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https://collections.lancasterhistory.org/en/permalink/f91b95d5-85cf-482d-a6e8-871332904644
Collection
Daniel Reiber Collection
Title
Daniel Reiber Collection
Object ID
MG0210
Date Range
1805-1981
, George Oliver Subject Headings: Clippings (Books, newspapers, etc.) Diaries Genealogy Letters Obituaries �230 North President Avenue • Lancaster, Pennsylvania 17603-3125 717.392.4633 • www.LancasterHistory.org Search Terms: Bangor Episcopal Church Caernarvon Cemetery Caernarvon Cemetery Association
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Collection
Daniel Reiber Collection
Title
Daniel Reiber Collection
Description
The Daniel Reiber Collection contains the personal papers of Martin Bickham, who married Mme. Emilie Raymonde Adeline Eugenie Rivalz de St. Antoine in 1805. Many of the documents and letters are in French, some have been translated into English. There is genealogy tracing lines of the McCamant, Jenkins, McCaa, and Andes families from 1722-1942. Obituaries, correspondence with the McCaa family, and deeds for the Caernarvon Cemetery are among other items in the collection.
Date Range
1805-1981
Year Range From
1805
Year Range To
1981
Date of Accumulation
1805-1981
Creator
Reiber, Daniel Grube, 1910-1990
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
Archives South
Storage Wall
Side 05
People
Rivalz de St. Antoine, Emilie Raymonde Adeline Eugenie
Andes, John B.
Bickham, Alfred
Bickham, Stephen Girard
Bickman, Martin
Buchanan, James
Carpenter, William
Collins, Lavina Bickham
Curwen, Joseph
Diffenbaugh, Peter
Diller, Edwin Carpenter
Diller, John Vagan
Frailey, Charles R.
Girard, Stephen
Grube, Daniel Houder
Hull, Isaac
Hull, Louisa
Larramendi, Joseph Jean
Line, Gabriel
Marks, Elizabeth
McCaa, David G.
McCaa, David Jenkins
McCaa, James
McCaa, William J.
McCamant, Alexander
McCamant, James B.
McCamant, Thomas J.
McCamant, Wallace
McMichaels, William
Reed, George
Rivalz, Martin Stephen
Roland, George Oliver
Subjects
Clippings (Books, newspapers, etc.)
Diaries
Genealogy
Letters
Obituaries
Search Terms
Bangor Episcopal Church
Caernarvon Cemetery
Caernarvon Cemetery Association
Clippings (Books, newspapers, etc.)
Correspondence
Delaware River
Diaries
Finding aids
Genealogy
Leacock Twp.
Letters
Manuscript groups
Marriage certificates
Newspaper clippings
Obituaries
Port Louis, Mauritius
Raccoon Island, Gloucester County, New Jersey
Extent
1 box, 14 folders, .25 cubic ft.
Object Name
Archive
Language
English, French
Object ID
MG0210
Location of Originals
LancasterHistory, Lancaster, Pennsylvania
Associated Material
See collections related to Martin Bickham at the Historical Society of Pennsylvania.
See collections related to Martin Bickham and Stephen Girard at Girard College.
Related Item Notes
McCaa Collection (MG0281)
Notes
Preferred Citation: Title or description of item, date (day, month, year), Daniel Reiber Collection (MG0210), Folder #, LancasterHistory, Lancaster, Pennsylvania.
Access Conditions / Restrictions
No restrictions.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at research@lancasterhistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-210
Classification
MG0210
Description Level
Fonds
Custodial History
Processed and finding aid prepared by CF, Summer 2011. Added to database 20 February 2022.
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Archive

https://collections.lancasterhistory.org/en/permalink/44a8170c-e467-452e-8cdb-075997491039
Collection
Lloyd Mifflin Collection
Title
Lloyd Mifflin Collection
Object ID
MG0059
More detail
Collection
Lloyd Mifflin Collection
Title
Lloyd Mifflin Collection
Description
This collection contains the papers of Lloyd Mifflin, including diaries, his poetry, typescripts, galleys with marginal notes, Mifflin family material, and a scrapbook of newspaper clippings. Lloyd Mifflin was a poet and painter from Columbia, Pa. He is best known as a writer of sonnets, publishing over 500.
Admin/Biographical History
Lloyd Mifflin (1846-1921), artist of landscape and portraiture, was also "America's greatest sonneteer." He was born and lived much of his life in Columbia, Lancaster County, Pennsylvania where he was free to wander the banks of the Susquehanna River and its tributaries.
His father, J. Houston Mifflin, of English Quaker descent, was Lloyd's first teacher in drawing and sketching. His mother, Elizabeth A. Heise, came from German heritage. She was born in Columbia and died when Lloyd was very young. His father, a kind and patient man, noted that Lloyd was a rather weak child and provided equestrian and water sports to improve his health.
Lloyd was taught in the public schools in Columbia, including the Washington Classical Institute. The Mifflin family supported local education by bequeathing two houses from their estate, the cottage known as "Norwood" and the grand house, "Cloverton," as well as the estate itself. The school district annually planted a flower on his birthday, September 15, and read one of his sonnets, "A Picture of My Mother."
At the age of 14, Lloyd undertook drawing and sketching with his father. He also had Thomas Moran as an instructor in painting and worked with Isaac Williams of Philadelphia for a short time. In 1869, he traveled to Europe where he studied with Henry Herzog at Dusseldorf, Germany. His adventures also took him to Italy, France, England, and Scotland. He returned to Columbia from Europe and continued painting scenes from along the Susquehanna-from Cooperstown, NY to the Chesapeake Bay. As did most other painters of the time, he earned money from portraiture.
In his paintings, he captured the natural with refined color and light, which yielded firm and balanced forms. He preferred to capture the peacefulness of a woodland path or other quiet spots, rather than the noise of an industrial area. Later in his life he liked seasonal paintings, since they gave him a chance to probe deeper into a philosophical spirit.
Mifflin turned to poetry at the age of 51. According to what he wrote in The Hills, his first volume of poetry (1896), he claimed that the fumes of the paint made him sick. In his lifetime he filled twelve books of verse with two hundred poems and more than six hundred sonnets. He wrote more sonnets than William Shakespeare, John Milton, and William Wordworth. John Keats, however, was his favorite. He preferred Keats for his expression regarding the love of beauty, both real and ideal; his forms were always poised and dignified. During this time he also taught himself the art of etching, using this technique to illustrate The Hills.
Mifflin stressed a strong love of beauty in his poetry as he did in his painting. His imagination and beautiful sense of harmony characterize his verse. The main source of his ambition, inspiration and consolation are clearly seen in The Invocation.
He devoted his greatest efforts to the category of the sonnet, considering it the most distinguished and exalted of all forms of English poetry. He enjoyed the structure, the metrical and rhythmic beauty, the plan of metrical rhyme and diction. Mifflin found it much like a musical composition.
Sonnets bipartite in structure usually have a combination of eight lines followed by six. The rhyme schemes and diction include many metaphors and an extensive vocabulary. His one hundred and fifty nature sonnets emphasize the descriptive, not the intuitional. To sample his poetic styles, one should turn to his three hundred and fifty collected sonnets, published in 1905 with a second edition in 1907. A large number came from earlier books.
As a poet, Mifflin was an idealist and respected the ideal of Greek mythological beauty. In the Echoes of the Greek Idylls and Slopes of Helicon, we find no roughness of spirit. There was a conscience of a spiritual presence. His religious sonnets were grounded in the faith of a personal God which related more to his aesthetic feelings than to traditional Christianity. Themes of life and death occur in many sonnets. His poetry inspired faith, hope and deep emotion. These sonnets were more descriptive than philosophical.
Mifflin's personal ambition was to excel; he wanted to write the perfect sonnet. Like the classical Greeks, he hoped his poetry would obtain an immortality. Mifflin thought the world had largely ignored him, even though his poetry received high praise. At his life's end he changed his opinion and credited his readers with more accolades than he had earlier thought. Perhaps he was too hard on himself. Lloyd Mifflin carried the name "Hermit of the hills" who walked the 'world as one entranced' and 'in life's turbid wave', dropped ' the crown-jewel of his melody.'"
E. Hershey Sneath. America's Greatest Sonneteer. The Clover Press (Geo. D. Hall): Columbia, PA.,1928.
Year Range From
1751
Year Range To
1965
Creator
Mifflin, Lloyd, 1846-1921
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
Archives South
Storage Wall
Side 02
People
Howarth, Shirley
Mifflin, Houston
Mifflin, Lloyd
Stauffer, Nevin A.
Subjects
Artists
Painters
Search Terms
Artists
Columbia
Diaries
Illustrations
Painters
Poetry
Poets
Press reviews
Scrapbooks
Sonnets
Susquehanna River
University of Pennsylvania
Wills
Extent
2 box, 26 folders, 1 cubic ft.
Object Name
Archive
Language
English
Object ID
MG0059
Location of Originals
LancasterHistory, Lancaster, Pennsylvania
Related Item Notes
J. Houston Mifflin Collection, MG-150
Lloyd Mifflin paintings and other items in the Curatorial Collection
Photograph Collection
Access Conditions / Restrictions
No restrictions.
Copyright
Collection may not be photocopied. Please contact Research Staff or Archives Staff with questions.
Credit
Lloyd Mifflin Collection (MG-59), Folder #, LancasterHistory.org
Classification
MG0059
Description Level
Fonds
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