Three leaves of family record pages of the Long family Bible have penwork by Francis Blum, David C. Hoke and Thomas J.Stevens.
P.94.15.02 A: Printed on the front side only, this page is dominated by a huge gold wedding ring and other symbols of marriage. Entries made in ink script state that William Long and Ella E. Shimp were married in East Petersburg, on March 4, 1900, by A.S. Hottenstein.
P94.15.02 B: Framed page shows both sides. Front side repeats marriage info of William and Ella (E. Shimp) Long, done in pen work of Francis Blum whose name is written at the bottom of the page. Elaborately decorated "W" initial letter of William Long. This oversize letter dominates the page. Blum uses various styles of lettering for remaining entries. Decoration is done in red and black ink as well as watercolor.
The reverse side lists the births of William and Ella Long and their five children (Norman S., Mary Edna, Raymond S., William S., and C. Earl Long). The first 3 names are by Blum, but the last two children's entries are done in different hands; William is done by David C. Hoke and Earl is done by Thomas J. Stevens. Signed at the bottom "David C. Hoke, Lititz, Pa., June 21, 1910".
P94.15.02 C: Front side has heading "DEATHS", reverse has "MEMORANDUM". No entries on either side.
Pages have ragged edges where torn from Bible; overall acid burn with some dark stains and soiling; reverse side of page C has residue and paper loss at bottom left corner and top right corner.
Page B was mounted and framed by Brian Howard in 1996. It shows both sides of page.
Object ID
P.94.15.02a-c
Notes
P.94.15.01 A-B records have for more work by Blum and Hoke.
The Long and Walborn families were related due to intermarriage by two children (Alverta Walborn and Raymond Long).
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Two leaves from the Isaac and Annie (W. Shearer) Walborn family Bible, with pen work by Francis Blum and David C. Hoke
P94.15.01 A: This leaf is the record of marriage. Front side has printed scene of marriage ceremony with entries made with ink in cursive handwriting. Isaac Walborn of Mount Hope and Annie W. Shearer of Mastersonville were married at Manheim, PA, July 14, 1900, by M.E. Bachman, "Minister of the Gospel".
Reverse side has the heading "MARRIAGES" over a scene depicting a flower-festooned gondola with bride and groom under canopy. The single entry of Isaac & Annie Walborn's marriage is made by Francis Blum, whose signature appears at bottom right. Penwork is done in red, green, and blue.
P94.15.02 B: This has the record of "BIRTHS" on the front side and "DEATHS" on the reverse. Under the headings are appropriate images: an infant emerging from a large clam shell under "BIRTHS", and an angel kneeling by a grave under "DEATHS". Birth names of the parents and four children (Viola S., Joseph S., Leona May, and Alverta S. Walborn) as well as the heading "Children" are done in calligraphy by David C. Hoke, in colors of red and blue. Entry at the bottom of the page states "David C. Hoke Lititz Pa. Dec. 10 1912"
The reverse side, on "DEATHS" page, exhibits two more names done by the same hand as the front. Hoke has written the names Viola S. Walborn and Joseph S. Walborn in the same calligraphic style as the front. However, the death entries of Annie and Isaac are entered in cursive at a much later date (after 1945).
Note: In Francis Blum exhibit at Muddy Creek Farm Library 2003-2004. "Guest curator" John Parmer's genealogy research is included in this file.
Both leaves have torn edges where removed from the Bible; acid burn & soiling, especially along edges. Page A has food (or other) stains smeared in several places & tape-repaired 1 1/2" tear at bottom. Page B has four small tears along the edges.
Both leaves were mounted and framed side by side by Brian Howard in 1996.
Object ID
P.94.15.01
Notes
P.94.15.02 A-C records have for more work by Blum and Hoke.
The Long and Walborn families were related due to intermarriage by two children (Alverta Walborn and Raymond Long).
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Small teacup (A) and saucer (B), white-bodied china. (A) Round teacup has scalloped base including four projecting feet. Rises with an inward curve before curving outward at lip.decorated with applied dark blue petals flanking a circle of applied light blue-painted flowers centering in gold-stampled lettering: " Souvener/ of/ Lancaster/ Pa." Body has molded flowers embossed around top and branch-like handle applied at side. Gold painted trim on one side of handle, the lip, and applied flowers as well as three stamped flowers at each side.
(B) Saucer (4 3/4" dia.) has embossed foliate design on top; small foot ring. Gold painted line on outer edge and inner line circle at central depression. Does not match teacup and may be a later addition.
(A) Teacup stamped on bottom with a crown over a shield with the monogram of "TGC"(?). Impressed nearby is a number, possible "1912" or "1917". (B) Saucer is stamped "MADE IN GERMANY" within a circle. The number "50" is stamped in gold.
Provenance
Donor believes this set was purchased at Woolworth's store in Lancaster.
Chippendale style miniature blanket chest form. Mahogany-stained softwood, dovetail contruction, Lid with brass butt hinges, four ogee bracket feet. Edge molding on lid; chest bottom extends beyond sides to create look of molding. Interior till at left. All surfaces stained and glossy-varnished. Large brass batwing lock escutcheon; silvered key. Top of lid has central relief-carved cartouche incorporating the monogram of Frances Mayer Hershey "FMH" according to Clarke E. Hess. He believes chest was commissioned by Frances' grandparents Henry M. and Frances Mayer. Pencilled in cursive on bottom is "M. Mayer Rohrerstown." Frances' parents were Harry E. Hershey and Dora E. Mayer.
Attributed to Henry Slough, Sr. workshop.
Provenance
Descent from Frances Mayer Hershey to son Henry R. Outin. Purchased by Heritage Center at estate sale of Henry Outin of 2107 Wood St., Rohrerstown, held by Shaub at Willow Street Fire Hall. According to Clarke E. Hess, Outin died just a few months before the Sept.sale. He was the only child of Frances Mayer Hershey and her French husband, (?) Outin. Clarke recalls this couple lived in Algiers and perhaps other places abroad. Frances M. H. Outin left America with her husband in 1928, putting all her belongings in storage until she returned as a widow in 1967, at wich time Hess Builders built a home for her behind the Rohrerstown Mennonite Church. Mrs. Outin died later at age 92.
Lid is strongly abraded, notably a large oblong outline. Minor wear and abrasions overall. Several small cracks at left front at dovetails and a 2 3/4" long crack at midline. Interior abraded and scarred with accretions.
Object ID
P.00.38.1
Place of Origin
Lancaster
Credit
In memory of Anne Bausman Woodcock by Sally Slaymaker & Caroline S. Nunan
Baskets quilt, all cotton, has 16 pieced blocks on point alternating with white blocks. Pieced blocks center a basket of a yellow foliate print and a red print of small squares, all on a ground of the same red print. The yellow basket handle is appliqued. The 5"-wide outer border, the back, and the applied binding, are white cotton. Cotton batting.
Hand-stitched quilting designs, pencil lines still visible. The basket blocks have 2 strings of diamonds, a triangle, 3 hearts and a fleur-de-lis. Alternate white blocks have a large flower at center and a 3-leaf motif in each corner. Perimeter open triangles have a diamond grid. Border has running cable.
Provenance
Quilt was made by Elenora Brackbill, donor's aunt, who lived and died in Strasburg area. Donor believes the quilt was made for her own birth (Oct. 16, 1913). Elenora was a single woman and a "practical" nurse who assisted with births, nursing adult patients and cleaning. Elenora first lived in one half of the house on the family farm with her single sister Mary. The family farm was located near the Strasburg Mennonite cemetery just west of Strasburg.
Elenora and Mary then moved to 209 W. Main St. in Strasburg when donor was in her 20s (i.e., 1930s). Elenora died at age 95 and is buried in Strasburg Mennonite cemetery. Donor recalls the family all attending St. Michael's Lutheran Church on E. Main St. They were not Mennonite and did not dress plain. Maker's parents were Amos Brackbill (1840-1913) and Hannah Catherine Bair Brackbill (1849-1922).
Quilt was never used according to donor, however there are minor stains and soiling at various points on front and back, including some acid burn where likely exposed to wood. Pencil marks for quilting very evident.
Object ID
G.01.46.01
Place of Origin
Strasburg
Credit
Gift of Hannah C. Brackbill, Heritage Center Collection
Log Cabin quilt, Straight Furrow variation. Made of pieced cotton prints; over 30 different prints are used in the 30 blocks. The design creates diagonal "stripes" of alternating dark and light colors. Center square of all blocks is the same pink floral print. A 6" outer red print forms border and also binds edges, turned and stitched to back. Back is a dark brown print of circles on flecked ground.
Lancaster County or region.
Quilting is inexpertly hand stitched in white, running in straight lines down the center of each "log".
An "X" in the center square of each block.
Provenance
Unknown provenance. Donors were dealers and acquired this quilt as part of their personal collection.
Quilt is white cotton, top and back, with appliques of potted floral design done in solid red and a green with lesser yellow highlights. Pattern is often called "Pot of Flowers." Center is divided into quadrants with an identical large flowering & fruiting potted plant supporting 4 birds in each, creating a symmetrical design.Ornate pot has handles and the branches have leaves of stylized oak, tulip and cucumber. Border has a pair of wide-spreading flowering & fruiting plants on each side and a bird perched on a smaller sprig at each corner.
Blue is used only on the tail of the four corner birds. Red cherries cluster around branches on each plant; yellow ones at branch tips only. Cherries are cotton-stuffed balls stitched to quilt top only. Chain-stitch embroidered stems done in white thread.
Quilting is done in a fine grid (about 1/2") of blue contrasting thread over entire surface. Binding is red and batting is sparse or nonexistent..
Attributed to Sarah Annie Maisey Marker Smith (22 February 1883 - 22 December 1965). Married twice, she had 7 children & made quilts for many if not all. The family called them "cherry quilts." See Notes.
Provenance
Donor reports quilt was acquired by his wife's parents, Lynn and Lois Langdon, who lived in Idaho and were antiques collectors. At an auction in Oregon state (c.1987-88), the quilt was described as a "Pennsylvania wedding quilt." The Langdons purchased it, thinking it would be appropriate for the Lancaster bed & breakfast "The Patchwork Inn" run by donor and his late wife. (Donor's wife, Joanne, died some time ago. He remarried and they continued the B&B for another 10 years.) The Martins had a collection of over 100 quilts in this B&B. Now retired, donor is finding homes for many of the quilts.
Bio. info on maker Sarah Annie was obtained by Trish Herr from Morgan Anderson (see file). Quiltmaker lived on Easterday Rd, north of Myersville, MD.
Red binding and many stuffed cherries heavily worn. Loss of 2 cherries on one of the large quadrant plants. Minor soiling with some liquid stains, mostly around edges. Reverse has light acid burn at some fold lines. Along one quilt edge are spaced eleven minor holes, probably where tacked up for display in B&B.
Object ID
G.02.47.01
Notes
Applique quilts such as this cherry type "Pot of Flowers" design with its color palette of red and green were being made circa 1850s-1870. Red and green applique quilts were popular in the East, then spread westward where they remained popular during this time, then faded. Two more Pot of Flowers are dated 1902 and 1904, but really had a significant resurgence in the1920s and 1930s. See Connie Nordstroms, "One Pot of Flowers Quilt Pattern -- Blossoming through Centuries", Vol. 23 of the Research Papers of the AQSG, 2002 in file.
Place of Origin
Myersville, Frederick County, Maryland
Role
Quiltmaker
Credit
Given by the W. Lee Martin family in memory of Joanne M. Martin, Heritage Center Collection
Nine-Patch Quilt with 4" square blocks set on point. Pieced cotton blocks composed of many multicolored prints and 2 solids (cheddar and tan). Alternate blocks are a pink print.
Nine-patch blocks arranged in 12 rows of 12 each. Top and bottom have floral print border on a dark gray ground; one is 3.5" wide and one 4.5" wide. Same print used as a binding, machine stitched to front, wrapped and hand stitched to back. Back is a cotton print of alternating floral and plain stripes.
Quilting is not carefully executed and uses sometimes white and sometimes tan thread. Parallel lines run through corners in both directions. Pink print blocks have added quilting around edges. Two borders have a repeating chevron design.
Amish Bars pattern Quilt, rectangular, pieced in gray synthetic fabric and black cotton. Back is pieced green cotton and is brought forward to create a 1/4" binding, which is secured with hand stitching. Quilting stitches in dark thread, mostly diagonal. No batting is evident.
January 26 & 1916 quilted into two different bars, diagonally opposite each other.
Due to the strong use of black, it indicates an origin outside of Lancaster County, most probably Ohio. Good comparison piece to Lancaster County Bars quilts
Provenance: Brockman purchased quilt from Kate Kopp of American Hurrah c.1994 in NYC.
Significant number of holes and losses, especially near binding. Some fading.
Amish quilt with a Goose Tracks pattern is made of polished cottons in light green, dark red and light blue. Pieced Goose Tracks blocks of red and blue appear on a center field of green. Of the 25 blocks, 13 are pieced, alternating with the remaining plain green blocks.
Outer border, 12" wide, is dark red. Blue binding is one inch wide. Reverse is a crepe wool of very dark purple/burgundy.
Perhaps Indiana
Quilting is hand done in white thread. Plain green blocks have a feather wreath with cross-hatched center. Goose Track blocks have a large-scale cross-hatch pattern. Border has a symmetrical arrangement of large motifs spaced distinctly apart from each other. Smaller tulip at center and two flanking, unusual feathers leaning away from tulip. Corners are delineated by piecing & quilting stitches. Each corner is quilted with a floral reel using 4 tulip-like flowers.
Most evident is the faded and soiled binding. Large semi-circular dark stains throughout red border. Strange streak-shaped fade marks mostly following one center fold line. White muslin is basted along one edge of reverse to create a crude sleeve.
Perhaps made in Indiana due to extensive use of red and pastels.
Most prominent is the faded and soiled binding. Large semi-circular dark stains throughout red border. Strange streaks of fading mostly follow one center fold line. A crude sleeve of white muslin is basted along one edge of back.
Object ID
G.08.17.02
Credit
Gift of Joanna S. Rose, Heritage Center Collection
