster" is heading for a keystone with a young woman in a low-waisted yellow dress holding a wide-brimmed hat in her left hand. She is standing in front of a large red rose. "LEHammond" is printed beneath a stem with leaves below the young woman. "Pennsylvania" is printed at the top of the keystone and "The Garden Spot of America" is printed beneath the drawing, inside the keystone. 4 5-petaled figures outside the keystone: upper left, tall buildings; upper right, shocks of grain; lower right, church spires; lower left: airplane. In large black letters at the bottom: "A Healthful Place to Live." Printed at lower right: "Lucretia E. Hammond/ 541 North Mary Street/ Lancaster, Pa./ Sophomore/ S.H.S." Beside this, in pencil, is "1929."
Black and white photograph of the Plough/Plow Tavern, located at the corner of West King and Charlotte Sts. Framed in original, simply molded brown wood frame, photo (4.75" x7.75 ") mounted on gray mounting board. Tavern is seen at left side of the photo, showing a stone 2-story building. The facade indicated a center door flanked by two windows and two dormers on the roof.
Building was demolished on April1, 1924. This photo appears to show gutted windows, likely indicating that the building was in the process of demolition, suggesting a 1924 date.
Two stickers on the back read: "George Washington Dined at the Plough during his visit to Lancaster in 1791" and "The Marquis de Lafayette was entertained at a dinner in his honor at the Plough during his visit to the U.S. in 1824." (Wendell Zercher)
(More information in the file.)
Date Range
1924
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 5
Storage Cabinet
Unit 43
Storage Shelf
Shelf 2
Storage Drawer
Bin 2-K
Object Name
Photograph
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
33.02
Width (ft)
1.0833333333
Width (in)
13
Condition
Good
Condition Date
2004-06-01
Condition Notes
Original framing; deteriorating on reverse with dust cover loss. New brads used in securing framing. Frame has some damage.
Pastel drawing of Ann Slaymaker O'Reilly by Florence Starr Taylor.
Description
Pastel drawing of Ann Slaymaker O'Reilly by Florence Starr Taylor. Woman is seated, shoulder length dark hair, brown eyes. String of pearls around neck. Black and red off-shoulder dress. Signed "FLORENCE / STARR / TAYLOR / 1946" lower right corner.
Ann Slaymaker, born November 13, 1925 was the daughter of S.C and Martha Slaymaker.
Large square brown wool blanket has a line design woven at one end comprised of natural and brown dyed wool. All four sides of the blanket have fringe. Has wide and narrow white and brown stripes across the width of the blanket.
Rococo-influenced porcelain vase with a white reserve of putti centered on a red urn-shaped body surmounts a gilt flattened ring that defines the top of the layered pedestal base.
Two curved handles in a gilt and pink vine motif are attached beneath the top edge of the vase. The body is painted red with gold foliage through flowering vines. A white spray on the face of the body is dominated by a transfer print image that depicts four women in flowing gowns.
Watercolor of Lancaster County farm, title "FAIRVIEW FARM/ HOME OF AMOS BOWMAN" at bottom. Done on paper pasted down on acidic board (on reverse is printed: "WINSOR & NEWTON'S...38, RATHBONE PLACE, LONDON, ENGLAND." Paining is done over a pencil sketch, lines still visible. Artist employed a muted palette with a predominant use of gray.
Within a line border is a stone farmhouse surrounded by tall trees, barn and other outbuildings. Five people are busy working on the property. Road passes in front of farm and is bordered by two white picket fences. An uncovered Conestoga wagon and a horse and buggy are passing on the road. In the forground is an open pasture with grazing cows.
Amos Bowman was born in Providence Twp, Sept. 25, 1849. His father was a Reformed Menno. minister & bishop, but Amos became a farmer and eventually bought his present 60-acre W. Lampeter farm from Abraham Herr in 1868. He married Barbara Weaver, also a child of a Ref. Menno. minister (Joseph Weaver). The had no children and were active in the Reformed Mennonite Church. Amos was also active in the affairs of the twp., but since 1870 has been retire from both public affairs and farming. (p. 829 of Biog. Annals)
More information in file.
(Written by Wendell Zercher)
A monogram "JCR" is painted by artist at bottom right. Attributed to Julius R. Capel Rowley, artist & illustrator, who painted similar watercolors of homesteads for many individuals who were subjects of the 1903 Biog. Annals of Lanc. Co. Interestingly, Amos Bowman did not pay to have his farm included in the publication like so many other. Artist resided at 115 N. Lime St. in 1903 (City Directory). Rowley was the son of Rev. Julius Henry Rowley, M.A., rector of Walsby, near Market Rasen, England
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Yellow ribbon pinned behind a gold-colored metal pin as if hanging behind a relief curtain rod and valance. In black letters on ribbon: "BUSINESS/ MEN'S/ CLUB/ - / McKINLEY/ AND/ ROOSEVELT./ -/ 1900."
Paper sticker on back of ribbon: "Erisman,/ Badges, Banners, Flags/ Lodge Supplies/ Manufacturer's Agent,/ Lancaster, Pa."
